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WARMUSIC

The War on Music. Heritage, Islam and Peacekeeping in relation to the Islamist attacks in Mali

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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0

 WARMUSIC project word cloud

Explore the words cloud of the WARMUSIC project. It provides you a very rough idea of what is the project "WARMUSIC" about.

enlarge    music    double    peace    claiming    specular    destruction    heritage    islam    armed    conflicts    interdictions    islamist    attacks    identities    critical    ontologies    policies    union    islamists    formal    insurgency    development    musicians    paradigm    programs    2012    central    king    london    reconstructed    identity    occurred    first    context    mali    performative    muslim    culture    forms    groups    sections    intends    experts    perceptions    preserving    intangible    enquiry    musical    develops    globalization    islamic    local    un    cultural    protection    occupation    instruments    post    offers    confluence    aid    peacekeeping    conflict    force    encouraging    frame    global    methodology    phenomenon    conceptual    secondment    government    ethnographic    threats    northern    building    dimensions    college    negotiations    religion    international    analyze    malian    banned    unesco    academic    concerning    war    reconstruction   

Project "WARMUSIC" data sheet

The following table provides information about the project.

Coordinator
KING'S COLLEGE LONDON 

Organization address
address: STRAND
city: LONDON
postcode: WC2R 2LS
website: www.kcl.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://www.kcl.ac.uk/artshums/depts/music/index.aspx
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    KING'S COLLEGE LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

This project offers a critical approach to the recent phenomenon of the Islamist attacks on cultural heritage. Its objectives are to analyze 1) the performative and musical dimensions of Islamic identity during conflicts and 2) the global protection policies of the so-called “intangible heritage”. In addition, it aims at 3) building a new paradigm for post-conflict reconstruction and peacekeeping in collaboration with King’s College London experts and with international organizations (Secondment). The research develops around a central case-study: the attacks on music (formal interdictions, threats to musicians, destruction of musical instruments) that occurred during the Northern Mali occupation by armed groups claiming to be Islamists in 2012, and the intangible heritage protection and reconstruction programs implemented by the Malian Government, UNESCO, UN peace force and the European Union. The enquiry, based on an ethnographic methodology, develops around two specular sections. The first one, called “An Islam of development? Muslim Malian identities facing the war on music”, is dedicated to the musical negotiations of Muslim identities during the insurgency, the role of Islamic organizations in cultural development and the local perceptions of international cultural aid. The second one, “Preserving others’ culture. International policies on intangible heritage”, focuses on the conceptual frame and concrete protection measures defined by heritage institutions in the context of Malian peacekeeping. This double focus enables a comparison between two different ontologies, “religion” and “development”, for a broader understanding of the reasons why culture is targeted, banned and reconstructed as a result of the confluence of current trends in conflicts and globalization. Finally, the project intends to enlarge the academic debate concerning the recent Islamist cultural attacks, encouraging new forms of collaboration with international organizations.

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