SOCIALMAPONPARIS

THE SOCIAL MEANING OF IMAGES: ADVERTISING POSTERS IN THE FIRST HALF OF THE 20TH CENTURY IN PARIS

 Coordinatore ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES 

 Organization address address: AVENUE DE FRANCE 190
city: PARIS 13
postcode: 75013

contact info
Titolo: Ms.
Nome: Samira
Cognome: Ben Touhami
Email: send email
Telefono: 33149542663
Fax: 33149542513

 Nazionalità Coordinatore France [FR]
 Totale costo 132˙538 €
 EC contributo 132˙538 €
 Programma FP7-PEOPLE
Specific programme "People" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call FP7-PEOPLE-2009-IEF
 Funding Scheme MC-IEF
 Anno di inizio 2010
 Periodo (anno-mese-giorno) 2010-09-01   -   2012-04-30

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES

 Organization address address: AVENUE DE FRANCE 190
city: PARIS 13
postcode: 75013

contact info
Titolo: Ms.
Nome: Samira
Cognome: Ben Touhami
Email: send email
Telefono: 33149542663
Fax: 33149542513

FR (PARIS 13) coordinator 132˙538.00

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

social    cultural    poster    relation    studying    city    arts    identity    advertising    communicative    paris    posters    century   

 Obiettivo del progetto (Objective)

'With this fellowship proposal I intend to explore the cultural context of the city of Paris in the first half of the 20th century, through the analysis of a specific cultural object: the advertising poster. My research will look at these posters as “social events” that create new historical identities through a communicative and symbolic efficacy. In this way I analyze these images as a real source of documentation of social practices, and as main social actors in the communicative interactions. My work will necessarily be interdisciplinary, merging together the textual meaning sciences and a narrative approach with the history of graphic arts and social-interaction-oriented methodologies. My research will also concern the relation between art and advertising during the birth of a modern city. In general I can state that, from their beginnings in the 19th century with Manet’s posters, the relation between the poster and Paris is a primal binomial that engendered the future evolution of advertisting arts, with influences still visible today. This is true not only in Paris but also in many other European cities. This is the reason why, by studying the cultural identity of Paris, we will also be studying an important aspect of a more general European identity.'

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