Opendata, web and dolomites

MISWORD

Misshaping by Words. Literary Caricature between Texts, Images, and Mental Models

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 MISWORD project word cloud

Explore the words cloud of the MISWORD project. It provides you a very rough idea of what is the project "MISWORD" about.

unconventional    overview    inner    isolating    universals    definition    neurocognitive    world    object    perception    newspapers    anthology    medical    caricature    literary    patterns    hybrid    theoretical    showing    suggests    anthropological    cultural    deforms    representation    textual    hidden    contributed    broad    grouping    inquiries    image    outer    link    trace    methodological    balances    brain    itself    framework    feelings    philosophical    book    codes    wideranging    words    media    insofar    style    relationships    inhabits    mental    neuroscientific    emphasising    drawing    historical    models    texts    right    meanings    reveals    emotions    space    similarly    images    speech    visual    subjectivity    tradition    anatomical    schemas    inscribed    perspective    misshaping    interface    conceived    interact    french    enhanced    variables    italian    english    scientific    uncovers    periods    genesis    perceives    dimension    evolution    skin    provides    connected    digital    hierarchies    sense    body    illustrated    literature    examples    beings    cognition    social    inherently    figure    verbal    questions    exaggerating    human    comprehension    facts    power    cross   

Project "MISWORD" data sheet

The following table provides information about the project.

Coordinator
QUEEN MARY UNIVERSITY OF LONDON 

Organization address
address: 327 MILE END ROAD
city: LONDON
postcode: E1 4NS
website: http://www.qmul.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://blogs.history.qmul.ac.uk/litcaricature/
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-02-01   to  2019-01-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    QUEEN MARY UNIVERSITY OF LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

Neuroscientific research suggests a link between the style of caricature and neurocognitive procedures of perception: the brain perceives reality and makes sense of it by isolating and emphasising patterns. Similarly, by misshaping and exaggerating visual features, caricature provides an enhanced perception of facts and feelings, uncovers hidden aspects of reality, and reveals unconventional knowledge about the world. Insofar as the image of the human figure is a space where a broad range of meanings are inscribed, the definition of caricature requires a wideranging methodological framework, enhancing visual studies with a philosophical and anthropological perspective. As it deforms the body and its social skin, caricature questions the concept itself of subjectivity, as well as hierarchies and balances of power. Moreover, from its early genesis, caricature is connected to anatomical studies and the evolution of scientific knowledge: medical inquiries about feelings and emotions contributed to interface the outer representation of the body with the comprehension of the inner world of human beings. Grouping all these elements, caricature is a complex cultural object, and inherently a hybrid between visual and verbal codes. However, approaches to caricature have neglected its textual dimension: thus the aim of this project is to provide a theoretical definition and a historical overview of literary caricature conceived as a figure of speech in its own right. Drawing on the tradition of studies on the relationships between words and images, the research will trace the presence of caricature in literary texts, providing an anthology of case-studies from different periods of Italian literature, compared with French and English examples. Thus showing how, from the illustrated book to newspapers and digital media, caricature inhabits a cross-media space where historical variables and universals of cognition, cultural schemas and mental models interact with each other.

 Publications

year authors and title journal last update
List of publications.
2018 Paolo Gervasi
Anger as Misshapen Fear: Fascism, Literature, and the Emotional Body
published pages: 312-336, ISSN: 2206-7485, DOI: 10.1163/2208522x-02010025
Emotions: History, Culture, Society 2/2 2019-10-08
2019 Paolo Gervasi
Emotional Resistance. Italian Literature, Fascism, and the Communities of Anger
published pages: 191-203, ISSN: , DOI:
Resistance in Italian Culture from Dante to the 21st Century 2019-10-08

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "MISWORD" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "MISWORD" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.3.2.)

LiverMacRegenCircuit (2020)

Elucidating the role of macrophages in liver regeneration and tissue unit formation

Read More  

ErgThComplexSys (2020)

Ergodic theory for complex systems: a rigorous study of dynamics on heterogeneous networks

Read More  

PreSpeech (2018)

Predicting speech: what and when does the brain predict during language comprehension?

Read More