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EWPWE SIGNED

Europe at War in Post-war Europe. Performing Greek Tragedies, Comedies and European Identity.

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 EWPWE project word cloud

Explore the words cloud of the EWPWE project. It provides you a very rough idea of what is the project "EWPWE" about.

consciously    ancient    indisciplinary    young    switzerland    place    archive    materials    belgium    interdisciplinary    greek    mature    creative    performances    class    students    archives    apgrd    directors    world    prospective    war    staged    france    put    labs    interviews    reception    skills    environment    extended    europeans    uk    fellowship    dramatic    academic    theory    phd    highlight    carreers    distinctly    creation    ge    strenghtening    told    question    database    onwards    multiple    germany    roman    drama    productions    forefront    argue    li    history    rehearsals    observation    plays    ways    egrave    identity    cover    me    grant    contemporary    network    fiona    ww2    understand    post    opportunity    seek    macintosh    dealing    examine    continue    oxford    mixing    libraries    sometimes    western    faculty    scripts    stage    uoxf    classics    strands    paris    bridge    supervisor    researcher    experienc    director    theatre    artistic   

Project "EWPWE" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 212˙933 €
 EC max contribution 212˙933 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2019
 Duration (year-month-day) from 2019-09-01   to  2021-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 212˙933.00

Map

 Project objective

This project will examine the multiple ways in which contemporary western European theatre directors (in the UK, Germany, France, Belgium and Switzerland) have staged and continue to stage war with the help of ancient Greek dramatic scripts from the WW2 onwards. I will argue that such performances question and try to understand European identity. The three strands of this interdisciplinary project (in between Classical Reception Studies and Theatre Studies and mixing practice and theory) will cover past, present and prospective dramatic approaches of this question: 1/ academic research (archives, libraries, interviews) to analyse past performances; 2/ observation of contemporary productions in rehearsals; 3/ creative labs with students from Oxford, Paris and Liège to highlight how young Europeans are dealing with those materials. This will allow to propose a history of war on stage in post-war Europe, told through productions of ancient plays that seek, sometimes consciously indeed, to build a distinctly European identity. The fellowship will take place at the APGRD (Archive of Performances of Greek and Roman Drama, Faculty of Classics, UOXF) that is the best environment to manage such a project given its world-class database and archive of performances of Greek and Roman Drama that I will use and contribute to. This indisciplinary project will grant me the opportunity to work with some of the best researchers in Classical Reception Studies in the world (particularly with my supervisor Fiona Macintosh), strenghtening my academic network. I will improve my skills in this field and also in general European research management to become a mature researcher in Classical Reception Studies (since I have a PhD in Theatre Studies). Moreover, since I already have an extended experienc as a stage-director, this research-as-creation project will bridge my academic and artistic carreers and put me at the forefront of Theatre Studies.

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The information about "EWPWE" are provided by the European Opendata Portal: CORDIS opendata.

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