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WARMUSIC

The War on Music. Heritage, Islam and Peacekeeping in relation to the Islamist attacks in Mali

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 WARMUSIC project word cloud

Explore the words cloud of the WARMUSIC project. It provides you a very rough idea of what is the project "WARMUSIC" about.

negotiations    attacks    war    islamists    development    frame    northern    context    global    paradigm    conceptual    islamist    force    mali    double    conflicts    king    globalization    peacekeeping    central    armed    forms    religion    musicians    london    conflict    intangible    un    muslim    concerning    musical    union    groups    enlarge    islam    college    analyze    offers    insurgency    specular    formal    experts    occupation    culture    islamic    perceptions    ethnographic    destruction    dimensions    international    2012    music    reconstruction    building    malian    ontologies    government    interdictions    methodology    identity    aid    secondment    local    confluence    occurred    enquiry    peace    unesco    encouraging    preserving    phenomenon    protection    post    academic    critical    threats    policies    first    claiming    reconstructed    heritage    intends    performative    identities    sections    banned    programs    instruments    cultural    develops   

Project "WARMUSIC" data sheet

The following table provides information about the project.

Coordinator
KING'S COLLEGE LONDON 

Organization address
address: STRAND
city: LONDON
postcode: WC2R 2LS
website: www.kcl.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://www.kcl.ac.uk/artshums/depts/music/index.aspx
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    KING'S COLLEGE LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

This project offers a critical approach to the recent phenomenon of the Islamist attacks on cultural heritage. Its objectives are to analyze 1) the performative and musical dimensions of Islamic identity during conflicts and 2) the global protection policies of the so-called “intangible heritage”. In addition, it aims at 3) building a new paradigm for post-conflict reconstruction and peacekeeping in collaboration with King’s College London experts and with international organizations (Secondment). The research develops around a central case-study: the attacks on music (formal interdictions, threats to musicians, destruction of musical instruments) that occurred during the Northern Mali occupation by armed groups claiming to be Islamists in 2012, and the intangible heritage protection and reconstruction programs implemented by the Malian Government, UNESCO, UN peace force and the European Union. The enquiry, based on an ethnographic methodology, develops around two specular sections. The first one, called “An Islam of development? Muslim Malian identities facing the war on music”, is dedicated to the musical negotiations of Muslim identities during the insurgency, the role of Islamic organizations in cultural development and the local perceptions of international cultural aid. The second one, “Preserving others’ culture. International policies on intangible heritage”, focuses on the conceptual frame and concrete protection measures defined by heritage institutions in the context of Malian peacekeeping. This double focus enables a comparison between two different ontologies, “religion” and “development”, for a broader understanding of the reasons why culture is targeted, banned and reconstructed as a result of the confluence of current trends in conflicts and globalization. Finally, the project intends to enlarge the academic debate concerning the recent Islamist cultural attacks, encouraging new forms of collaboration with international organizations.

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