Opendata, web and dolomites

MUSICOL SIGNED

The Sound of Empire in 20th-c. Colonial Cultures: Rethinking History through Music

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 MUSICOL project word cloud

Explore the words cloud of the MUSICOL project. It provides you a very rough idea of what is the project "MUSICOL" about.

dialogue    ethnic    methodological    nature    generate    contexts    life    empires    prior    relational    dynamic    entirely    insights    practices    debates    single    pioneering    colonialism    resistance    domination    constituencies    societies    music    variety    laid    paradigm    aurality    musicology    disciplinary    ethnomusicology    feasibility    rabat    creolize    integrative    radio    unprecedented    multicultural    practiced    postcolonial    saigon    integrates    sources    cultural    dakar    brings    imposing    former    coherence    last    full    live    synthetic    identities    team    europeans    colonial    pi    revisit    relations    1962    helped    imperialism    indigenous    scope    globalize    legacy    aural    isolation    collaborators    crucially    interactions    shared    historians    insure    foundations    recorded    hold    expertise    models    tastes    empire    coexistence    usually    probes    separating    directions    understand    windows    delves    mechanisms    purpose    differences    dimension    grasp    examines    natives    musicalize    historicize    media    boundaries    history    traversing    french    archives    heard    promotes    1900    negotiated    musical    modern   

Project "MUSICOL" data sheet

The following table provides information about the project.

Coordinator
ECOLE NORMALE SUPERIEURE 

Organization address
address: 45, RUE D'ULM
city: PARIS CEDEX 05
postcode: 75230
website: http://www.ens.fr

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 2˙500˙000 €
 EC max contribution 2˙500˙000 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-11-01   to  2024-10-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE NORMALE SUPERIEURE FR (PARIS CEDEX 05) coordinator 2˙500˙000.00

Map

 Project objective

To better understand cultural relations in today’s multi-ethnic, multicultural societies, we need to revisit the legacy of modern empires. This project delves into the musical dimension of the French empire and what differences were negotiated through aurality, long-neglected by historians. Focusing on musical life and media from Dakar and Rabat to Saigon, 1900-1962, it studies how music was practiced, heard, and understood in a variety of colonial contexts. Crucially important is the need to investigate the tastes, practices, and interactions of Europeans and natives, usually studied in isolation. Such scope requires an entirely new methodological paradigm: relational, comparative, and integrative-synthetic. Traversing disciplinary boundaries separating musicology from history, media studies, and ethnomusicology, the project has four objectives: (1) To musicalize history, it probes what musical fields of production contribute to current debates on the nature of empire and colonial identities. (2) To historicize aural media, it examines live and recorded music on radio as windows on the dynamic nature of colonial coexistence. (3) To globalize music history, it brings new coherence with its focus on a single empire and without imposing postcolonial models of domination/resistance. (4) To creolize research, it integrates indigenous research and promotes dialogue with collaborators from the former empire. Foundations laid by the PI’s prior research in colonial archives, availability of sources, each team member’s expertise and focus on one field, their shared method, and common purpose insure its feasibility. This pioneering study of the modern French empire through music will generate new insights into its mechanisms and constituencies, taking colonial, media, and music history in unprecedented directions. Only in understanding the aurality of colonialism--what helped their imperialism take hold and last--can Europeans grasp its full nature, meaning, and legacy.

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "MUSICOL" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "MUSICOL" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.1.)

ERC VP CSA (2018)

Support to the Vice-Presidents of the ERC Scientific Council 2018

Read More  

CELPRED (2020)

Circuit elements of the cortical circuit for predictive processing

Read More  

CohoSing (2019)

Cohomology and Singularities

Read More