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MUSICOL SIGNED

The Sound of Empire in 20th-c. Colonial Cultures: Rethinking History through Music

Total Cost €

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EC-Contrib. €

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Partnership

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 MUSICOL project word cloud

Explore the words cloud of the MUSICOL project. It provides you a very rough idea of what is the project "MUSICOL" about.

insights    ethnic    expertise    identities    1962    contexts    relations    revisit    purpose    french    unprecedented    traversing    interactions    media    directions    grasp    historicize    postcolonial    1900    mechanisms    collaborators    practices    scope    differences    societies    music    dialogue    foundations    rabat    life    boundaries    dynamic    practiced    sources    dakar    shared    constituencies    archives    pi    musicology    legacy    imperialism    nature    coexistence    integrates    tastes    paradigm    indigenous    domination    disciplinary    integrative    methodological    heard    natives    helped    empires    pioneering    debates    full    empire    promotes    entirely    musicalize    insure    globalize    team    musical    crucially    creolize    separating    variety    resistance    synthetic    negotiated    delves    aural    coherence    usually    recorded    understand    former    colonialism    isolation    history    historians    colonial    ethnomusicology    single    probes    live    laid    radio    saigon    models    multicultural    relational    imposing    cultural    feasibility    last    generate    aurality    windows    modern    examines    dimension    prior    hold    europeans    brings   

Project "MUSICOL" data sheet

The following table provides information about the project.

Coordinator
ECOLE NORMALE SUPERIEURE 

Organization address
address: 45, RUE D'ULM
city: PARIS CEDEX 05
postcode: 75230
website: http://www.ens.fr

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 2˙500˙000 €
 EC max contribution 2˙500˙000 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-11-01   to  2024-10-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE NORMALE SUPERIEURE FR (PARIS CEDEX 05) coordinator 2˙500˙000.00

Map

 Project objective

To better understand cultural relations in today’s multi-ethnic, multicultural societies, we need to revisit the legacy of modern empires. This project delves into the musical dimension of the French empire and what differences were negotiated through aurality, long-neglected by historians. Focusing on musical life and media from Dakar and Rabat to Saigon, 1900-1962, it studies how music was practiced, heard, and understood in a variety of colonial contexts. Crucially important is the need to investigate the tastes, practices, and interactions of Europeans and natives, usually studied in isolation. Such scope requires an entirely new methodological paradigm: relational, comparative, and integrative-synthetic. Traversing disciplinary boundaries separating musicology from history, media studies, and ethnomusicology, the project has four objectives: (1) To musicalize history, it probes what musical fields of production contribute to current debates on the nature of empire and colonial identities. (2) To historicize aural media, it examines live and recorded music on radio as windows on the dynamic nature of colonial coexistence. (3) To globalize music history, it brings new coherence with its focus on a single empire and without imposing postcolonial models of domination/resistance. (4) To creolize research, it integrates indigenous research and promotes dialogue with collaborators from the former empire. Foundations laid by the PI’s prior research in colonial archives, availability of sources, each team member’s expertise and focus on one field, their shared method, and common purpose insure its feasibility. This pioneering study of the modern French empire through music will generate new insights into its mechanisms and constituencies, taking colonial, media, and music history in unprecedented directions. Only in understanding the aurality of colonialism--what helped their imperialism take hold and last--can Europeans grasp its full nature, meaning, and legacy.

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