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PHOTODEMOS SIGNED

Citizens of photography: the camera and the political imagination

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 PHOTODEMOS project word cloud

Explore the words cloud of the PHOTODEMOS project. It provides you a very rough idea of what is the project "PHOTODEMOS" about.

representation    self    photographs    illuminated    egrave    consciously    vernacular    conventional    urgent    question    atrocity    greece    rigorous    fundamentally    data    asked    transformations    form    precipitate    arguments    civil    chiefly    democratic    possibility    theory    egalitarianism    propensity    bangladesh    camera    india    constitute    emerged    cambodia    subjunctive    images    quotidian    citizens    lanka    suggests    crystalize    historical    generate    ranci    citizenship    political    power    rarely    pakistan    formulations    sri    citizenry    chose    re    photography    argument    photojournalism    questions    made    pi    butler    nicaragua    equals    conceptual    visibility    practices    individuating    protocols    nigeria    ethnographic    politics    asks    everyday    perceptible    respect    hypothesis    quality    informed    ethnographies    citizen    literal    photographic    historically    idioms    domain    relocation    consequential    visible    war    sentiment    insights    co    certain    permit    seriality    imagination   

Project "PHOTODEMOS" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY COLLEGE LONDON 

Organization address
address: GOWER STREET
city: LONDON
postcode: WC1E 6BT
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://www.ucl.ac.uk/anthropology/research/photodemos
 Total cost 2˙449˙086 €
 EC max contribution 2˙449˙086 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2015-AdG
 Funding Scheme ERC-ADG
 Starting year 2016
 Duration (year-month-day) from 2016-07-01   to  2021-06-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY COLLEGE LONDON UK (LONDON) coordinator 2˙449˙086.00

Map

 Project objective

Citizens of photography: the camera and the political imagination will study a set of questions which recent transformations in political and photographic theory have made possible and which the current ‘war of images’ makes urgent and necessary.

Recent conceptual work suggests that photography makes available a form of citizenry, a form of civil imagination that may be available in advance of conventional political citizenship. This argument has been made chiefly with respect to photojournalism and the ‘photography of atrocity’. This project will investigate this hypothesis with respect to everyday photographic practices of self-representation. It asks whether arguments about the “distribution of the visible” (Rancière) and the way in which political possibility is related to “a certain field of perceptible reality” (Butler) can be illuminated through the study of quotidian practices of photography.

This question of the literal ‘visibility’ of the citizen has emerged through the PI’s ethnographic and historical work in India where democratic protocols are fundamentally embedded. The PI’s work has proposed that photography’s ‘egalitarianism’ and ‘seriality’, its ‘individuating’ propensity, and its subjunctive ‘as if’ quality all work to constitute citizens as potential co-equals, able to consciously chose idioms of self-representation.

Historically informed ethnographies of vernacular photographic practices in India, Pakistan, Bangladesh, Greece, Cambodia, Nicaragua, Sri Lanka, and Nigeria will generate data that will permit the rigorous testing of these formulations. Photographs clearly have the power to crystalize and precipitate political sentiment. This project involves the relocation of a set of insights about photography and politics from one domain (photojournalism) to another domain (self-representation), where those questions are rarely asked, but may be more consequential.

 Publications

year authors and title journal last update
List of publications.
2019 Christopher Pinney
\"\"\"Digital Cows: Flesh and Code\"\"\"
published pages: , ISSN: , DOI:
MPI Series No. 11 Foto-Ojekte 2019-09-02

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The information about "PHOTODEMOS" are provided by the European Opendata Portal: CORDIS opendata.

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