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Black Women/Black Nationalism – Feminist Discourses on Nation-building in American and British Literature and Visual Arts

Total Cost €


EC-Contrib. €






 BWBN project word cloud

Explore the words cloud of the BWBN project. It provides you a very rough idea of what is the project "BWBN" about.

rights    intersection    followed    polemical    period    black    validating    scholarship    lubaina    ultimately    artists    founder    propelled    prof    contribution    90s    rice    narratives    people    ideal    1980s    created    forms    pose    saw    subjectivity    feminist    goals    visual    civil    postcolonial    argue    light    identity    contemporary    usually    empowering    literature    possessing    aftermath    pivotal    himid    transatlantic    70s    american    strategy    uclan    feminism    central    validate    renaissance    bcn    played    my    positions    veneration    uk    rituals    came    african    ideas    arts    turned    1960s    became    continuation    aesthetic    talent    culture    world    nationalism    female    productive    formulation    class    artworks    symbols    counter    provides    movements    expression    flowering    women    cultural    articulated    interaction    struggles    movement    limited    politics    british    sensibilities    decades    host    fruition    indigenous    reflected    strove   

Project "BWBN" data sheet

The following table provides information about the project.


Organization address
address: -
postcode: PR1 2HE

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website
 Total cost 195˙454 €
 EC max contribution 195˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2016
 Duration (year-month-day) from 2016-08-01   to  2018-07-31


Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 


 Project objective

My research aims to make a significant contribution to the scholarship on contemporary Black women artists in the US & the UK. It will pose a polemical formulation of Black feminist literature and visual arts of the 1980s and 90s in light of postcolonial scholarship. These two decades saw a flowering of talent of Black British and American women: in the US they are described as Black Women’s Renaissance and in the UK as Black Arts Movement. Both movements came to fruition in the aftermath of civil rights and feminist struggles of black people in the US and UK. This project will investigate how the work of African American and Black British female artists reflected interaction and intersection of cultural nationalism and black feminism. It will demonstrate that feminist narratives and artworks of that period, usually not associated with black cultural nationalism, played a pivotal role in the continuation of indigenous cultural politics of Black cultural nationalism, which came to being in the 1960s and 70s in the US. During that period African American art strove to validate black culture as a culture possessing its own ideas and forms of aesthetic expression. The cause of BCN was propelled through the veneration of Black values, sensibilities, symbols, and rituals, which, as this project will argue, became also central to the identity politics of the artists of Black Women Renaissance and Black Arts Movement in the decades that followed. My project will demonstrate that this strategy of validating black culture, which was so empowering in the 1960s and 70s, ultimately turned to be counter-productive for the goals of black feminism, as it created a limited number of positions from which black women’s subjectivity could be articulated. UCLan with its world-class researchers in transatlantic studies (i.e. Prof. Rice) and Black Arts and black feminism (i.e. Prof. Lubaina Himid, a founder of Black Arts Movement) provides an ideal host institution.


year authors and title journal last update
List of publications.
2019 Izabella Penier
The Body as a Palimpsest. Stor(y)ing Memories in Michelle Cliff ‘Clare Savage novels’ and Gayle Jones’s Corregidora
published pages: , ISSN: , DOI:
Cultural Palimpsests: Ethnic Watermarks, Surfacing Histories 2019-05-29
2019 Izabella Penier
Black Women – Black Nationalism: Feminist Discourses on Nation Building
published pages: , ISSN: , DOI:
2019 Izabella Penier
Pitfalls of Memorialisation: ‘Culture Bearing Black Women’ and African American Cultural Nationalism
published pages: , ISSN: , DOI:

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