Opendata, web and dolomites


Dynamic Preservation of Interactive Art: The next frontier of Multimedia Cultural Heritage

Total Cost €


EC-Contrib. €






Project "DaphNet" data sheet

The following table provides information about the project.


Organization address
city: GENT
postcode: 9000

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Belgium [BE]
 Project website
 Total cost 160˙800 €
 EC max contribution 160˙800 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-02-01   to  2019-01-31


Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITEIT GENT BE (GENT) coordinator 160˙800.00


 Project objective

This project addresses the theoretical and methodological questions of embodied interaction with multimedia installation art through body movement and the use of mediation technology. The ultimate goal is the definition of an effective model for the preservation of interactive artworks, ensuring future re-use and flexible access. Most interactive artwork produced since the 1990s is lost due to the lack of adequate preservation methodologies: as a result the European cultural asset is impoverished and its potential for economic growth is drastically diminished. The intrinsic interconnection of interactive artworks with computer-based technology requires a multidisciplinary approach to preservation, involving high-profile cultural and scientific competences. With this project I intend to integrate my years of experience in the field of audio preservation with strategic competences that come from user-oriented studies in embodied cognition research, in order to bridge the gap between the world of the arts and the cutting-edge technology for digital preservation. This project contributes to the Work Programme H2020 by (1) canalizing advanced competences on the safeguard and the promotion of European cultural heritage, and by (2) bridging the gap between cutting-edge scientific-technological knowledge and the world of the arts, facilitating interdisciplinary innovation and strengthening the competitiveness of the European cultural and creative sectors (Official Journal of the European Union, L 347/225, Artt. 3a and 5.1).


year authors and title journal last update
List of publications.
2018 Federica Bressan, Brecht Declercq
Digital philology: Introduction to the special issue
published pages: 275-277, ISSN: 0929-8215, DOI: 10.1080/09298215.2018.1502785
Journal of New Music Research 47/4 2019-10-08

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The information about "DAPHNET" are provided by the European Opendata Portal: CORDIS opendata.

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