URBANMUSICS

Urban musics and musical practices in sixteenth-century Europe

 Coordinatore AGENCIA ESTATAL CONSEJO SUPERIOR DE INVESTIGACIONES CIENTIFICAS 

 Organization address address: CALLE SERRANO 117
city: MADRID
postcode: 28006

contact info
Titolo: Mr.
Nome: Alberto
Cognome: Sereno Alvarez
Email: send email
Telefono: 34915668852
Fax: 34915668913

 Nazionalità Coordinatore Spain [ES]
 Totale costo 100˙000 €
 EC contributo 100˙000 €
 Programma FP7-PEOPLE
Specific programme "People" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call FP7-PEOPLE-2012-CIG
 Funding Scheme MC-CIG
 Anno di inizio 2012
 Periodo (anno-mese-giorno) 2012-12-01   -   2016-11-30

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    AGENCIA ESTATAL CONSEJO SUPERIOR DE INVESTIGACIONES CIENTIFICAS

 Organization address address: CALLE SERRANO 117
city: MADRID
postcode: 28006

contact info
Titolo: Mr.
Nome: Alberto
Cognome: Sereno Alvarez
Email: send email
Telefono: 34915668852
Fax: 34915668913

ES (MADRID) coordinator 100˙000.00

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

trend    archives    tradition    musical    history    century    isolated    cultural    spanish    barcelona    culture    context    music    historical    situation    urban    sixteenth    practices    france    musics    largely    cathedral    city    cities   

 Obiettivo del progetto (Objective)

'The urban musics and musical practices of sixteenth-century European cities have been studied only rather patchily in terms of geography and partially in terms of urban culture. Renaissance Italian cities, benefiting from a strong cultural historical tradition, have fared relatively well, while music in the urban context in France, Flanders, Germany and England has been considered in a steady trickle of studies over recent decades. The cities of the Iberian Peninsula, however, remain largely unexplored, a situation that derives in part from a peculiarly Spanish music historiographical trend that resulted in a series of studies focusing on cathedral musical life, with little or no consideration of a broader urban context. The preservation of the majority of Spanish sixteenth-century music sources in cathedral archives and the priest-musicologist tradition that persisted in Spain until the1980s were major factors in this trend, factors that also help to explain the still prevailing perception of Spanish musical culture as isolated from, and largely irrelevant to, the European musical mainstream. There is thus a compelling need to review this situation through the identification and analysis of the different musics (written and unwritten), musical practices (official and unofficial) and performative spaces of a city such as Barcelona. As a major Mediterranean port open to France and Italy and a hub for the book trade, Barcelona was clearly not isolated from the rest of Europe, and its urban culture can be analyzed in depth thanks to the wealth of documentary and musical material in the city’s archives. By developing methodologies drawn from cultural history, historical anthropology and ethnomusicology, by which music is considered in the context of urban culture and social interaction and communication from a totality of perspectives, this innovatory and interdisciplinary project will take a step further the mapping of European cultural history.'

Altri progetti dello stesso programma (FP7-PEOPLE)

MIRNA-AIEC (2012)

Role of microRNAs in host responses to Crohn's disease-associated adherent-invasive Escherichia coli

Read More  

EDTIMEPREF (2011)

"Education and Time-Preference: Causation, Consequences and Intergenerational Effects"

Read More  

CPAF (2010)

Calcium Propagation in Atrial Fibrillation

Read More