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WARMUSIC

The War on Music. Heritage, Islam and Peacekeeping in relation to the Islamist attacks in Mali

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 WARMUSIC project word cloud

Explore the words cloud of the WARMUSIC project. It provides you a very rough idea of what is the project "WARMUSIC" about.

unesco    reconstruction    policies    paradigm    sections    formal    phenomenon    programs    global    king    identity    claiming    enlarge    context    specular    islamists    conceptual    protection    heritage    develops    concerning    central    london    conflicts    insurgency    destruction    attacks    malian    islamist    force    union    occupation    conflict    intends    cultural    armed    building    groups    threats    dimensions    academic    development    methodology    music    islam    confluence    2012    culture    experts    mali    first    reconstructed    religion    globalization    aid    peacekeeping    negotiations    double    intangible    perceptions    critical    encouraging    muslim    local    international    banned    northern    interdictions    college    performative    enquiry    war    post    islamic    frame    musicians    instruments    musical    un    identities    government    preserving    peace    forms    secondment    ethnographic    offers    occurred    ontologies    analyze   

Project "WARMUSIC" data sheet

The following table provides information about the project.

Coordinator
KING'S COLLEGE LONDON 

Organization address
address: STRAND
city: LONDON
postcode: WC2R 2LS
website: www.kcl.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://www.kcl.ac.uk/artshums/depts/music/index.aspx
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    KING'S COLLEGE LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

This project offers a critical approach to the recent phenomenon of the Islamist attacks on cultural heritage. Its objectives are to analyze 1) the performative and musical dimensions of Islamic identity during conflicts and 2) the global protection policies of the so-called “intangible heritage”. In addition, it aims at 3) building a new paradigm for post-conflict reconstruction and peacekeeping in collaboration with King’s College London experts and with international organizations (Secondment). The research develops around a central case-study: the attacks on music (formal interdictions, threats to musicians, destruction of musical instruments) that occurred during the Northern Mali occupation by armed groups claiming to be Islamists in 2012, and the intangible heritage protection and reconstruction programs implemented by the Malian Government, UNESCO, UN peace force and the European Union. The enquiry, based on an ethnographic methodology, develops around two specular sections. The first one, called “An Islam of development? Muslim Malian identities facing the war on music”, is dedicated to the musical negotiations of Muslim identities during the insurgency, the role of Islamic organizations in cultural development and the local perceptions of international cultural aid. The second one, “Preserving others’ culture. International policies on intangible heritage”, focuses on the conceptual frame and concrete protection measures defined by heritage institutions in the context of Malian peacekeeping. This double focus enables a comparison between two different ontologies, “religion” and “development”, for a broader understanding of the reasons why culture is targeted, banned and reconstructed as a result of the confluence of current trends in conflicts and globalization. Finally, the project intends to enlarge the academic debate concerning the recent Islamist cultural attacks, encouraging new forms of collaboration with international organizations.

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