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MigrEnAb SIGNED

Encoding, Absorption and Abandonment of Cultural Material during Migration: : The Case of Judeo-Spanish Songbooks

Total Cost €

0

EC-Contrib. €

0

Partnership

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 MigrEnAb project word cloud

Explore the words cloud of the MigrEnAb project. It provides you a very rough idea of what is the project "MigrEnAb" about.

private    attempts    found    books    preservers    transmission    repertoire    historically    songs    gender    specificities    innovators    simultaneously    speakers    basin    larger    continual    since    patterns    spanish    absorbing    songbooks    certain    empire    encoding    boundaries    symbolic    descendants    objects    personal    philology    created    theory    serve    sought    centuries    cultural    men    contrafacta    writers    women    communities    manner    ottoman    interpenetration    inclusive    centrally    abandonment    occidental    scholarship    seminal    opposing    regarding    musical    absorbed    function    africa    identity    demonstrating    north    mobile    keeping    analyze    languages    corpus    transnational    enormous    gibraltar    served    18th    positioned    judeo    continued    basis    absorption    coexist    protecting    regionalism    reminders    porousness    negotiations    seemingly    strict    multiplicity    group    oriental    references    surrounding    roles    pan    minority    marker    identities    core    ethnomusicological    century    sung    untouched    notated    preserve    dynamically    surroundings    unchanged    cultures    remember    layered    individual    content    mediterranean    parts    breaking    elucidate    codes    ground    orality    negotiate    plays    construction    breaks   

Project "MigrEnAb" data sheet

The following table provides information about the project.

Coordinator
INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES 

Organization address
address: 65 RUE DES GRANDS MOULINS
city: PARIS
postcode: 75214
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 196˙707 €
 EC max contribution 196˙707 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-04-01   to  2022-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES FR (PARIS) coordinator 196˙707.00

Map

 Project objective

Since the 18th century throughout the Mediterranean basin Judeo-Spanish men and women have notated songs they want to remember in personal songbooks. Both Oriental (Ottoman Empire) and Occidental (North Africa & Gibraltar) Judeo-Spanish communities still have an enormous sung repertoire which plays a core function as identity marker. It is also centrally positioned for symbolic roles and gender negotiations. Historically, this repertoire was notated in songbooks which were created both for personal use or for transmission to their descendants. The porousness of repertoire found within these private books which function as objects of orality demonstrate the continued absorption and interpenetration of languages and cultural references during various centuries. Songbooks served as cultural reminders of the layered identities that Judeo-Spanish speakers sought to preserve. While keeping traditional repertoire, the writers of these songbooks simultaneously absorbed important musical elements from their surroundings, demonstrating a multiplicity of cultural codes that coexist dynamically. This continual construction of their seemingly opposing roles as preservers and innovators of repertoire breaks all attempts at strict regionalism, while ensuring that certain traditional specificities remain untouched and unchanged. The scholarship on these songbooks and their content has only been done on an individual basis, focusing on philology or ethnomusicological issues regarding contrafacta. This ground-breaking proposed study will analyze the individual songbooks as parts of a larger pan-Mediterranean corpus of Judeo-Spanish songbooks which negotiate identity transmission in an inclusive manner absorbing elements of the surrounding cultures while protecting the boundaries of the group. Through this study, I propose to elucidate transnational patterns of repertoire encoding, absorption and abandonment which can serve as a seminal theory for other mobile minority communities.

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The information about "MIGRENAB" are provided by the European Opendata Portal: CORDIS opendata.

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