OLD HISPANIC OFFICE
"Shaping text, Shaping melody, Shaping experience in and through the Old Hispanic office"
| Coordinatore | UNIVERSITY OF BRISTOL
Spiacenti, non ci sono informazioni su questo coordinatore. Contattare Fabio per maggiori infomrazioni, grazie. |
| Nazionalità Coordinatore | United Kingdom [UK] |
| Totale costo | 1˙470˙658 € |
| EC contributo | 1˙470˙658 € |
| Programma | FP7-IDEAS-ERC
Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013) |
| Code Call | ERC-2012-StG_20111124 |
| Funding Scheme | ERC-SG |
| Anno di inizio | 2013 |
| Periodo (anno-mese-giorno) | 2013-02-01 - 2018-01-31 |
Partecipanti
| # | ||||
|---|---|---|---|---|
| 1 |
THE UNIVERSITY COURT OF THE UNIVERSITY OF ABERDEEN
Organization address
address: KING'S COLLEGE REGENT WALK contact info |
UK (ABERDEEN) | beneficiary | 12˙000.00 |
| 2 |
UNIVERSITY OF BRISTOL
Organization address
address: TYNDALL AVENUE SENATE HOUSE contact info |
UK (BRISTOL) | hostInstitution | 1˙458˙658.00 |
| 3 |
UNIVERSITY OF BRISTOL
Organization address
address: TYNDALL AVENUE SENATE HOUSE contact info |
UK (BRISTOL) | hostInstitution | 1˙458˙658.00 |
Mappa
Word cloud
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Obiettivo del progetto (Objective)
'Scholars have neglected Iberia’s early-medieval Christian liturgy, reflecting the insurmountable difficulties the non-pitch-readable music notation presents for conventional methodologies. This project’s trans-disciplinary methodology integrates the study of melody and text across the Old Hispanic liturgy for the first time. With theologians and musicologists, I will explore the potential the Old Hispanic chants had for promoting a particular religious experience within an almost-forgotten liturgy. Together, we will bring the many-layered and cross-referential Old Hispanic approach to text choice, musical punctuation and melodic pacing explicitly to the attention of modern composers, encouraging them to explore compositional processes that evoke similar spiritual responses. The composers will act as a communicative channel between the pure scholarship demanded by the Old Hispanic material, and contemporary concert audiences and congregations. We will produce a team-authored book, several peer-reviewed articles, a series of publicly performed compositions, an EU-workshop and an International Festival of new music inspired by the project findings. The Old Hispanic liturgy is one of the musical, intellectual and theological jewels of our European cultural heritage, and this project will give a wide audience a holistic understanding of its richness.'