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MigrEnAb SIGNED

Encoding, Absorption and Abandonment of Cultural Material during Migration: : The Case of Judeo-Spanish Songbooks

Total Cost €

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EC-Contrib. €

0

Partnership

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 MigrEnAb project word cloud

Explore the words cloud of the MigrEnAb project. It provides you a very rough idea of what is the project "MigrEnAb" about.

sought    encoding    identities    continual    theory    ethnomusicological    references    negotiations    identity    breaking    personal    ottoman    judeo    occidental    protecting    group    ground    dynamically    north    songbooks    cultures    private    demonstrating    regionalism    manner    18th    found    communities    certain    larger    books    philology    repertoire    untouched    inclusive    serve    surrounding    individual    basis    speakers    coexist    gibraltar    plays    porousness    century    preserve    descendants    languages    mediterranean    notated    mobile    preservers    surroundings    elucidate    interpenetration    absorption    objects    regarding    positioned    breaks    writers    core    corpus    multiplicity    parts    scholarship    since    sung    absorbing    centrally    specificities    minority    remember    oriental    women    transmission    empire    simultaneously    centuries    songs    musical    orality    seminal    keeping    continued    patterns    symbolic    layered    unchanged    enormous    strict    men    codes    contrafacta    marker    spanish    analyze    gender    cultural    attempts    historically    negotiate    seemingly    roles    function    construction    served    boundaries    absorbed    abandonment    transnational    reminders    basin    content    opposing    africa    innovators    created    pan   

Project "MigrEnAb" data sheet

The following table provides information about the project.

Coordinator
INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES 

Organization address
address: 65 RUE DES GRANDS MOULINS
city: PARIS
postcode: 75214
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 196˙707 €
 EC max contribution 196˙707 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-04-01   to  2022-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES FR (PARIS) coordinator 196˙707.00

Map

 Project objective

Since the 18th century throughout the Mediterranean basin Judeo-Spanish men and women have notated songs they want to remember in personal songbooks. Both Oriental (Ottoman Empire) and Occidental (North Africa & Gibraltar) Judeo-Spanish communities still have an enormous sung repertoire which plays a core function as identity marker. It is also centrally positioned for symbolic roles and gender negotiations. Historically, this repertoire was notated in songbooks which were created both for personal use or for transmission to their descendants. The porousness of repertoire found within these private books which function as objects of orality demonstrate the continued absorption and interpenetration of languages and cultural references during various centuries. Songbooks served as cultural reminders of the layered identities that Judeo-Spanish speakers sought to preserve. While keeping traditional repertoire, the writers of these songbooks simultaneously absorbed important musical elements from their surroundings, demonstrating a multiplicity of cultural codes that coexist dynamically. This continual construction of their seemingly opposing roles as preservers and innovators of repertoire breaks all attempts at strict regionalism, while ensuring that certain traditional specificities remain untouched and unchanged. The scholarship on these songbooks and their content has only been done on an individual basis, focusing on philology or ethnomusicological issues regarding contrafacta. This ground-breaking proposed study will analyze the individual songbooks as parts of a larger pan-Mediterranean corpus of Judeo-Spanish songbooks which negotiate identity transmission in an inclusive manner absorbing elements of the surrounding cultures while protecting the boundaries of the group. Through this study, I propose to elucidate transnational patterns of repertoire encoding, absorption and abandonment which can serve as a seminal theory for other mobile minority communities.

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The information about "MIGRENAB" are provided by the European Opendata Portal: CORDIS opendata.

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