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AFRISCREENWORLDS SIGNED

African Screen Worlds: Decolonising Film and Screen Studies

Total Cost €

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EC-Contrib. €

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Partnership

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 AFRISCREENWORLDS project word cloud

Explore the words cloud of the AFRISCREENWORLDS project. It provides you a very rough idea of what is the project "AFRISCREENWORLDS" about.

regional    re    diverse    excluded    moment    broaden    exclusions    eurocentric    africa    discipline    century    contemporary    half    drawing    textual    criticism    first    elaborate    differences    narratives    circulating    ways    complexities    scholarly    industrial    audiovisual    world    altogether    attempted    mostly    afriscreenworlds    globe    screens    forms    toolkits    explore    global    frameworks    existence    rapid    colour    frequently    representative    inclusive    south    people    structures    publications    contexts    activist    scholarship    transnational    prevents    technological    cinema    screen    filmmaking    similarities    circulation    canon    centring    teaching    film    curricula    helping    considering    conferences    twenty    cutting    creative    equipped    parallel    decolonise    africans    scholars    historical    rate    globally    edge    came    dynamic    intervention    era    worlds    envision    marginalised    films    exploring    theoretical    syllabi    persist    critical   

Project "AFRISCREENWORLDS" data sheet

The following table provides information about the project.

Coordinator
SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL CHARTER 

Organization address
address: THORNHAUGH STREET RUSSEL SQUARE
city: LONDON
postcode: WC1H OXG
website: www.soas.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
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 Coordinator Country United Kingdom [UK]
 Total cost 1˙985˙577 €
 EC max contribution 1˙985˙577 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-COG
 Funding Scheme ERC-COG
 Starting year 2019
 Duration (year-month-day) from 2019-06-01   to  2024-05-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    SCHOOL OF ORIENTAL AND AFRICAN STUDIES ROYAL CHARTER UK (LONDON) coordinator 1˙828˙524.00
2    THE UNIVERSITY OF SHEFFIELD UK (SHEFFIELD) participant 157˙053.00

Map

 Project objective

A half century since it came into existence, the discipline of Film and Screen Studies remains mostly Eurocentric in its historical, theoretical and critical frameworks. Although “world cinema” and “transnational cinema” scholars have attempted to broaden its canon and frameworks, several major problems persist. Films and scholarship by Africans in particular, and by people of colour in general, are frequently marginalised if not altogether excluded. This prevents exciting exchanges that could help to re-envision Film and Screen Studies for the twenty-first century, in an era in which greater access to the technological means of making films, and circulating them on a range of screens, means that dynamic “screen worlds” are developing at a rapid rate. AFRISCREENWORLDS will study these “screen worlds” (in both their textual forms and industrial structures), with a focus on Africa, as a way of centring the most marginalised regional cinema. We will also elaborate comparative studies of global “screen worlds” – and, in particular, “screen worlds” in the Global South – exploring their similarities, differences, and parallel developments. We will respond to the exclusions of Film and Screen Studies not only in scholarly ways – through conferences and publications – but also in creative and activist ways – through drawing on cutting-edge creative research methodologies (such as audiovisual criticism and filmmaking) and through helping to decolonise Film and Screen Studies (through the production of ‘toolkits’ on how to make curricula, syllabi, and teaching more globally representative and inclusive). On a theoretical level, we will make an intervention through considering how the concept of “screen worlds” is better equipped than “world cinema” or “transnational cinema” to explore the complexities of audiovisual narratives, and their production and circulation in our contemporary moment, in diverse contexts throughout the globe.

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The information about "AFRISCREENWORLDS" are provided by the European Opendata Portal: CORDIS opendata.

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