Opendata, web and dolomites

BWBN SIGNED

Black Women/Black Nationalism – Feminist Discourses on Nation-building in American and British Literature and Visual Arts

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 BWBN project word cloud

Explore the words cloud of the BWBN project. It provides you a very rough idea of what is the project "BWBN" about.

british    counter    struggles    literature    sensibilities    articulated    turned    productive    my    host    cultural    provides    prof    uclan    light    intersection    himid    expression    arts    ultimately    postcolonial    central    created    pivotal    continuation    movement    became    period    aftermath    formulation    reflected    ideal    veneration    visual    american    possessing    artworks    uk    strove    validate    feminist    ideas    transatlantic    limited    culture    90s    decades    renaissance    rituals    women    black    people    civil    goals    pose    subjectivity    female    indigenous    strategy    rice    scholarship    1960s    fruition    polemical    played    argue    interaction    1980s    narratives    forms    african    feminism    propelled    contemporary    came    empowering    politics    nationalism    saw    movements    lubaina    followed    symbols    contribution    founder    aesthetic    flowering    talent    usually    class    world    validating    bcn    artists    70s    identity    rights    positions   

Project "BWBN" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY OF CENTRAL LANCASHIRE 

Organization address
address: -
city: PRESTON
postcode: PR1 2HE
website: www.uclan.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website http://ibaruclan.com/black-women-black-nationalism-eu-horizon-2020-research-project/
 Total cost 195˙454 €
 EC max contribution 195˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2016
 Duration (year-month-day) from 2016-08-01   to  2018-07-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY OF CENTRAL LANCASHIRE UK (PRESTON) coordinator 195˙454.00

Map

 Project objective

My research aims to make a significant contribution to the scholarship on contemporary Black women artists in the US & the UK. It will pose a polemical formulation of Black feminist literature and visual arts of the 1980s and 90s in light of postcolonial scholarship. These two decades saw a flowering of talent of Black British and American women: in the US they are described as Black Women’s Renaissance and in the UK as Black Arts Movement. Both movements came to fruition in the aftermath of civil rights and feminist struggles of black people in the US and UK. This project will investigate how the work of African American and Black British female artists reflected interaction and intersection of cultural nationalism and black feminism. It will demonstrate that feminist narratives and artworks of that period, usually not associated with black cultural nationalism, played a pivotal role in the continuation of indigenous cultural politics of Black cultural nationalism, which came to being in the 1960s and 70s in the US. During that period African American art strove to validate black culture as a culture possessing its own ideas and forms of aesthetic expression. The cause of BCN was propelled through the veneration of Black values, sensibilities, symbols, and rituals, which, as this project will argue, became also central to the identity politics of the artists of Black Women Renaissance and Black Arts Movement in the decades that followed. My project will demonstrate that this strategy of validating black culture, which was so empowering in the 1960s and 70s, ultimately turned to be counter-productive for the goals of black feminism, as it created a limited number of positions from which black women’s subjectivity could be articulated. UCLan with its world-class researchers in transatlantic studies (i.e. Prof. Rice) and Black Arts and black feminism (i.e. Prof. Lubaina Himid, a founder of Black Arts Movement) provides an ideal host institution.

 Publications

year authors and title journal last update
List of publications.
2019 Izabella Penier
The Body as a Palimpsest. Stor(y)ing Memories in Michelle Cliff ‘Clare Savage novels’ and Gayle Jones’s Corregidora
published pages: , ISSN: , DOI:
Cultural Palimpsests: Ethnic Watermarks, Surfacing Histories 2019-05-29
2019 Izabella Penier
Black Women – Black Nationalism: Feminist Discourses on Nation Building
published pages: , ISSN: , DOI:
2019-05-29
2019 Izabella Penier
Pitfalls of Memorialisation: ‘Culture Bearing Black Women’ and African American Cultural Nationalism
published pages: , ISSN: , DOI:
2019-05-29

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "BWBN" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "BWBN" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.3.2.)

EngPTC2 (2019)

Exploring new technologies for the next generation pulse tube cryocooler below 2K

Read More  

NSTree (2020)

Understanding substrate delivery for cell wall biosynthesis in plants

Read More  

MemoryAggregates (2020)

Mechanism of Whi3 Aggregation and its Age-dependent Malfunction

Read More