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MUSICOL SIGNED

The Sound of Empire in 20th-c. Colonial Cultures: Rethinking History through Music

Total Cost €

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EC-Contrib. €

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Partnership

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 MUSICOL project word cloud

Explore the words cloud of the MUSICOL project. It provides you a very rough idea of what is the project "MUSICOL" about.

usually    life    laid    traversing    integrative    isolation    insights    differences    historians    nature    dynamic    revisit    entirely    multicultural    ethnomusicology    legacy    media    imperialism    dimension    examines    recorded    crucially    saigon    purpose    synthetic    dialogue    rabat    interactions    debates    contexts    relational    pioneering    grasp    single    heard    integrates    dakar    music    understand    paradigm    aural    promotes    empire    foundations    archives    history    negotiated    imposing    globalize    constituencies    windows    tastes    colonial    coherence    modern    resistance    europeans    natives    historicize    musicology    directions    radio    collaborators    musical    societies    full    expertise    french    shared    scope    prior    hold    sources    1962    colonialism    disciplinary    empires    probes    musicalize    boundaries    former    postcolonial    relations    methodological    generate    models    domination    last    coexistence    creolize    practices    mechanisms    aurality    indigenous    ethnic    variety    feasibility    unprecedented    cultural    pi    1900    live    delves    separating    brings    identities    insure    practiced    helped    team   

Project "MUSICOL" data sheet

The following table provides information about the project.

Coordinator
ECOLE NORMALE SUPERIEURE 

Organization address
address: 45, RUE D'ULM
city: PARIS CEDEX 05
postcode: 75230
website: http://www.ens.fr

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
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 Coordinator Country France [FR]
 Total cost 2˙500˙000 €
 EC max contribution 2˙500˙000 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-11-01   to  2024-10-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE NORMALE SUPERIEURE FR (PARIS CEDEX 05) coordinator 2˙500˙000.00

Map

 Project objective

To better understand cultural relations in today’s multi-ethnic, multicultural societies, we need to revisit the legacy of modern empires. This project delves into the musical dimension of the French empire and what differences were negotiated through aurality, long-neglected by historians. Focusing on musical life and media from Dakar and Rabat to Saigon, 1900-1962, it studies how music was practiced, heard, and understood in a variety of colonial contexts. Crucially important is the need to investigate the tastes, practices, and interactions of Europeans and natives, usually studied in isolation. Such scope requires an entirely new methodological paradigm: relational, comparative, and integrative-synthetic. Traversing disciplinary boundaries separating musicology from history, media studies, and ethnomusicology, the project has four objectives: (1) To musicalize history, it probes what musical fields of production contribute to current debates on the nature of empire and colonial identities. (2) To historicize aural media, it examines live and recorded music on radio as windows on the dynamic nature of colonial coexistence. (3) To globalize music history, it brings new coherence with its focus on a single empire and without imposing postcolonial models of domination/resistance. (4) To creolize research, it integrates indigenous research and promotes dialogue with collaborators from the former empire. Foundations laid by the PI’s prior research in colonial archives, availability of sources, each team member’s expertise and focus on one field, their shared method, and common purpose insure its feasibility. This pioneering study of the modern French empire through music will generate new insights into its mechanisms and constituencies, taking colonial, media, and music history in unprecedented directions. Only in understanding the aurality of colonialism--what helped their imperialism take hold and last--can Europeans grasp its full nature, meaning, and legacy.

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The information about "MUSICOL" are provided by the European Opendata Portal: CORDIS opendata.

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