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FIEC

Fiction, Imagination, and Early Cinema

Total Cost €

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EC-Contrib. €

0

Partnership

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 FIEC project word cloud

Explore the words cloud of the FIEC project. It provides you a very rough idea of what is the project "FIEC" about.

discourse    opportunity    19th    man    canned    sources    interrelated    theatrical    analytic    proof    notions    construed    spectatorship    imaginary    1915    egrave    li       adjacent    articulate    20th    painted    engage    engagement    1898    era    century    astronomer    place    medium    innovatively    catalogues    walton    plays    lectures    films    becames    draws    despite    material    informing    period    performing    sets    cinema    applies    documentary    front    twofold    inquiry    criteria    historical    words    photographs    kendall    believe    trade    closely    series    performances    fictions    proposes    construing    investigates    categorize    imagination    fact    philosophy    instance    actuality    mandated    eacute    press    crucially    1880    actors    played    reception    turns    instances    fictional    moon    promotion    provides    history    watching    fantastical    gazing    asks    theater    cultural    representational    exhibition    reconstructing    mean    fiction    nowadays    texts    mishaps    documentaries    counts    imagining    methodologically    film    practices    employed    say    dream   

Project "FIEC" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITEIT GENT 

Organization address
address: SINT PIETERSNIEUWSTRAAT 25
city: GENT
postcode: 9000
website: http://www.ugent.be

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Belgium [BE]
 Project website https://www.ugent.be/ps/communicatiewetenschappen/cims/en/team/mario-slugan.htm
 Total cost 172˙800 €
 EC max contribution 172˙800 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-10-01   to  2019-09-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITEIT GENT BE (GENT) coordinator 172˙800.00

Map

 Project objective

'The project investigates two closely interrelated issues: what is the role of imagination in early cinema and what does it mean for a representational work to be fictional? Specifically, it asks what the criteria are according to which we categorize texts as fictional and what counts as proof for reconstructing the experience of historical spectatorship. The project innovatively proposes that the period between 1880 and 1915 provides a unique opportunity for construing how a representational medium becames employed in the production of fictions and the crucial role the discourse on imaginary engagement plays in this process. In other words, the project asks why we engage some films as fictions and other as documentaries despite the fact that they are both based on actuality material – photographs. For instance, why, when watching Méliès’ 1898 The Astronomer’s Dream or the Man in the Moon, do we nowadays regularly say that we are watching an astronomer whose gazing at the moon turns into a series of fantastical mishaps? Why do we engage such a film as a fiction rather than as a documentary of actors performing in front of painted sets? Especially if during the early era, such films were regularly seen as instances of “canned theater”, i.e. as documentaries of theatrical performances. Methodologically, the project is highly unique in its twofold approach. On the one hand, the proposal draws on analytic philosophy to articulate the key concepts informing the inquiry – fiction and imagination. Fiction, crucially, is construed as “any mandated imagining/make-believe' following the work of Kendall Walton. On the other, the project applies the new film history method to late 19th and early 20th century sources such as trade press, catalogues, lectures, and more general discourse on cinema and adjacent cultural practices to determine what place the notions of fiction and imagination played in the production, promotion, exhibition, and reception of early cinema.'

 Publications

year authors and title journal last update
List of publications.
2019 Mario Slugan
The film narrator and the early American screenwriting manuals
published pages: 1-15, ISSN: 1746-0654, DOI: 10.1080/17460654.2019.1623058
Early Popular Visual Culture 2020-03-23
2019 J. Alexander Bareis and Mario Slugan
Fiction in Central and Eastern European Film Theory and Practice. Special Issue of Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe
published pages: , ISSN: 2365-7758, DOI: 10.17892/app.2019.0008
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe 8 2020-03-23
2019 Mario Slugan
Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory
published pages: , ISSN: 2365-7758, DOI: 10.17892/app.2019.0008.161
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe 8 2020-03-23
2019 J. Alexander Bareis and Mario Slugan
Introducing Fiction in Central and Eastern European Film Theory and Practice
published pages: , ISSN: 2365-7758, DOI: 10.17892/app.2019.0008.169
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe 8 2020-03-23
2019 Mario Slugan
The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe
published pages: 718-737, ISSN: 1749-8716, DOI:
Participations: Journal of Audience & Reception Studies 16.1 2020-03-23

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The information about "FIEC" are provided by the European Opendata Portal: CORDIS opendata.

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