CONFLIT

"Salva nos, Domine: A Study of Chanted Confraternity Liturgies and Their Social Contexts in the Southern Low Countries, 1300-1550."

 Coordinatore KATHOLIEKE UNIVERSITEIT LEUVEN 

 Organization address address: Oude Markt 13
city: LEUVEN
postcode: 3000

contact info
Titolo: Dr.
Nome: Stijn
Cognome: Delauré
Email: send email
Telefono: +32 16 320 944
Fax: +32 16 324 198

 Nazionalità Coordinatore Belgium [BE]
 Totale costo 159˙100 €
 EC contributo 159˙100 €
 Programma FP7-PEOPLE
Specific programme "People" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call FP7-PEOPLE-2009-IEF
 Funding Scheme MC-IEF
 Anno di inizio 2011
 Periodo (anno-mese-giorno) 2011-01-01   -   2012-12-31

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    KATHOLIEKE UNIVERSITEIT LEUVEN

 Organization address address: Oude Markt 13
city: LEUVEN
postcode: 3000

contact info
Titolo: Dr.
Nome: Stijn
Cognome: Delauré
Email: send email
Telefono: +32 16 320 944
Fax: +32 16 324 198

BE (LEUVEN) coordinator 159˙100.00

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

countries    music    medieval    chant    communities    actively    devotional    perspective    southern    cultural    practices    multidisciplinary    confraternities   

 Obiettivo del progetto (Objective)

'This project is a multidisciplinary study of the music and religious practices of lay communities in the Southern Low Countries in the late Middle Ages and early Renaissance. Such communities, which include trade guilds, devotional confraternities, and selected chivalric orders, formed a central part of daily medieval life, especially for tradespeople and merchants. Very little is known about the role of music, in particular Gregorian chant, in the devotional practices of these close knit communities, or the extent to which their members actively participated in the creation and performance of them. The present study will result in the first multidisciplinary monograph on chant and liturgical practices of confraternities in the Southern Low Countries, and will provide unique insight into the construction of their devotions through the application of musicological, literary (philological), and historical methods. The use of these methods together creates a new perspective on the liturgy, which views chant as cultural production, inextricably linked to traditions in devotional practices and local belief systems. This perspective is vital to our modern understanding of the worldview of the medieval laity. The results of this project will actively contribute to the preservation and promotion of European cultural heritage in three countries: Belgium, France, and the Netherlands.'

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