Explore the words cloud of the CONNECTINGEUROPE project. It provides you a very rough idea of what is the project "CONNECTINGEUROPE" about.
The following table provides information about the project.
|Coordinator Country||Netherlands [NL]|
|Total cost||1˙992˙809 €|
|EC max contribution||1˙992˙809 € (100%)|
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
|Duration (year-month-day)||from 2016-01-01 to 2020-12-31|
Take a look of project's partnership.
|1||UNIVERSITEIT UTRECHT||NL (UTRECHT)||coordinator||1˙992˙809.00|
Many immigrants enter Europe both legally and illegally every year. This creates multiple challenges for the Union, including the gender and ethnic segregation of migrant groups, especially women. While it strives for an inclusive and integrated society as envisioned by the EU motto ‘Unity in Diversity’, it is still often perceived more as ‘Fortress Europe.’ This project focuses on the ‘connected migrant’, studying how virtual communities of migrants, or digital diasporas, convey issues of technology, migration, globalisation, alienation and belonging capturing the lives of migrants in their interaction with multiple worlds and media. More specifically, it will investigate whether digital technologies enhance European integration or foster gender and ethnic segregation, and, if so, how. Using a multi-layered and cutting-edge approach that draws from the humanities, social science and new media studies (i.e. internet studies and mobile media), this research considers: 1. How migration and digital technologies enable digital diasporas (Somali, Turkish, Romanian) and the impact these have on identity, gender and belonging in European urban centres; 2. How these entanglements are connected to and perceived from outside Europe by focusing on transnational ties; and 3. How digital connections create new possibilities for cosmopolitan outlooks, rearticulating Europe’s motto of ‘Unity in Diversity.’ The outcomes of this work will be innovative at three levels. a) Empirically, the project gathers, maps and critically grounds online behaviour by migrant women from a European comparative perspective. b) Methodologically, it breaks new ground by developing new methods of analysis for digital diasporas contributing to the development of ‘postcolonial’ digital humanities. c) Conceptually, it integrates colonial and migrant relations into the idea of Europe, elaborating on the notion of cosmopolitan belonging through virtual connectivity.
|year||authors and title||journal||last update|
DONYA ALINEJAD, LAURA CANDIDATU, MELIS MEVSIMLER, CLAUDIA MINCHILLI, SANDRA PONZANESI, FERNANDO N. VAN DER VLIST
Diaspora and mapping methodologies: tracing transnational digital connections with â€˜mattering mapsâ€™
published pages: , ISSN: 1470-2266, DOI: 10.1111/glob.12197
|Global Networks 4 issues x year||2019-06-06|
Melis Mevsimler, Sandra Ponzanesi
published pages: 695-697, ISSN: 1468-0777, DOI: 10.1080/14680777.2017.1330998
|Feminist Media Studies 17/4||2019-06-06|
On the Waterfront
published pages: 217-233, ISSN: 1369-801X, DOI: 10.1080/1369801x.2015.1079501
Considerations on the Digital Subaltern: A Research on Migrant Women\'s Transnational Online Practices
published pages: 112-114, ISSN: , DOI:
|CinÃ©ma&Cie International Film Studies Journal||2019-04-03|
Koen Leurs, Sandra Ponzanesi
Connected migrants: Encapsulation and cosmopolitanization
published pages: 4-20, ISSN: 1540-5702, DOI: 10.1080/15405702.2017.1418359
|Popular Communication 16/1||2019-04-02|
The Point of Europe: Postcolonial Entanglements
published pages: 159-164, ISSN: 1369-801X, DOI: 10.1080/1369801x.2015.1106962
Edges of Empire
published pages: 373-386, ISSN: 1532-7086, DOI: 10.1177/1532708616638692
|Cultural Studies â†” Critical Methodologies 16/4||2019-04-02|
Of shipwrecks and weddings: borders and mobilities in Europe
published pages: 151-167, ISSN: 2040-3526, DOI: 10.1080/20403526.2016.1217627
|Transnational Cinemas 7/2||2019-04-03|
Postcolonial Theory in Film
published pages: , ISSN: , DOI: 10.1093/obo/9780199791286-0284
Sandra Ponzanesi, Verena Berger
Introduction: genres and tropes in postcolonial cinema(s) in Europe
published pages: 111-117, ISSN: 2040-3526, DOI: 10.1080/20403526.2016.1217641
|Transnational Cinemas 7/2||2019-04-02|
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The information about "CONNECTINGEUROPE" are provided by the European Opendata Portal: CORDIS opendata.