Opendata, web and dolomites

Exile and Technology SIGNED

Austro-German exile in America 1930-45: interrogating the relationship between science, technology and modern selfhood in cultural and musical discourses.

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 Exile and Technology project word cloud

Explore the words cloud of the Exile and Technology project. It provides you a very rough idea of what is the project "Exile and Technology" about.

interweave    created    national    modernity    explore    intersections    radar    selfhood    century    thought    transportation    cultural    scientific    first    self    book    germanic    nexus    science    primary    austro    enquiry    culture    furnish    45    monograph    discourse    displacement    socialists    theorists    substantial    mounting    atomic    join    eugenics    conferences    america    relationship    composer    musical    network    nation    tend    innovations    1945    period    examines    musicology    grained    german    necessarily    ambivalence    alongside    germany    boundaries    outcomes    histories    international    archival    musicians    austrian    intellectuals    articles    mobility    music    events    formulations    spectacles    academic    interdisciplinary    ideas    mass    historical    transnational    uk    ethically    exile    conversation    migr    liberating    controversial    eacute    american    collaborative    political    half    illuminate    diverse    shapes    backdrop    finely    relationships    began    malevolent    attitudes    disconnections    technological    context    looks    1930    powerhouses    simultaneously    fellowship    instead    collaborations    exploring    twentieth    musicological    era    structure    cosmology   

Project "Exile and Technology" data sheet

The following table provides information about the project.

Coordinator
ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE 

Organization address
address: EGHAM HILL UNIVERSITY OF LONDON
city: EGHAM
postcode: TW20 0EX
website: http://www.rhul.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://soniccirculations.com
 Total cost 251˙857 €
 EC max contribution 251˙857 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-GF
 Starting year 2016
 Duration (year-month-day) from 2016-09-01   to  2019-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE UK (EGHAM) coordinator 251˙857.00
2    PRESIDENT AND FELLOWS OF HARVARD COLLEGE US (CAMBRIDGE) partner 0.00

Map

 Project objective

This project examines the relationship between technology, selfhood, and modernity in the context of the music and thought of Austrian and German émigré musicians and cultural theorists in America from 1930 to 1945. The project looks beyond the boundaries of the nation state and the nexus of composer and musical work that tend to structure musicological enquiry. Instead, transnational historical methodologies will be used alongside primary archival research to join a timely conversation in musicology about the intersections between histories of music and science. In the era 1930-45, (Austro-)Germany and America were scientific powerhouses. Against the backdrop of mounting political turmoil, both generated ethically controversial scientific and technological research simultaneously liberating and malevolent: atomic technology, cosmology, radar, eugenics, transportation innovations. Technology necessarily shapes ideas of selfhood, and the mass displacement of Austrian and German intellectuals to the US after the rise of the National Socialists created a ‘culture of exile’ in which, as émigrés integrated within the new context, diverse attitudes to the relationship between science, technology, and formulations of the self began to interweave. Using musical collaborations, spectacles, and events to illuminate and explore the range and ambivalence of those attitudes, the project will furnish a more finely grained historical understanding of the disconnections between Germanic and American relationships to technology and selfhood in the period. The research outcomes during the fellowship will be a monograph, and two articles as part of substantial work on a second book. A further key objective will be to establish an international interdisciplinary academic network in the US, UK, and Germany for collaborative projects and conferences exploring technological and cultural/musical discourse, exile, and international mobility in the first half of the twentieth century.

 Publications

year authors and title journal last update
List of publications.
2019 Emily MacGregor
Roy Harris’s Symphony 1933 : Biographical Myth-Making and Liberal Myth-Building in the American West
published pages: 266-284, ISSN: 0141-1896, DOI: 10.1080/01411896.2019.1642092
Journal of Musicological Research 38/3-4 2020-02-04
2018 Emily MacGregor
Listening for the Intimsphäre: Recovering Berlin 1933 through Hans Pfitzner’s Symphony in C-sharp Minor
published pages: 35-75, ISSN: 0027-4631, DOI: 10.1093/musqtl/gdy008
The Musical Quarterly 101/1 2019-08-30

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "EXILE AND TECHNOLOGY" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "EXILE AND TECHNOLOGY" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.3.2.)

StressOME (2019)

Defining and modulating the stress granule proteome as a therapeutic strategy in Amyotrophic Lateral Sclerosis

Read More  

inTECH (2019)

Eco-innovative technologies for sustainable exploitation of macromolecules from insects as alternative resource in bioeconomy

Read More  

RipGEESE (2020)

Identifying the ripples of gene regulation evolution in the evolution of gene sequences to determine when animal nervous systems evolved

Read More