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CHROMOTOPE SIGNED

The 19th century chromatic turn - CHROMOTOPE

Total Cost €

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EC-Contrib. €

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Partnership

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 CHROMOTOPE project word cloud

Explore the words cloud of the CHROMOTOPE project. It provides you a very rough idea of what is the project "CHROMOTOPE" about.

arts    bookcase    burges    1862    period    science    forced    ruskin    aniline    disciplinary    give    chromotope    museum    victorian    practices    pigment    became    first    cultural    artistic    chromatic    image    techniques    anew    exhibition    sciences    perspective    chemistry    filter    1850s    mapped    prominence    pedagogy    poets    turn    19th    reveal    literary    shaped    britain    creation    thorough    industrial    culture    coal    rebelling    texts    pioneering    methodology    intertwined    central    invention    cross    relationships    1856    bleakness    international    revolution    thanks    ashmolean    came    supremacy    approached    perception    think    itself    signifier    colours    took    place    dye    generating    played    century    pollution    notably    modern    online    contemporaries    discourses    attitudes    perceived    crafts    later    invaluable    ways    dyes    building    colour    movement    literature    event    hitherto    sacred    pigments    history    transformed    visual    invited    artists    darkening    morris    outcomes    never    thinking    innovations    materiality    forgotten    database    envisaged   

Project "CHROMOTOPE" data sheet

The following table provides information about the project.

Coordinator
SORBONNE UNIVERSITE 

Organization address
address: 21 RUE DE L'ECOLE DE MEDECINE
city: PARIS
postcode: 75006
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 1˙884˙867 €
 EC max contribution 1˙884˙867 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-COG
 Funding Scheme ERC-COG
 Starting year 2019
 Duration (year-month-day) from 2019-10-01   to  2024-09-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    SORBONNE UNIVERSITE FR (PARIS) coordinator 1˙280˙375.00
2    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) participant 604˙492.00

Map

 Project objective

CHROMOTOPE will offer the very first analysis of the changes that took place in attitudes to colour in the 19th century, and notably how the ‘chromatic turn’ of the 1850s mapped out new ways of thinking about colour in literature, art, science and technology throughout Europe. Britain’s industrial supremacy during this period is often perceived through the darkening filter of coal pollution, and yet the industrial revolution transformed colour thanks to a number of innovations like the invention in 1856 of the first aniline dye. Colour thus became a major signifier of the modern, generating new discourses on its production and perception. This Victorian ‘colour revolution’, which has never been approached from a cross-disciplinary perspective, came to prominence during the 1862 International Exhibition – a forgotten, and yet key, chromatic event which forced poets and artists like Ruskin, Morris and Burges to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, they invited their contemporaries to learn from the ‘sacred’ colours of the past – a ‘colour pedagogy’ which later shaped the European arts and crafts movement. Building on a pioneering methodology, CHROMOTOPE will bring together literature, visual culture, the history of sciences and techniques and the chemistry of pigments and dyes, with high-impact outcomes, including one major exhibition at the Ashmolean Museum, a thorough pigment analysis of Burges’s Great Bookcase and the creation of an online database of 19th century texts on colour. This project will not only give invaluable insight into hitherto neglected aspects of 19th century European cultural history, it will also reveal the central role played by chromatic materiality in the intertwined artistic and literary practices of the period. This will in turn change the way the relationships between text and image, as well as the materiality of the text itself, may be envisaged in literary studies.

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The information about "CHROMOTOPE" are provided by the European Opendata Portal: CORDIS opendata.

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