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Elevated Minds. The Sublime in the Public Arts in 17th-century Paris and Amsterdam

 Coordinatore UNIVERSITEIT LEIDEN 

Spiacenti, non ci sono informazioni su questo coordinatore. Contattare Fabio per maggiori infomrazioni, grazie.

 Nazionalità Coordinatore Netherlands [NL]
 Totale costo 1˙245˙742 €
 EC contributo 1˙245˙742 €
 Programma FP7-IDEAS-ERC
Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call ERC-2012-StG_20111124
 Funding Scheme ERC-SG
 Anno di inizio 2013
 Periodo (anno-mese-giorno) 2013-02-01   -   2018-01-31

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    UNIVERSITEIT LEIDEN

 Organization address address: RAPENBURG 70
city: LEIDEN
postcode: 2300 RA

contact info
Titolo: Dr.
Nome: Stijn
Cognome: Bussels
Email: send email
Telefono: +31 715272166

NL (LEIDEN) hostInstitution 1˙245˙742.00
2    UNIVERSITEIT LEIDEN

 Organization address address: RAPENBURG 70
city: LEIDEN
postcode: 2300 RA

contact info
Titolo: Mrs.
Nome: Petra
Cognome: Kamer-De Graaf
Email: send email
Telefono: 31715271621

NL (LEIDEN) hostInstitution 1˙245˙742.00

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

legitimacy    unknown    paris    political    amsterdam    spectacle    public    works    ruling    theatre    sublime    politicians   

 Obiettivo del progetto (Objective)

'By focussing on how the sublime was used in Amsterdam and Paris in grands travaux and in the theatre and spectacle as part of a strategy to persuade the population of the regime’s legitimacy, this program aims to reconstruct an unknown part of the history of the sublime, and lay the foundation for a study of its role in the visual arts and the theatre of early modern Europe. The hypothesis of this program is that early, often hitherto unknown editions and varieties of the sublime from France and the Dutch Republic should be understood primarily against a political background. Many of these were dedicated to important members of ruling families, made for prominent politicians, or read by the ruling classes. Many poems, plays, spectacle, paintings, buildings and public spaces that were experienced as sublime have clear connections with political issues, in particular with the legitimacy of new rulers or regimes, the murder of politicians, or even regicide. In Amsterdam and Paris conspicuous public works served to proclaim that legitimacy, but also became the locus of its contestation. The sublime was used both as a means of persuasion and as a way of articulating the effect of these works on the viewer.'

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