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ArsNova SIGNED

European Ars Nova: Multilingual Poetry and Polyphonic Song in the Late Middle Ages

Total Cost €

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EC-Contrib. €

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Partnership

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 ArsNova project word cloud

Explore the words cloud of the ArsNova project. It provides you a very rough idea of what is the project "ArsNova" about.

caritas    diplomacy    ars    intercultural    generate    first    tradition    primary    historical    musicology    poetry    divisions    lines    architecture    dialogue    point    entire    production    perception    expresses    relation    literature    musical    almost    unprecedented    religious    conceived    cultural    love    function    happens    disciplinary    coeval    nova    music    context    multilingualism    desire    1300s    schism    corpus    metaphor    15th    soft    copied    view    alighieri    becomes    personal    goals    anthologies    eustache    methodological    polyphonists    manuscript    1200    lover    language    later    time    multilingual    good    questions    exercised    poetic    strategies    dawn    political    virtue    propaganda    figure    rest    guides    texts    viewed    lyric    balance    rulers    overcome    class    power    connection    wise    theological    interpretation    courtly    institutional    itself    relationship    leads    device    century    man    deschamps    motivated    traditions    dante    repertoire    last    14th    polyphony    shown   

Project "ArsNova" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA DEGLI STUDI DI FIRENZE 

Organization address
address: Piazza San Marco 4
city: Florence
postcode: 50121
website: http://www.unifi.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 2˙193˙375 €
 EC max contribution 2˙193˙375 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2017-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-01-01   to  2023-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA DEGLI STUDI DI FIRENZE IT (Florence) coordinator 1˙255˙875.00
2    UNIVERSITA DEGLI STUDI DI PAVIA IT (PAVIA) participant 937˙500.00

Map

 Project objective

Dante Alighieri at the dawn of the 1300s, as well as Eustache Deschamps almost a century later, conceived poetry as music in itself. But what happens with poetry when it is involved in the complex architecture of polyphony? The aim of this project is to study for the first time the corpus of 14th- and early 15th-century poetry set to music by Ars Nova polyphonists (more than 1200 texts). This repertoire gathers different poetic and musical traditions, as shown by the multilingual anthologies copied during the last years of the Schism. The choice of this corpus is motivated by two primary goals: a) to offer a new interpretation of its meaning and function in the cultural and historical context, one that may be then applied to the rest of coeval European lyric poetry; b) to overcome current disciplinary divisions in order to generate a new methodological balance between the project’s two main fields of interest (Comparative Literature / Musicology). Most Ars Nova polyphonists were directly associated with religious institutions. In many texts, the language of courtly love expresses the values of caritas, the theological virtue that guides wise rulers and leads them to desire the common good. Thus, the poetic figure of the lover becomes a metaphor for the political man, and love poetry can be used as a device for diplomacy, as well as for personal and institutional propaganda. From this unprecedented point of view, the project will develop three research lines in response to the following questions: 1) How is the relationship between poetry and music, and how is the dialogue between the different poetic and musical traditions viewed in relation to each context of production? 2) To what extent does Ars Nova poetry take part in the ‘soft power’ strategies exercised by the entire European political class of the time? 3) Is there a connection between the multilingualism of the manuscript tradition and the perception of the Ars Nova as a European, intercultural repertoire?

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The information about "ARSNOVA" are provided by the European Opendata Portal: CORDIS opendata.

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