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IoMUT

The Internet of Musical Things - An ecosystem of interoperable devices connecting performers and audiences

Total Cost €

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EC-Contrib. €

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Partnership

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Project "IoMUT" data sheet

The following table provides information about the project.

Coordinator
QUEEN MARY UNIVERSITY OF LONDON 

Organization address
address: 327 MILE END ROAD
city: LONDON
postcode: E1 4NS
website: http://www.qmul.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website http://www.iomut.eu
 Total cost 183˙454 €
 EC max contribution 183˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-05-01   to  2019-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    QUEEN MARY UNIVERSITY OF LONDON UK (LONDON) coordinator 183˙454.00

Map

 Project objective

This project aims at designing, developing, and validating new interfaces for technologically-mediated interaction between performers and audiences in order to achieve novel forms of musical expression and foster audience engagement in live performing arts. Current systems for networked music performances that allow performers to collaboratively create music over a network), and for participatory live music performance that enable audiences to actively engage in the music creation process, are limited both from the technological and artistic perspectives. To progress the state-of-the-art, we propose to extend the concepts of the Internet of Things to the musical domain leading to a subfield that we coin as the Internet of Musical Things (IoMUT). IoMUT refers to the network of physical objects (Musical Things) dedicated to the production and fruition of multimodal musical content. This project will implement the IoMUT by creating Musical Things in the form of new musical instruments and new wearable devices, and by delivering a technological infrastructure that allows for their bidirectional wireless communication, both locally and remotely. Such an infrastructure will enable an ecosystem of interoperable devices connecting performers as well as performers and audiences to support new performer-performer and audience-performers interactions, not possible beforehand. The project will define and implement some use cases demonstrating the proposed IoMUT and evaluate them. This approach aspires to effect a step-change in the design of interfaces for musical expression, resulting in a potentially high economic impact on the whole music industry. The project also contributes to the fundamental understanding of the mechanisms underlying music perception and music performance in interactive and multimodal contexts.

 Publications

year authors and title journal last update
List of publications.
2018 Luca Turchet, Carlo Fischione, Georg Essl, Damian Keller, Mathieu Barthet
Internet of Musical Things: Vision and Challenges
published pages: 61994-62017, ISSN: 2169-3536, DOI: 10.1109/access.2018.2872625
IEEE Access 6 2019-08-30
2018 Luca Turchet
Smart Musical Instruments: vision, design principles, and future directions
published pages: 1-1, ISSN: 2169-3536, DOI: 10.1109/access.2018.2876891
IEEE Access 2019-08-30
2018 L. Turchet and M. Barthet
Ubiquitous Musical Activities with Smart Musical Instruments
published pages: , ISSN: , DOI:
Proceedings of the Workshop on Ubiquitous Music 1 per year 2019-08-30
2018 Luca Turchet, Andrew McPherson, Mathieu Barthet
Real-Time Hit Classification in a Smart Cajón
published pages: , ISSN: 2297-198X, DOI: 10.3389/fict.2018.00016
Frontiers in ICT 5 2019-08-30
2017 L. Turchet and M. Barthet
Envisioning Smart Musical Haptic Wearables to Enhance Performers\' Creative Communication
published pages: 538–549, ISSN: , DOI:
Proceedings of International Symposium on Computer Music Multidisciplinary Research 1 per year 2019-08-30
2018 Luca Turchet, Andrew McPherson, Mathieu Barthet
Co-design of a Smart Cajón
published pages: 220-230, ISSN: 1549-4950, DOI: 10.17743/jaes.2018.0007
Journal of the Audio Engineering Society 66/4 2019-08-30
2018 L. Turchet and M. Barthet
Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables
published pages: 82-83, ISSN: , DOI:
Proceedings of the International Conference on New Interfaces for Musical Expression 1 per year 2019-08-30
2017 L. Turchet and M. Barthet
An Internet of Musical Things architecture for performers-audience tactile interactions
published pages: , ISSN: , DOI:
Proceedings of the Digital Music Research Network Workshop 1 per year 2019-08-30
2018 A. Stolfi, M. Ceriani, L. Turchet, and M. Barthet
Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. , pages , 2018.
published pages: 228-233, ISSN: , DOI:
Proceedings of the International Conference on New Interfaces for Musical Expression 1 per year 2019-08-30
2017 L. Turchet, C. Fischione, and M. Barthet.
Towards the Internet of Musical Things
published pages: pages 13–20, ISSN: , DOI:
Proceedings of Sound and Music Computing Conference 1 per year 2019-08-30
2018 Luca Turchet, Mathieu Barthet
Co-Design of Musical Haptic Wearables for Electronic Music Performer’s Communication
published pages: 1-11, ISSN: 2168-2291, DOI: 10.1109/thms.2018.2885408
IEEE Transactions on Human-Machine Systems 2019-08-30
2018 L. Turchet
Hard real-time onset detection of percussive sounds
published pages: , ISSN: , DOI:
Proceedings of the International Conference on Digital Audio Effects 13:1--13:7 2019-08-30
2018 Luca Turchet, Carlo Fischione, Georg Essl, Damian Keller, Mathieu Barthet
Internet of Musical Things: Vision and Challenges
published pages: 61994-62017, ISSN: 2169-3536, DOI: 10.1109/access.2018.2872625
IEEE Access 6 2019-08-30

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