DISRUPTION

The Principle of Disruption. A Figure Reflecting Complex Societies

 Coordinatore TECHNISCHE UNIVERSITAET DRESDEN 

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 Nazionalità Coordinatore Germany [DE]
 Totale costo 1˙291˙000 €
 EC contributo 1˙291˙000 €
 Programma FP7-IDEAS-ERC
Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call ERC-2012-StG_20111124
 Funding Scheme ERC-SG
 Anno di inizio 2013
 Periodo (anno-mese-giorno) 2013-01-01   -   2017-12-31

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    UNIVERSITAET SIEGEN

 Organization address address: HERRENGARTEN 3
city: SIEGEN
postcode: 57072

contact info
Nome: Katja
Cognome: Bieler
Email: send email
Telefono: +49 271 740 4977
Fax: +49 271 740 14977

DE (SIEGEN) beneficiary 266˙627.75
2    TECHNISCHE UNIVERSITAET DRESDEN

 Organization address address: HELMHOLTZSTRASSE 10
city: DRESDEN
postcode: 1069

contact info
Titolo: Dr.
Nome: Lars
Cognome: Koch
Email: send email
Telefono: 4915160000000
Fax: 4935150000000

DE (DRESDEN) hostInstitution 1˙024˙372.25
3    TECHNISCHE UNIVERSITAET DRESDEN

 Organization address address: HELMHOLTZSTRASSE 10
city: DRESDEN
postcode: 1069

contact info
Titolo: Mr.
Nome: Bertram
Cognome: Skibinski
Email: send email
Telefono: +49 351 463 42191
Fax: +49 351 463 39742

DE (DRESDEN) hostInstitution 1˙024˙372.25

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

social    cultural    formulas    societal    description    disruption    media    perception    societies    self   

 Obiettivo del progetto (Objective)

'Disruption' is presented as a starting point for the analysis of formulas of societal self-description. Since the increasing susceptibility of complex societies to disruption cannot be managed solely by technology and the social sciences, it is necessary to develop a new form of cultural criticism which critically reflects on the interaction of societal sub-systems. Therefore, the objects to be studied are strongly repercussive narratives which construct political and socio-cultural coherence through the symbolic reintegration of disruptive incidents - e.g. terrorist attacks, rampage shootings, technical accidents, new diseases. The analysis of this poetics of social normalisation is intended to contribute to resolving the - for complex societies - constitutive problem of self-interpretation. The project is innovative in that it frees the concept of disruption from its restrictive use in media theory, reformulates it culturally and narratologically, and facilitates a correlation of hitherto unrelated subject areas, within the interdisciplinary framework of literary and media studies, the history of ideas and the sociology of culture. Thus, the diagnostic potential of literature, film and TV series in the perception and processing of disruption will be re-defined. These fictional-narrative art forms are conceptualised as cultural scripts, in which one can discern the fear-laden scenarios of disruption that shape the outlook of Western societies. The project also examines the calculated mise-en-scène of disruption using the example of contemporary art, which because it interrupts routines of perception and communication, especially when an artwork provokes a scandal, questions formulas of societal self-description. By focusing on narrativity and performance, the project generates - via the principle of disruption - a figure of reflection that traverses disciplinary boundaries, enhancing the capability of cultural studies to comprehend processes of social integration.'

Altri progetti dello stesso programma (FP7-IDEAS-ERC)

ACTIVE_NEUROGENESIS (2010)

Activity-dependent signaling in radial glial cells and their neuronal progeny

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MUMID (2010)

"Multimodal tools for Molecular Imaging, Diagnostics and Therapeutics"

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MEDIA AND POLICY (2008)

The impact of mass media on public policy

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