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WARMUSIC

The War on Music. Heritage, Islam and Peacekeeping in relation to the Islamist attacks in Mali

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 WARMUSIC project word cloud

Explore the words cloud of the WARMUSIC project. It provides you a very rough idea of what is the project "WARMUSIC" about.

concerning    globalization    king    development    dimensions    international    music    attacks    musical    ethnographic    formal    cultural    frame    groups    religion    government    college    culture    negotiations    forms    peacekeeping    global    critical    performative    local    post    destruction    building    insurgency    policies    un    experts    secondment    claiming    offers    heritage    double    reconstructed    intends    instruments    islamic    methodology    phenomenon    identities    force    threats    armed    conceptual    occupation    islam    first    peace    malian    interdictions    encouraging    perceptions    academic    central    musicians    war    context    union    islamists    2012    enlarge    conflict    paradigm    mali    unesco    intangible    preserving    programs    london    protection    muslim    ontologies    enquiry    aid    confluence    identity    conflicts    develops    sections    northern    occurred    analyze    reconstruction    islamist    specular    banned   

Project "WARMUSIC" data sheet

The following table provides information about the project.

Coordinator
KING'S COLLEGE LONDON 

Organization address
address: STRAND
city: LONDON
postcode: WC2R 2LS
website: www.kcl.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://www.kcl.ac.uk/artshums/depts/music/index.aspx
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    KING'S COLLEGE LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

This project offers a critical approach to the recent phenomenon of the Islamist attacks on cultural heritage. Its objectives are to analyze 1) the performative and musical dimensions of Islamic identity during conflicts and 2) the global protection policies of the so-called “intangible heritage”. In addition, it aims at 3) building a new paradigm for post-conflict reconstruction and peacekeeping in collaboration with King’s College London experts and with international organizations (Secondment). The research develops around a central case-study: the attacks on music (formal interdictions, threats to musicians, destruction of musical instruments) that occurred during the Northern Mali occupation by armed groups claiming to be Islamists in 2012, and the intangible heritage protection and reconstruction programs implemented by the Malian Government, UNESCO, UN peace force and the European Union. The enquiry, based on an ethnographic methodology, develops around two specular sections. The first one, called “An Islam of development? Muslim Malian identities facing the war on music”, is dedicated to the musical negotiations of Muslim identities during the insurgency, the role of Islamic organizations in cultural development and the local perceptions of international cultural aid. The second one, “Preserving others’ culture. International policies on intangible heritage”, focuses on the conceptual frame and concrete protection measures defined by heritage institutions in the context of Malian peacekeeping. This double focus enables a comparison between two different ontologies, “religion” and “development”, for a broader understanding of the reasons why culture is targeted, banned and reconstructed as a result of the confluence of current trends in conflicts and globalization. Finally, the project intends to enlarge the academic debate concerning the recent Islamist cultural attacks, encouraging new forms of collaboration with international organizations.

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The information about "WARMUSIC" are provided by the European Opendata Portal: CORDIS opendata.

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