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MigrEnAb SIGNED

Encoding, Absorption and Abandonment of Cultural Material during Migration: : The Case of Judeo-Spanish Songbooks

Total Cost €

0

EC-Contrib. €

0

Partnership

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 MigrEnAb project word cloud

Explore the words cloud of the MigrEnAb project. It provides you a very rough idea of what is the project "MigrEnAb" about.

men    songs    abandonment    empire    basis    regarding    strict    group    spanish    demonstrating    negotiate    absorption    regionalism    continued    sung    certain    centrally    minority    multiplicity    core    plays    mediterranean    symbolic    sought    theory    gibraltar    preserve    negotiations    function    porousness    roles    enormous    cultures    ethnomusicological    contrafacta    boundaries    innovators    seminal    surroundings    speakers    absorbing    continual    cultural    breaking    individual    18th    analyze    repertoire    opposing    descendants    inclusive    historically    protecting    occidental    books    absorbed    personal    specificities    objects    notated    larger    seemingly    centuries    breaks    mobile    surrounding    serve    parts    century    marker    remember    identity    since    scholarship    construction    private    served    philology    communities    oriental    judeo    identities    orality    dynamically    north    found    created    basin    gender    ottoman    reminders    women    pan    keeping    positioned    africa    attempts    layered    musical    unchanged    manner    encoding    references    writers    languages    songbooks    untouched    preservers    transmission    interpenetration    codes    patterns    elucidate    corpus    content    transnational    simultaneously    coexist    ground   

Project "MigrEnAb" data sheet

The following table provides information about the project.

Coordinator
INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES 

Organization address
address: 65 RUE DES GRANDS MOULINS
city: PARIS
postcode: 75214
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 196˙707 €
 EC max contribution 196˙707 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-04-01   to  2022-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES FR (PARIS) coordinator 196˙707.00

Map

 Project objective

Since the 18th century throughout the Mediterranean basin Judeo-Spanish men and women have notated songs they want to remember in personal songbooks. Both Oriental (Ottoman Empire) and Occidental (North Africa & Gibraltar) Judeo-Spanish communities still have an enormous sung repertoire which plays a core function as identity marker. It is also centrally positioned for symbolic roles and gender negotiations. Historically, this repertoire was notated in songbooks which were created both for personal use or for transmission to their descendants. The porousness of repertoire found within these private books which function as objects of orality demonstrate the continued absorption and interpenetration of languages and cultural references during various centuries. Songbooks served as cultural reminders of the layered identities that Judeo-Spanish speakers sought to preserve. While keeping traditional repertoire, the writers of these songbooks simultaneously absorbed important musical elements from their surroundings, demonstrating a multiplicity of cultural codes that coexist dynamically. This continual construction of their seemingly opposing roles as preservers and innovators of repertoire breaks all attempts at strict regionalism, while ensuring that certain traditional specificities remain untouched and unchanged. The scholarship on these songbooks and their content has only been done on an individual basis, focusing on philology or ethnomusicological issues regarding contrafacta. This ground-breaking proposed study will analyze the individual songbooks as parts of a larger pan-Mediterranean corpus of Judeo-Spanish songbooks which negotiate identity transmission in an inclusive manner absorbing elements of the surrounding cultures while protecting the boundaries of the group. Through this study, I propose to elucidate transnational patterns of repertoire encoding, absorption and abandonment which can serve as a seminal theory for other mobile minority communities.

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The information about "MIGRENAB" are provided by the European Opendata Portal: CORDIS opendata.

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