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Young-Italian 2015

Dangerous Masculinities: Young Men in Italian Cinema of the 1940s-1960s

Total Cost €

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EC-Contrib. €

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Partnership

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Project "Young-Italian 2015" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY OF BRISTOL 

Organization address
address: BEACON HOUSE QUEENS ROAD
city: BRISTOL
postcode: BS8 1QU
website: www.bristol.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://enricobiasin.academia.edu
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2016
 Duration (year-month-day) from 2016-11-01   to  2018-10-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY OF BRISTOL UK (BRISTOL) coordinator 183˙454.00

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 Project objective

The present project aims to examine Italian cinema during the twenty-year period from 1943 to 1963 in relation to the construction of the image of the young Italian man. The main goals are to understand how Italian cinema from the post-war period to the ‘economic boom’ gave substance to male national identities and to situate those identities within an emerging youth culture produced by the new consumer society in Italy. The proposal arises from two key observations: firstly, that the cinematic institution of the time and its gender representations depicted the crisis of traditional male authority at a time of great social change. In this respect, the figure of the young Italian man functions as a multi-faceted trope that challenges the patriarchal values embodied by older men. Secondly, that there has been a lack of studies of Italian cinematic masculinity, especially in the postwar period. From this perspective, the project intends to complement existing work in the fields of history and sociology on the emergence of Italian youth culture; it will uncover the repertoire of young masculine identities that cinema offered to audiences in these years, which were crucial to the negotiation of changing gender roles in the Italian cultural imaginary after the WWII until the present. The project is organised according to an integrated and interdisciplinary approach to the cinematic apparatus. The purpose is to look at the cinematic institution by analysing its textual and economic dimension (its ‘material’ component), and thus investigating the patterns of masculine representation offered by films and the related cultural industry; and by evaluating its cultural and social articulation (its ‘symbolic’ component), and thus focusing on the cinema audiences and their experiences with the film texts in relation to gender identity. The principal output will be a monograph on the figure of the young Italian man in the cinema of the long post-war period, the first of its kind.

 Publications

year authors and title journal last update
List of publications.
2017 Enrico Biasin
Doppio melodramma maschile ne La Lupa (1953, 1996). Da Alberto Lattuada a Gabriele Lavia, da Ettore Manni a Raoul Bova
published pages: 72-80, ISSN: , DOI:
Mariapia Comand at al. (eds), Wer ist Leonardo? Da Caligari al cinema senza nomi/ Wer ist Leonardo? From Caligari to the Cinema Without Names 2019-06-13
2018 Enrico Biasin, Catherine O’Rawe (eds) journal special issue
Il latin lover nel cinema italiano contemporaneo
published pages: 3-144, ISSN: 2421-6496, DOI:
L’avventura: International Journal of Italian Film and Media Landscapes vol. 4, special issue 2018 2019-06-13
2016 Enrico Biasin, Federico Zecca (eds), journal special issue
Inside Gonzo Pornography
published pages: 332-410, ISSN: , DOI:
Porn Studies vol. 3, n. 4 2019-06-13
2018 Enrico Biasin
«Se c’era Clark Gable, andavo a vederlo; se c’era John Wayne, andavo a vederlo». Formazioni di mascolinità nel pubblico cinematograco italiano del secondo dopoguerra.
published pages: , ISSN: 2533-0977, DOI:
«Clionet. Per un senso del tempo e dei luoghi» vol. 2 2019-06-13
2018 Enrico Biasin
Latin Over. Conversazione con Giannino Malossi [interview]
published pages: 137-144, ISSN: 2421-6496, DOI:
L’avventura: International Journal of Italian Film and Media Landscapes vol. 4, special issue 2018 2019-06-13
2016 Enrico Biasin, Federico Zecca
Introduction: Inside gonzo porn
published pages: 332-336, ISSN: 2326-8743, DOI: 10.1080/23268743.2016.1259178
Porn Studies 3/4 2019-06-13
2018 Enrico Biasin, Catherine O’Rawe
Introduzione. Il latin lover nel cinema italiano contemporaneo
published pages: 3-14, ISSN: 2421-6496, DOI:
L’avventura: International Journal of Italian Film and Media Landscapes vol. 4, special issue 2018 2019-06-13
2018 Enrico Biasin
Bellissimi. Gabriel Garko, Luca Argentero e Riccardo Scamarcio. Il latin lover e il testo divistico convergente
published pages: 107-136, ISSN: 2421-6496, DOI:
L’avventura: International Journal of Italian Film and Media Landscapes vol. 4, special issue 2018 2019-06-13
2018 Enrico Biasin
«A te caro fratello ti dono la mia immagine perché tu non mi possa mai scordare». Memoria maschile e rappresentazione della Resistenza nelle testimonianze di un archivio fotografico
published pages: 18-25, ISSN: , DOI:
In Stefano Perulli (ed.), La memoria rimasta. Resistenza, antifascismo e impegno politico attraverso le immagini dell’Archivio ANPI di Udine 2019-06-13

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The information about "YOUNG-ITALIAN 2015" are provided by the European Opendata Portal: CORDIS opendata.

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