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MUSICOL SIGNED

The Sound of Empire in 20th-c. Colonial Cultures: Rethinking History through Music

Total Cost €

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EC-Contrib. €

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Partnership

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 MUSICOL project word cloud

Explore the words cloud of the MUSICOL project. It provides you a very rough idea of what is the project "MUSICOL" about.

archives    imperialism    cultural    french    integrative    1900    legacy    colonial    dakar    historians    modern    separating    windows    purpose    collaborators    radio    pioneering    differences    prior    understand    musicology    laid    models    promotes    variety    feasibility    disciplinary    resistance    directions    traversing    integrates    sources    grasp    media    life    practiced    musicalize    indigenous    interactions    rabat    revisit    dialogue    ethnomusicology    examines    probes    isolation    crucially    shared    foundations    ethnic    domination    relational    pi    synthetic    identities    multicultural    saigon    nature    insure    natives    delves    tastes    methodological    coexistence    aurality    postcolonial    full    team    creolize    imposing    historicize    globalize    history    brings    contexts    negotiated    empires    dynamic    usually    heard    hold    live    generate    societies    mechanisms    scope    paradigm    practices    expertise    debates    europeans    1962    helped    relations    last    single    recorded    empire    music    dimension    boundaries    colonialism    coherence    former    musical    entirely    unprecedented    insights    aural    constituencies   

Project "MUSICOL" data sheet

The following table provides information about the project.

Coordinator
ECOLE NORMALE SUPERIEURE 

Organization address
address: 45, RUE D'ULM
city: PARIS CEDEX 05
postcode: 75230
website: http://www.ens.fr

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 2˙500˙000 €
 EC max contribution 2˙500˙000 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-11-01   to  2024-10-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE NORMALE SUPERIEURE FR (PARIS CEDEX 05) coordinator 2˙500˙000.00

Map

 Project objective

To better understand cultural relations in today’s multi-ethnic, multicultural societies, we need to revisit the legacy of modern empires. This project delves into the musical dimension of the French empire and what differences were negotiated through aurality, long-neglected by historians. Focusing on musical life and media from Dakar and Rabat to Saigon, 1900-1962, it studies how music was practiced, heard, and understood in a variety of colonial contexts. Crucially important is the need to investigate the tastes, practices, and interactions of Europeans and natives, usually studied in isolation. Such scope requires an entirely new methodological paradigm: relational, comparative, and integrative-synthetic. Traversing disciplinary boundaries separating musicology from history, media studies, and ethnomusicology, the project has four objectives: (1) To musicalize history, it probes what musical fields of production contribute to current debates on the nature of empire and colonial identities. (2) To historicize aural media, it examines live and recorded music on radio as windows on the dynamic nature of colonial coexistence. (3) To globalize music history, it brings new coherence with its focus on a single empire and without imposing postcolonial models of domination/resistance. (4) To creolize research, it integrates indigenous research and promotes dialogue with collaborators from the former empire. Foundations laid by the PI’s prior research in colonial archives, availability of sources, each team member’s expertise and focus on one field, their shared method, and common purpose insure its feasibility. This pioneering study of the modern French empire through music will generate new insights into its mechanisms and constituencies, taking colonial, media, and music history in unprecedented directions. Only in understanding the aurality of colonialism--what helped their imperialism take hold and last--can Europeans grasp its full nature, meaning, and legacy.

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The information about "MUSICOL" are provided by the European Opendata Portal: CORDIS opendata.

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