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WARMUSIC

The War on Music. Heritage, Islam and Peacekeeping in relation to the Islamist attacks in Mali

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

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 WARMUSIC project word cloud

Explore the words cloud of the WARMUSIC project. It provides you a very rough idea of what is the project "WARMUSIC" about.

local    secondment    forms    force    identity    performative    musicians    intangible    occurred    mali    reconstruction    context    interdictions    conceptual    frame    identities    armed    peace    building    international    develops    offers    double    negotiations    enlarge    sections    intends    central    formal    occupation    islam    perceptions    protection    london    destruction    ontologies    groups    academic    post    reconstructed    experts    musical    analyze    dimensions    malian    programs    concerning    instruments    specular    policies    union    muslim    conflicts    threats    methodology    islamists    cultural    northern    preserving    culture    king    conflict    unesco    islamic    first    college    islamist    encouraging    claiming    banned    enquiry    paradigm    attacks    development    phenomenon    religion    confluence    government    2012    critical    ethnographic    insurgency    peacekeeping    un    war    heritage    aid    globalization    music    global   

Project "WARMUSIC" data sheet

The following table provides information about the project.

Coordinator
KING'S COLLEGE LONDON 

Organization address
address: STRAND
city: LONDON
postcode: WC2R 2LS
website: www.kcl.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://www.kcl.ac.uk/artshums/depts/music/index.aspx
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    KING'S COLLEGE LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

This project offers a critical approach to the recent phenomenon of the Islamist attacks on cultural heritage. Its objectives are to analyze 1) the performative and musical dimensions of Islamic identity during conflicts and 2) the global protection policies of the so-called “intangible heritage”. In addition, it aims at 3) building a new paradigm for post-conflict reconstruction and peacekeeping in collaboration with King’s College London experts and with international organizations (Secondment). The research develops around a central case-study: the attacks on music (formal interdictions, threats to musicians, destruction of musical instruments) that occurred during the Northern Mali occupation by armed groups claiming to be Islamists in 2012, and the intangible heritage protection and reconstruction programs implemented by the Malian Government, UNESCO, UN peace force and the European Union. The enquiry, based on an ethnographic methodology, develops around two specular sections. The first one, called “An Islam of development? Muslim Malian identities facing the war on music”, is dedicated to the musical negotiations of Muslim identities during the insurgency, the role of Islamic organizations in cultural development and the local perceptions of international cultural aid. The second one, “Preserving others’ culture. International policies on intangible heritage”, focuses on the conceptual frame and concrete protection measures defined by heritage institutions in the context of Malian peacekeeping. This double focus enables a comparison between two different ontologies, “religion” and “development”, for a broader understanding of the reasons why culture is targeted, banned and reconstructed as a result of the confluence of current trends in conflicts and globalization. Finally, the project intends to enlarge the academic debate concerning the recent Islamist cultural attacks, encouraging new forms of collaboration with international organizations.

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