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EWPWE SIGNED

Europe at War in Post-war Europe. Performing Greek Tragedies, Comedies and European Identity.

Total Cost €

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EC-Contrib. €

0

Partnership

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 EWPWE project word cloud

Explore the words cloud of the EWPWE project. It provides you a very rough idea of what is the project "EWPWE" about.

researcher    directors    understand    war    western    staged    bridge    interviews    history    dealing    archives    faculty    question    europeans    director    experienc    theory    seek    told    ways    strands    reception    place    identity    stage    dramatic    performances    uoxf    archive    li    indisciplinary    switzerland    students    highlight    interdisciplinary    world    network    distinctly    phd    theatre    mature    fiona    materials    consciously    libraries    roman    germany    prospective    post    cover    productions    france    carreers    argue    examine    extended    strenghtening    drama    young    database    apgrd    sometimes    artistic    opportunity    class    ge    environment    forefront    supervisor    belgium    multiple    oxford    creation    ww2    paris    onwards    egrave    contemporary    me    greek    skills    rehearsals    mixing    macintosh    grant    continue    put    ancient    uk    fellowship    observation    classics    plays    academic    labs    creative    scripts   

Project "EWPWE" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 212˙933 €
 EC max contribution 212˙933 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2019
 Duration (year-month-day) from 2019-09-01   to  2021-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 212˙933.00

Map

 Project objective

This project will examine the multiple ways in which contemporary western European theatre directors (in the UK, Germany, France, Belgium and Switzerland) have staged and continue to stage war with the help of ancient Greek dramatic scripts from the WW2 onwards. I will argue that such performances question and try to understand European identity. The three strands of this interdisciplinary project (in between Classical Reception Studies and Theatre Studies and mixing practice and theory) will cover past, present and prospective dramatic approaches of this question: 1/ academic research (archives, libraries, interviews) to analyse past performances; 2/ observation of contemporary productions in rehearsals; 3/ creative labs with students from Oxford, Paris and Liège to highlight how young Europeans are dealing with those materials. This will allow to propose a history of war on stage in post-war Europe, told through productions of ancient plays that seek, sometimes consciously indeed, to build a distinctly European identity. The fellowship will take place at the APGRD (Archive of Performances of Greek and Roman Drama, Faculty of Classics, UOXF) that is the best environment to manage such a project given its world-class database and archive of performances of Greek and Roman Drama that I will use and contribute to. This indisciplinary project will grant me the opportunity to work with some of the best researchers in Classical Reception Studies in the world (particularly with my supervisor Fiona Macintosh), strenghtening my academic network. I will improve my skills in this field and also in general European research management to become a mature researcher in Classical Reception Studies (since I have a PhD in Theatre Studies). Moreover, since I already have an extended experienc as a stage-director, this research-as-creation project will bridge my academic and artistic carreers and put me at the forefront of Theatre Studies.

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The information about "EWPWE" are provided by the European Opendata Portal: CORDIS opendata.

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