Explore the words cloud of the PERFORMART project. It provides you a very rough idea of what is the project "PERFORMART" about.
The following table provides information about the project.
CENTRE NATIONAL DE LA RECHERCHE SCIENTIFIQUE CNRS
|Coordinator Country||France [FR]|
|Total cost||1˙999˙182 €|
|EC max contribution||1˙999˙182 € (100%)|
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
|Duration (year-month-day)||from 2016-09-01 to 2021-08-31|
Take a look of project's partnership.
|1||CENTRE NATIONAL DE LA RECHERCHE SCIENTIFIQUE CNRS||FR (PARIS)||coordinator||1˙051˙908.00|
|2||ECOLE FRANCAISE DE ROME||IT (ROMA)||participant||947˙274.00|
Rome, centre of the Catholic Church and capital of the Papal States, strewn with churches and religious institutions, was also, in the 17th and 18th centuries, the scene of intense conflicts and rivalries between some twenty leading aristocratic families, highly adept at organising musical, theatrical and choreographic performances to display their political sympathies. The artistic life that animated the palaces and country villas of this elite has been far less studied than that of the papal court, the grand theatres or the principal churches of Rome. The PERFORMART project aims to enrich our understanding of the history of performing arts among the Roman nobility between 1644 and 1740 by exploiting the abundant documentation contained in the archives of eleven leading aristocratic families. The present proposal arises from the previous research of the principal investigator in the Orsini-Lante Archives. For the first time, PERFORMART will bring together specialised archivists and historians, all expert in different aspects of this micro-society, in a systematic collaboration between the history of the performing arts, choreographic studies, and art, music, social, and economic history. Via a relational database, this collaboration will bring to light original sources able to elucidate the social and artistic practices of Roman families, the motivations and conditions of patronage, the material framework of artistic productions, the status of the artist and his degree of dependence on his protectors, and, finally, the political, local and international impact of the involvement of these noble families on the artistic life of Rome.
|year||authors and title||journal||last update|
Huub vanÂ derÂ Linden
The business of opera in earlyÂ modernÂ Bologna: financial andÂ socialÂ affairs in PirroÂ Capacelli Albergatiâ€™sÂ notebook forÂ GliÂ amiciÂ (1699)
published pages: , ISSN: 1123-9891, DOI: 10.4000/mefrim.3699
|MÃ©langes de l\'Ã‰cole franÃ§aise de Rome. Italie et MÃ©diterranÃ©e 130-1||2020-02-27|
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