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LAWHA SIGNED

Lebanon's Art World at Home and Abroad: Trajectories of artists and artworks in/from Lebanon since 1943

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 LAWHA project word cloud

Explore the words cloud of the LAWHA project. It provides you a very rough idea of what is the project "LAWHA" about.

placing    shaped    revisiting    arabic    re    heritage    emergence    world    power    forces    abroad    france    repository    migration    represented    cultures    relation    individual    independence    context    connect    worthwhile    works    trajectory    emphasis    approaching    protagonists    digital    colonial    proposes    serving    database    shape    social    rethink    conflict    shift    scientific    trajectories    contexts    war    collaborative    post    lebanon    ddp    takes    perspective    specificity    absence    model    central    labelling    country    relations    investigates    global    gaining    preserving    lawha    dimensionality    nation    cultural    regional    economic    violence    centre    forms    environment    academic    painting    museums    artistic    clusters    professional    home    histories    history    create    agendas    tool    sculpture    media    1943    political    local    stereotyped    individuals    institutionalised    artists    platform    interrelate    innovative   

Project "LAWHA" data sheet

The following table provides information about the project.

Coordinator
MAX WEBER STIFTUNG DEUTSCHE GEISTESWISSENSCHAFTLICHE INSTITUTE IM AUSLAND 

Organization address
address: RHEINALLEE 6
city: BONN
postcode: 53173
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Germany [DE]
 Total cost 1˙498˙813 €
 EC max contribution 1˙498˙813 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2019-STG
 Funding Scheme ERC-STG
 Starting year 2020
 Duration (year-month-day) from 2020-10-01   to  2025-09-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    MAX WEBER STIFTUNG DEUTSCHE GEISTESWISSENSCHAFTLICHE INSTITUTE IM AUSLAND DE (BONN) coordinator 1˙498˙813.00

Map

 Project objective

This project takes an ambitious approach to investigating the trajectories of artists and their works in and from Lebanon since its independence in 1943. In the absence of an institutionalised local art history, artists are often stereotyped according to the agendas of labelling institutions. The project proposes a shift of perspective in approaching Lebanon’s art world by placing emphasis on the multi-dimensionality of artists’ individual trajectories. It investigates (1) the forces that have shaped the emergence of a professional field of art in their local, regional and global contexts, (2) how to rethink the impact of the political, social and economic environment on the art world and its protagonists, Lebanon often being defined by its experience of violence and conflict, (3) how artists are represented in relation to the nation, and (4) how the trajectories of individuals shape the field. The focus will be on artists in and from Lebanon using the forms of painting (Arabic: lawha), sculpture and new media art. The specificity of Lebanon’s history after gaining independence from France in 1943 makes it particularly worthwhile to study the power-relations between artists and institutions at home and abroad. The project’s objectives are to (1) develop a new approach to rethink artistic production from a cultural-political perspective while placing the trajectory of artists and their works at the centre, (2) re-evaluate the impact of war and migration on a country’s artistic production, (3) build a collaborative digital platform and database (DDP) to create a central and open-access repository and innovative tool for future research and preserving Lebanon's cultural heritage, and (4) to connect the scientific cultures of academic research and museums/art institutions. The project’s five thematic clusters and DDP will identify new methods on how to interrelate context and artistic production, serving as a model for revisiting art histories in post-colonial contexts.

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The information about "LAWHA" are provided by the European Opendata Portal: CORDIS opendata.

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