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ArsNova SIGNED

European Ars Nova: Multilingual Poetry and Polyphonic Song in the Late Middle Ages

Total Cost €

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EC-Contrib. €

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Partnership

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 ArsNova project word cloud

Explore the words cloud of the ArsNova project. It provides you a very rough idea of what is the project "ArsNova" about.

perception    multilingual    cultural    deschamps    generate    point    guides    traditions    repertoire    propaganda    good    tradition    lines    multilingualism    anthologies    dawn    soft    manuscript    shown    dante    polyphonists    last    theological    function    poetry    eustache    happens    love    primary    lover    almost    historical    unprecedented    schism    poetic    goals    metaphor    century    caritas    lyric    production    polyphony    diplomacy    viewed    motivated    courtly    figure    political    relation    expresses    ars    conceived    music    religious    musical    first    rulers    class    overcome    institutional    musicology    rest    copied    1300s    coeval    alighieri    connection    methodological    view    nova    1200    desire    dialogue    exercised    personal    literature    balance    virtue    language    strategies    texts    corpus    device    leads    becomes    entire    man    time    context    wise    15th    later    itself    interpretation    power    intercultural    14th    questions    architecture    relationship    divisions    disciplinary   

Project "ArsNova" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA DEGLI STUDI DI FIRENZE 

Organization address
address: Piazza San Marco 4
city: Florence
postcode: 50121
website: http://www.unifi.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 2˙193˙375 €
 EC max contribution 2˙193˙375 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2017-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-01-01   to  2023-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA DEGLI STUDI DI FIRENZE IT (Florence) coordinator 1˙255˙875.00
2    UNIVERSITA DEGLI STUDI DI PAVIA IT (PAVIA) participant 937˙500.00

Map

 Project objective

Dante Alighieri at the dawn of the 1300s, as well as Eustache Deschamps almost a century later, conceived poetry as music in itself. But what happens with poetry when it is involved in the complex architecture of polyphony? The aim of this project is to study for the first time the corpus of 14th- and early 15th-century poetry set to music by Ars Nova polyphonists (more than 1200 texts). This repertoire gathers different poetic and musical traditions, as shown by the multilingual anthologies copied during the last years of the Schism. The choice of this corpus is motivated by two primary goals: a) to offer a new interpretation of its meaning and function in the cultural and historical context, one that may be then applied to the rest of coeval European lyric poetry; b) to overcome current disciplinary divisions in order to generate a new methodological balance between the project’s two main fields of interest (Comparative Literature / Musicology). Most Ars Nova polyphonists were directly associated with religious institutions. In many texts, the language of courtly love expresses the values of caritas, the theological virtue that guides wise rulers and leads them to desire the common good. Thus, the poetic figure of the lover becomes a metaphor for the political man, and love poetry can be used as a device for diplomacy, as well as for personal and institutional propaganda. From this unprecedented point of view, the project will develop three research lines in response to the following questions: 1) How is the relationship between poetry and music, and how is the dialogue between the different poetic and musical traditions viewed in relation to each context of production? 2) To what extent does Ars Nova poetry take part in the ‘soft power’ strategies exercised by the entire European political class of the time? 3) Is there a connection between the multilingualism of the manuscript tradition and the perception of the Ars Nova as a European, intercultural repertoire?

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The information about "ARSNOVA" are provided by the European Opendata Portal: CORDIS opendata.

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