Opendata, web and dolomites

BREAKING THE MOULD

Breaking the Mould: A cross-cultural analysis of the character of bronze smiths and craft diversity in late Bronze Age Europe (1300-800 BC)

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 BREAKING THE MOULD project word cloud

Explore the words cloud of the BREAKING THE MOULD project. It provides you a very rough idea of what is the project "BREAKING THE MOULD" about.

director    800bc    datasets    rendering    transition    techniques    leader    casting    identity    knowhow    object    markers    forging    bronze    ancient    collating    experimental    outreach    first    ucd    intentional    characterise    constellation    consumption    scientific    culturally    age    restart    relationships    analysing    recording    actions    aidan    supervision    complementary    specialist    international    core    balkans    traces    practical    metalworking    technological    employ    artefacts    variability    restricted    northwest    closely    central    craft    traditions    during    career    moving    underlying    data    public    1300    sullivan    cultural    choices    centre    accessible    archaeology    prestige    3d    visualisation    linking    kinaesthetic    organisation    skills    rethink    mechanical    collaborative    medium    multidisciplinary    teaching    metal    maximise    objects    resource    differences    smithing    reveal    material    training    workshop    practices    social    school    skillsets    digital    measuring    cross    metallurgical    pan    diagnostics   

Project "BREAKING THE MOULD" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY COLLEGE DUBLIN, NATIONAL UNIVERSITY OF IRELAND, DUBLIN 

Organization address
address: BELFIELD
city: DUBLIN
postcode: 4
website: www.ucd.ie

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Ireland [IE]
 Project website http://www.breakingthemould.eu
 Total cost 187˙866 €
 EC max contribution 187˙866 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2014
 Funding Scheme MSCA-IF-EF-CAR
 Starting year 2015
 Duration (year-month-day) from 2015-08-01   to  2017-07-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY COLLEGE DUBLIN, NATIONAL UNIVERSITY OF IRELAND, DUBLIN IE (DUBLIN) coordinator 187˙866.00

Map

 Project objective

During the late Bronze Age in Europe (c. 1300-800BC) there was a transition in metal consumption from a restricted-access prestige material to a common medium for making practical objects. The objective of this project is to characterise culturally particular developments in bronze workshop practices using case-study areas in Europe, and through this to rethink relationships linking resource control, craft organisation and identity formation. This is achieved by measuring variability in the technological choices, skillsets and knowhow underlying smithing traditions and defining the social practices of craft production. I will employ a cross-cultural approach using three case studies: the Balkans, Central Europe and Northwest Europe. Multidisciplinary diagnostics will be used to assess technological markers that reveal intentional differences in production techniques. Methods will include 1) collating and analysing metallurgical datasets 2) recording and 3D modelling of craft traces on artefacts, 3) experimental bronze casting and material analysis. I will use these to build the first pan-European metallurgical digital resource, making specialist data more accessible and better enabling international collaborative actions. By moving to UCD, I will work closely with Aidan O’Sullivan, director of the Centre for Experimental Archaeology and Ancient Technology. Resources there and in the School of Archaeology provide a unique constellation for training in bronze object casting, forging and mechanical testing, along with digital 3D rendering of artefacts and data management. My career goal is to be a research leader in experimental archaeology, which this project will enable by developing a novel integrated kinaesthetic and scientific method for the study and visualisation of bronze metalworking. Through training in core and complementary skills, including teaching, supervision, and public outreach, I will develop key resources to maximise the impact of my career restart.

 Publications

year authors and title journal last update
List of publications.
2016 Barry Molloy, Mariusz Wiśniewski, Frank Lynam, Brendan O\'Neill, Aidan O\'Sullivan, Alan Peatfield
Tracing edges: A consideration of the applications of 3D modelling for metalwork wear analysis on Bronze Age bladed artefacts
published pages: 79-87, ISSN: 0305-4403, DOI: 10.1016/j.jas.2016.09.007
Journal of Archaeological Science 76 2019-06-13
2017 Barry P.C. Molloy
Hunting Warriors: The Transformation of Weapons, Combat Practices and Society during the Bronze Age in Ireland
published pages: 280-316, ISSN: 1461-9571, DOI: 10.1017/eaa.2016.8
European Journal of Archaeology 20/02 2019-06-13

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "BREAKING THE MOULD" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "BREAKING THE MOULD" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.3.2.)

NaWaTL (2020)

Narrative, Writing, and the Teotihuacan Language: Exploring Language History Through Phylogenetics, Epigraphy and Iconography

Read More  

POMOC (2019)

Charles IV and the power of marvellous objects

Read More  

CONDISOBS (2020)

Contain, Distribute, Obstruct. Governing the Mobility of Asylum Seekers in the European Union

Read More