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MALMECC SIGNED

Music and Late Medieval European Court Cultures: Towards a Trans-Disciplinary and Post-National Cultural Poetics of the Performative Arts

Total Cost €

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EC-Contrib. €

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Partnership

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 MALMECC project word cloud

Explore the words cloud of the MALMECC project. It provides you a very rough idea of what is the project "MALMECC" about.

literary    kinship    salzburg    interstices    centres    qualities    time    relatively    develops    avignon    performances    linking    paris    malmecc    otherwise    rituals    meanings    countries    texts    life    social    courts    synoptically    germany    eastern    innovative    transmission    post    singing    political    decisive    south    medieval    informed    status    writing    constitute    florence    disciplinary    religion    perspective    gender    interplay    prevailing    relief    mono    obscured    owning    unheard    musical    integrate    1450    cyprus    relational    cultures    formations    multidisciplinary    religious    sociocultural    performance    1280    national    ist    medievalist    first    genesis    reveal    arts    enhanced    times    savoy    begun    music    sound    politics    favouring    fullness    listening    dimensions    culture    courtly    reverse    paradigm    re    discursive    site    orality    encompassing    visual    vibrant    cultural    trans    tensions    throwing    late    explore    england    bohemia    court    noblesse    significantly    ecology    framework    systematically    manuscripts   

Project "MALMECC" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website http://www.malmecc.eu
 Total cost 2˙186˙400 €
 EC max contribution 2˙186˙400 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2014-ADG
 Funding Scheme ERC-ADG
 Starting year 2016
 Duration (year-month-day) from 2016-01-01   to  2020-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 2˙113˙283.00
2    UNIVERSITEIT UTRECHT NL (UTRECHT) participant 73˙116.00

Map

 Project objective

Late medieval European court cultures have traditionally been studied from a mono-disciplinary and national(ist) perspective. This focus has obscured much of the interplay of cultural performances that informed “courtly life”. Recent research has begun to reverse this, focusing on issues such as the tensions between orality, writing, and performance; the sociocultural dimensions of making and owning manuscripts (musical and otherwise); the interstices between musical, literary and visual texts and political, social and religious rituals; and the impact of gender, kinship, and social status on the genesis and transmission of culture and music. These “new medievalist” studies have significantly enhanced our understanding of the cultural meanings of singing, listening, and sound in late medieval times. Taking a decisive step further, MALMECC will, for the first time, systematically explore late medieval (c. 1280-1450) court cultures and their music synoptically across Europe. England, the Low Countries, Avignon, Bohemia, south-eastern Germany/Salzburg, Savoy, and Cyprus have been selected for study as each was a vibrant site of cultural production but has been relatively neglected due to prevailing discursive formations favouring “centres” like Paris and Florence. Linking these courts in a large-scale comparative study focused on the role of music in courtly life but embedded within a multidisciplinary framework encompassing all the arts as well as politics and religion will reveal the complex ecology of late medieval performances of noblesse in unheard-of depth while at the same time throwing the unique qualities of each court into distinct relief. The project will apply an innovative research paradigm that develops a trans-disciplinary and post-national(ist), “relational” approach to the study of music in late-medieval court cultures. In doing so it will integrate all late medieval arts and re-constitute the fullness of their potential meanings.

 Publications

year authors and title journal last update
List of publications.
2017 Christophe Masson
\"Review of J.-Y. COPY, \"\"La revendication bretonne du trône de France (1213-1358)\"\", Paris, Alain Baudry et Cie, 2016\"
published pages: Online, ISSN: 1618-6168, DOI:
Sehepunkte : Rezensionsjournal für Geschichtswissenschaften Sehepunkte 17 (2017), Nr. 12 [1 2020-04-23

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