Opendata, web and dolomites

AFRISCREENWORLDS SIGNED

African Screen Worlds: Decolonising Film and Screen Studies

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 AFRISCREENWORLDS project word cloud

Explore the words cloud of the AFRISCREENWORLDS project. It provides you a very rough idea of what is the project "AFRISCREENWORLDS" about.

envision    colour    excluded    exploring    first    existence    canon    twenty    criticism    similarities    film    inclusive    moment    complexities    publications    century    globe    broaden    circulating    intervention    africans    era    narratives    attempted    centring    activist    parallel    filmmaking    teaching    forms    circulation    half    films    elaborate    creative    scholarship    toolkits    differences    theoretical    syllabi    afriscreenworlds    persist    discipline    eurocentric    cutting    decolonise    industrial    contexts    africa    equipped    technological    marginalised    cinema    prevents    regional    ways    world    scholarly    worlds    globally    representative    helping    audiovisual    mostly    frequently    screens    altogether    scholars    drawing    exclusions    critical    rate    came    frameworks    contemporary    diverse    edge    textual    structures    screen    explore    re    curricula    rapid    conferences    historical    global    people    dynamic    south    considering    transnational   

Project "AFRISCREENWORLDS" data sheet

The following table provides information about the project.

Coordinator
SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL CHARTER 

Organization address
address: THORNHAUGH STREET RUSSEL SQUARE
city: LONDON
postcode: WC1H OXG
website: www.soas.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 1˙985˙577 €
 EC max contribution 1˙985˙577 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-COG
 Funding Scheme ERC-COG
 Starting year 2019
 Duration (year-month-day) from 2019-06-01   to  2024-05-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL CHARTER UK (LONDON) coordinator 1˙828˙524.00
2    THE UNIVERSITY OF SHEFFIELD UK (SHEFFIELD) participant 157˙053.00

Map

 Project objective

A half century since it came into existence, the discipline of Film and Screen Studies remains mostly Eurocentric in its historical, theoretical and critical frameworks. Although “world cinema” and “transnational cinema” scholars have attempted to broaden its canon and frameworks, several major problems persist. Films and scholarship by Africans in particular, and by people of colour in general, are frequently marginalised if not altogether excluded. This prevents exciting exchanges that could help to re-envision Film and Screen Studies for the twenty-first century, in an era in which greater access to the technological means of making films, and circulating them on a range of screens, means that dynamic “screen worlds” are developing at a rapid rate. AFRISCREENWORLDS will study these “screen worlds” (in both their textual forms and industrial structures), with a focus on Africa, as a way of centring the most marginalised regional cinema. We will also elaborate comparative studies of global “screen worlds” – and, in particular, “screen worlds” in the Global South – exploring their similarities, differences, and parallel developments. We will respond to the exclusions of Film and Screen Studies not only in scholarly ways – through conferences and publications – but also in creative and activist ways – through drawing on cutting-edge creative research methodologies (such as audiovisual criticism and filmmaking) and through helping to decolonise Film and Screen Studies (through the production of ‘toolkits’ on how to make curricula, syllabi, and teaching more globally representative and inclusive). On a theoretical level, we will make an intervention through considering how the concept of “screen worlds” is better equipped than “world cinema” or “transnational cinema” to explore the complexities of audiovisual narratives, and their production and circulation in our contemporary moment, in diverse contexts throughout the globe.

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "AFRISCREENWORLDS" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "AFRISCREENWORLDS" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.1.)

CHIPTRANSFORM (2018)

On-chip optical communication with transformation optics

Read More  

SHExtreme (2020)

Estimating contribution of sub-hourly sea level oscillations to overall sea level extremes in changing climate

Read More  

CohoSing (2019)

Cohomology and Singularities

Read More