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MigrEnAb SIGNED

Encoding, Absorption and Abandonment of Cultural Material during Migration: : The Case of Judeo-Spanish Songbooks

Total Cost €

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EC-Contrib. €

0

Partnership

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 MigrEnAb project word cloud

Explore the words cloud of the MigrEnAb project. It provides you a very rough idea of what is the project "MigrEnAb" about.

18th    basin    corpus    ethnomusicological    specificities    content    ground    orality    certain    served    centrally    personal    empire    protecting    women    oriental    group    mediterranean    repertoire    interpenetration    inclusive    ottoman    theory    private    identities    spanish    writers    layered    sung    manner    centuries    positioned    marker    innovators    continual    historically    transmission    symbolic    parts    plays    absorbed    untouched    africa    communities    sought    contrafacta    coexist    opposing    keeping    notated    speakers    gender    transnational    porousness    regionalism    pan    negotiate    individual    created    patterns    boundaries    demonstrating    reminders    books    songbooks    serve    descendants    abandonment    continued    preservers    negotiations    core    references    breaking    seminal    languages    codes    since    mobile    analyze    multiplicity    surroundings    surrounding    attempts    larger    men    occidental    absorption    encoding    seemingly    century    musical    simultaneously    found    remember    construction    roles    north    dynamically    cultures    objects    songs    scholarship    elucidate    minority    identity    enormous    judeo    cultural    breaks    regarding    unchanged    philology    strict    absorbing    function    preserve    basis    gibraltar   

Project "MigrEnAb" data sheet

The following table provides information about the project.

Coordinator
INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES 

Organization address
address: 65 RUE DES GRANDS MOULINS
city: PARIS
postcode: 75214
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 196˙707 €
 EC max contribution 196˙707 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-04-01   to  2022-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES FR (PARIS) coordinator 196˙707.00

Map

 Project objective

Since the 18th century throughout the Mediterranean basin Judeo-Spanish men and women have notated songs they want to remember in personal songbooks. Both Oriental (Ottoman Empire) and Occidental (North Africa & Gibraltar) Judeo-Spanish communities still have an enormous sung repertoire which plays a core function as identity marker. It is also centrally positioned for symbolic roles and gender negotiations. Historically, this repertoire was notated in songbooks which were created both for personal use or for transmission to their descendants. The porousness of repertoire found within these private books which function as objects of orality demonstrate the continued absorption and interpenetration of languages and cultural references during various centuries. Songbooks served as cultural reminders of the layered identities that Judeo-Spanish speakers sought to preserve. While keeping traditional repertoire, the writers of these songbooks simultaneously absorbed important musical elements from their surroundings, demonstrating a multiplicity of cultural codes that coexist dynamically. This continual construction of their seemingly opposing roles as preservers and innovators of repertoire breaks all attempts at strict regionalism, while ensuring that certain traditional specificities remain untouched and unchanged. The scholarship on these songbooks and their content has only been done on an individual basis, focusing on philology or ethnomusicological issues regarding contrafacta. This ground-breaking proposed study will analyze the individual songbooks as parts of a larger pan-Mediterranean corpus of Judeo-Spanish songbooks which negotiate identity transmission in an inclusive manner absorbing elements of the surrounding cultures while protecting the boundaries of the group. Through this study, I propose to elucidate transnational patterns of repertoire encoding, absorption and abandonment which can serve as a seminal theory for other mobile minority communities.

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The information about "MIGRENAB" are provided by the European Opendata Portal: CORDIS opendata.

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