Opendata, web and dolomites


The Court of Elizabeth I – A European Drama

Total Cost €


EC-Contrib. €






 COEED project word cloud

Explore the words cloud of the COEED project. It provides you a very rough idea of what is the project "COEED" about.

interdisciplinary    performance    culture    consuming    pan    fascination    evaluative    consultations    events    scholarship    host    innovative    engages    points    formulated    briefly    advisory    edge    cultural    odowska    afforded    supervisor    transformative    embeds    neo    sk    consideration    hiscock    tightly    training    mobility    elizabethan    england    investing    enlightenment    vision    anxiety    conversation    post    curie    academic    consultation    enduring    referenced    international    reading    networking    skills    montpellier    traditions    professional    modern    inter    texts    centuries    literary    heart    witness    marie    bears    colleagues    engage    primary    anglophone    audiences    renaissance    engagement    age    archives    occlude    tudor    placed    close    national    period    wholly    illustration    monarch    progression    served    surrounded    theatrical    career    elizabeth    none    disseminate    political    fact    cutting    course    dramatic    multilingual    exchange   

Project "COEED" data sheet

The following table provides information about the project.


Organization address
postcode: 34199

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Project website
 Total cost 185˙076 €
 EC max contribution 185˙076 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2016
 Duration (year-month-day) from 2016-10-03   to  2018-10-02


Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 


 Project objective

The enduring fascination in anglophone research with the political culture of Elizabethan England has often served to occlude the fact that responses to the Tudor monarch were formulated across renaissance Europe. A pan-European range of dramatic texts bears witness to the anxiety and consuming interest which surrounded Elizabeth I. Such texts have often been neglected or referenced briefly as points of illustration. Moreover, these texts (where afforded any consideration) have most commonly been seen in terms of national traditions of literary production, rather than integrated into a Europe-wide vision of cultural debate and exchange. None of these texts has been considered in recent centuries for their theatrical potential or placed in close conversation with Elizabethan (or post-Elizabethan) literary production.

This ambitious comparative project for the early modern period will be achieved through: close & comparative reading of primary texts; evaluative analysis of existing scholarship; consultation of host’s (Institute for Research on the Renaissance, the Neo-classical Age and the Enlightenment - Montpellier 3) and European archives; consultations with supervisor and advisory colleagues across Europe; engagement in performance-related events; e-networking with academic and non-academic audiences. In the course of this European project, Hiscock will: engage in a wholly transformative training in performance-based research and e-dissemination; produce cutting-edge research which embeds multilingual studies at the heart of early modern studies; disseminate research findings to a host of academic and non-academic audiences.

This project engages tightly with the Marie Skłodowska-Curie Programme by: providing professional training in key skills for the applicant, thus enabling him to access significant career progression; investing in wholly innovative interdisciplinary research; enabling international and inter-sector mobility for the applicant.


year authors and title journal last update
List of publications.
2018 Andrew Hiscock
“Shakspeare, s’avançant”: A Bard, the Nineteenth Century and a Tale of Two Cities’ Theatres
published pages: 333-350, ISSN: 1745-0918, DOI:
Shakespeare 13.4 2019-05-09
2018 Andrew Hiscock
‘Come, now a roundel and a fairy song’: Shakespeare\'s Dream & the early modern Invitation to the Dance
published pages: 39-68, ISSN: 0184-7678, DOI:
Cahiers Élisabéthains Volume 97 Issue 1 2019-05-09

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The information about "COEED" are provided by the European Opendata Portal: CORDIS opendata.

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