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ORFORCREA

Locked between formulas: creativity in oral and transitional poetic texts

Total Cost €

0

EC-Contrib. €

0

Partnership

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Project "ORFORCREA" data sheet

The following table provides information about the project.

Coordinator
UNIVERSIDAD DE NAVARRA 

Organization address
address: CAMPUS UNIVERSITARIO EDIFICIO CENTRAL
city: PAMPLONA
postcode: 31080
website: www.unav.es

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Spain [ES]
 Project website https://sites.google.com/site/saraligintsburg/Sarali-Gintsburg/home
 Total cost 170˙121 €
 EC max contribution 170˙121 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-08-01   to  2019-09-22

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSIDAD DE NAVARRA ES (PAMPLONA) coordinator 170˙121.00

Map

 Project objective

The human mind is capable of creativity and innovation unparalleled by any other species. At the same time, human beings elaborate and preserve complex and highly-stable traditions, transmitting them over very long time spans by means of the spoken word and through a variety of technologies, such as writing. How does human cognition give rise to such complex manifestations as oral poetic performance, and how are they affected by the introduction of writing? ORFORCREA investigates the cognitive basis of creativity in verbal art, examining its interplay with both oral tradition and literacy. How can we approach as intricate a problem as verbal creativity with manageable, but at the same time ecologically valid and culturally situated data? While everyday human speech is extremely complex for analysis and has vast lexical and phraseological resources, the language material in oral traditions is typically organized in narrower terms, with idiomaticity enhanced because of poetic requirements, such as the constraints of the poetic line, rhyme patterns, plots, or themes, as well as form-meaning normativity (validity of a given expression within its poetic tradition). The cognitive study of phrasal and grammatical structures in oral poetic traditions is thus comparable to working in a ‘natural’ lab, where the linguistic material, selected throughout long diachronies and innumerable performances, ideally fits the purpose of examining the creative use of formulaic resources. Thus ORFORCREA targets the essential feature of oral poetic traditions, idiomaticity, seeking to produce insights about the formulaic nature of language in general

 Publications

year authors and title journal last update
List of publications.
2019 Sarali Gintsburg
Identity, Place, Space, and Rhymes During a Pilgrimage to the Shrine of Moulay Abdessalam, Morocco
published pages: 1-27, ISSN: 0022-4200, DOI: 10.1163/15700666-12340138
Journal of Religion in Africa 2020-02-25
2019 Sarali Gintsburg
Lost in dictation. A cognitive approach to oral poetry: Frames, scripts and ‘unnecessary’ words in the Jebli ayyu
published pages: 104-115, ISSN: 0271-5309, DOI: 10.1016/j.langcom.2018.11.003
Language & Communication 64 2020-02-25
2017 Sarali Gintsburg
It’s got some meaning but I am not sure…
published pages: 474-495, ISSN: 0929-0907, DOI: 10.1075/pc.18017.gin
Pragmatics & Cognition 24/3 2020-02-25

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