Opendata, web and dolomites

SloMo SIGNED

Slow motion: Transformations of musical time in perception and performance

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 SloMo project word cloud

Explore the words cloud of the SloMo project. It provides you a very rough idea of what is the project "SloMo" about.

beneficial    boundaries    audience    chi    synchronisations    shifts    film    speed    sequences    note    movement    performance    imagery    musical    consists    deeper    capture    slow    structure    sonifications    sports    physical    memory    music    employed    stretching    mechanism    relation    moves    virtues    surface    functions    3d    life    bodily    scenes    temporal    phases    motional    psychological    central    human    rehearsal    profit    cameras    aesthetic    portable    assumed    time    deeply    movements    perceptions    practices    transform    dance    reduces    strategy    app    load    perceived    acceleration    momentous    hypothesizing    tai    meditation    emotional    phrases    significance    tempi    media    attentional    counterpoint    qualities    cross    people    interpersonal    first    super    broad    beats    sonification    levels    structured    perception    movie    dimensions    feedback    hierarchical    popular    casting    creation    learning    final    motion    actions    modal    contains    structural    augmented    cognitive    arts    physiological   

Project "SloMo" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITAET HAMBURG 

Organization address
address: MITTELWEG 177
city: HAMBURG
postcode: 20148
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Germany [DE]
 Total cost 1˙923˙190 €
 EC max contribution 1˙923˙190 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2016-COG
 Funding Scheme ERC-COG
 Starting year 2017
 Duration (year-month-day) from 2017-04-01   to  2022-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITAET HAMBURG DE (HAMBURG) coordinator 1˙923˙190.00

Map

 Project objective

Slow motion is widely employed in popular media such as emotional movie scenes or in the broad-casting of momentous bodily and physical actions. Slow motion functions as a counterpoint to the perceived acceleration of life, and non-profit organisations and meditation practices promote its virtues. Slow motion is used as a beneficial rehearsal strategy in music, dance, and other movement-based arts and sports. This research proposal shifts existing boundaries by hypothesizing that the time-stretching mechanism of slow motion is a) associated with high emotional significance, b) beneficial for interpersonal coordination, c) relevant in cross-modal approaches with augmented feedback such as the sonification of human movements, d) reduces cognitive working memory load in learning. It is assumed that music as a temporal-motional art is central for the study of these processes, since music consists of structured time at different hierarchical levels and deeply “moves” people. The musical surface structure (on a note-to-note level) allows synchronisations at higher tempi compared to deeper structural levels (such as strong beats in a measure or phrases). Music may thus transform perceptions of motion and time. The proposed project contains three main phases, first addressing the perception of slow motion in music and dance in relation to the attentional, emotional and aesthetic effects on the audience. In the second phase, performance qualities are studied, addressing cognitive load, imagery, and interpersonal coordination at slow tempi. High-speed cameras, a 3D motion capture system and physiological measures are used to analyse the psychological and bodily processes involved. The final phase aims at the creation of three applications, including a learning app for portable devices, a film with super slow motion sequences based on the studies, and sonifications of Tai Chi movements. These applications present the aesthetic dimensions of slow motion to a wider audience.

 Publications

year authors and title journal last update
List of publications.
2018 Visi, F., Hammerschmidt, D., & Wöllner, C.
Using Unimanual and Bimanual Tapping to Explore Synchronisation with Musical Rhythmic Layers.
published pages: , ISSN: , DOI:
15th International Conference on Music Perception and Cognition / 10th Conference of the European Society for the Cognitive Sciences of Music 2019-11-15
2019 Wang, X., Wöllner, C., & Shi, Z.
How does time fly in inconsistent audiovisual contexts? An exploratory study with a temporal bisection paradigm
published pages: 88-90, ISSN: , DOI:
Tagungsband der Deutschen Gesellschaft für Musikpsychologie 2019-11-15
2018 Wöllner, C. & Hammerschmidt, D.
Stretching time in audiovisual media: Influences of playback technology and music on perceived emotion and induced arousal.
published pages: , ISSN: , DOI:
Proceedings of SEMPRE MET2018 2019-11-15
2019 Hammerschmidt, D., Wöllner, C., & London, J.
Time-Stretching: Über den Zusammenhang von Tempo- und Zeitwahrnehmung beim Musikhören
published pages: , ISSN: , DOI:
Tagungsband der Deutschen Gesellschaft für Musikpsychologie 2019-11-15
2020 Hammerschmidt, D., & Wöllner, C.
Sensorimotor synchronisation with higher metrical levels in music shortens perceived time
published pages: , ISSN: 0730-7829, DOI:
Music Perception 2019-11-15
2019 Allingham, E., & Wöllner, C.
Effects of attentional focus on motor skill performance in violin bowing
published pages: , ISSN: , DOI:
SEMPRE autumn conference ‘Expression, Communication and Learning’ 2019-11-15
2017 Wöllner, C., Albrecht, H., Hammerschmidt, D., & Hohagen, J.
Slow motion in films and video clips: The role of music on perceived duration, emotions and eye movements.
published pages: , ISSN: , DOI:
25th Anniversary Conference of the European Society for the Cognitive Sciences of Music 2019-11-15
2018 Hammerschmidt, D., & Wöllner, C.
Eye movements in film perception: The Impact of emotional music and playback speed.
published pages: , ISSN: , DOI:
15th International Conference on Music Perception and Cognition / 10th Conference of the European Society for the Cognitive Sciences of Music 2019-11-15
2018 Clemens Wöllner, David Hammerschmidt, Henning Albrecht
Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses
published pages: e0199161, ISSN: 1932-6203, DOI: 10.1371/journal.pone.0199161
PLOS ONE 13/6 2019-05-15
2018 David Hammerschmidt, Clemens Wöllner
The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes
published pages: , ISSN: 1995-8692, DOI: 10.16910/jemr.11.2.10
Journal of Eye Movement Research 11(2):10 2019-05-15

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "SLOMO" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "SLOMO" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.1.)

ENUF (2019)

Evaluation of Novel Ultra-Fast selective III-V Epitaxy

Read More  

PonD (2019)

Particles-on-Demand for Multiscale Fluid Dynamics

Read More  

E-DURA (2018)

Commercialization of novel soft neural interfaces

Read More