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MUSICOL SIGNED

The Sound of Empire in 20th-c. Colonial Cultures: Rethinking History through Music

Total Cost €

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EC-Contrib. €

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Partnership

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 MUSICOL project word cloud

Explore the words cloud of the MUSICOL project. It provides you a very rough idea of what is the project "MUSICOL" about.

identities    variety    dialogue    practices    archives    crucially    single    differences    recorded    aural    windows    isolation    legacy    revisit    collaborators    empires    entirely    historians    unprecedented    purpose    probes    multicultural    separating    generate    creolize    imperialism    boundaries    understand    examines    radio    musicalize    modern    1962    negotiated    former    traversing    prior    live    ethnomusicology    constituencies    nature    contexts    foundations    methodological    disciplinary    debates    models    last    musical    scope    sources    coherence    domination    musicology    interactions    dakar    hold    laid    relations    colonial    dynamic    directions    cultural    imposing    expertise    synthetic    feasibility    1900    pioneering    tastes    mechanisms    grasp    europeans    indigenous    coexistence    insights    practiced    saigon    brings    natives    aurality    societies    globalize    historicize    promotes    team    french    usually    life    paradigm    colonialism    ethnic    empire    music    insure    dimension    media    integrates    integrative    postcolonial    history    helped    delves    heard    rabat    full    resistance    shared    pi    relational   

Project "MUSICOL" data sheet

The following table provides information about the project.

Coordinator
ECOLE NORMALE SUPERIEURE 

Organization address
address: 45, RUE D'ULM
city: PARIS CEDEX 05
postcode: 75230
website: http://www.ens.fr

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 2˙500˙000 €
 EC max contribution 2˙500˙000 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-11-01   to  2024-10-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE NORMALE SUPERIEURE FR (PARIS CEDEX 05) coordinator 2˙500˙000.00

Map

 Project objective

To better understand cultural relations in today’s multi-ethnic, multicultural societies, we need to revisit the legacy of modern empires. This project delves into the musical dimension of the French empire and what differences were negotiated through aurality, long-neglected by historians. Focusing on musical life and media from Dakar and Rabat to Saigon, 1900-1962, it studies how music was practiced, heard, and understood in a variety of colonial contexts. Crucially important is the need to investigate the tastes, practices, and interactions of Europeans and natives, usually studied in isolation. Such scope requires an entirely new methodological paradigm: relational, comparative, and integrative-synthetic. Traversing disciplinary boundaries separating musicology from history, media studies, and ethnomusicology, the project has four objectives: (1) To musicalize history, it probes what musical fields of production contribute to current debates on the nature of empire and colonial identities. (2) To historicize aural media, it examines live and recorded music on radio as windows on the dynamic nature of colonial coexistence. (3) To globalize music history, it brings new coherence with its focus on a single empire and without imposing postcolonial models of domination/resistance. (4) To creolize research, it integrates indigenous research and promotes dialogue with collaborators from the former empire. Foundations laid by the PI’s prior research in colonial archives, availability of sources, each team member’s expertise and focus on one field, their shared method, and common purpose insure its feasibility. This pioneering study of the modern French empire through music will generate new insights into its mechanisms and constituencies, taking colonial, media, and music history in unprecedented directions. Only in understanding the aurality of colonialism--what helped their imperialism take hold and last--can Europeans grasp its full nature, meaning, and legacy.

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The information about "MUSICOL" are provided by the European Opendata Portal: CORDIS opendata.

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