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MALMECC SIGNED

Music and Late Medieval European Court Cultures: Towards a Trans-Disciplinary and Post-National Cultural Poetics of the Performative Arts

Total Cost €

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EC-Contrib. €

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Partnership

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 MALMECC project word cloud

Explore the words cloud of the MALMECC project. It provides you a very rough idea of what is the project "MALMECC" about.

times    multidisciplinary    decisive    singing    salzburg    paris    ecology    innovative    paradigm    bohemia    eastern    dimensions    sociocultural    centres    status    vibrant    medievalist    qualities    disciplinary    politics    systematically    post    time    late    religion    savoy    fullness    relief    meanings    countries    favouring    malmecc    perspective    trans    courts    culture    re    performances    courtly    texts    informed    sound    genesis    transmission    national    political    florence    linking    site    listening    unheard    germany    religious    ist    arts    cultures    throwing    relatively    kinship    noblesse    begun    owning    performance    reverse    life    cyprus    visual    reveal    cultural    avignon    explore    medieval    literary    interplay    constitute    manuscripts    synoptically    enhanced    significantly    social    musical    framework    rituals    interstices    first    writing    orality    court    mono    south    relational    prevailing    integrate    gender    1280    1450    formations    encompassing    obscured    discursive    tensions    develops    music    otherwise    england   

Project "MALMECC" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website http://www.malmecc.eu
 Total cost 2˙186˙400 €
 EC max contribution 2˙186˙400 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2014-ADG
 Funding Scheme ERC-ADG
 Starting year 2016
 Duration (year-month-day) from 2016-01-01   to  2020-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 2˙113˙283.00
2    UNIVERSITEIT UTRECHT NL (UTRECHT) participant 73˙116.00

Map

 Project objective

Late medieval European court cultures have traditionally been studied from a mono-disciplinary and national(ist) perspective. This focus has obscured much of the interplay of cultural performances that informed “courtly life”. Recent research has begun to reverse this, focusing on issues such as the tensions between orality, writing, and performance; the sociocultural dimensions of making and owning manuscripts (musical and otherwise); the interstices between musical, literary and visual texts and political, social and religious rituals; and the impact of gender, kinship, and social status on the genesis and transmission of culture and music. These “new medievalist” studies have significantly enhanced our understanding of the cultural meanings of singing, listening, and sound in late medieval times. Taking a decisive step further, MALMECC will, for the first time, systematically explore late medieval (c. 1280-1450) court cultures and their music synoptically across Europe. England, the Low Countries, Avignon, Bohemia, south-eastern Germany/Salzburg, Savoy, and Cyprus have been selected for study as each was a vibrant site of cultural production but has been relatively neglected due to prevailing discursive formations favouring “centres” like Paris and Florence. Linking these courts in a large-scale comparative study focused on the role of music in courtly life but embedded within a multidisciplinary framework encompassing all the arts as well as politics and religion will reveal the complex ecology of late medieval performances of noblesse in unheard-of depth while at the same time throwing the unique qualities of each court into distinct relief. The project will apply an innovative research paradigm that develops a trans-disciplinary and post-national(ist), “relational” approach to the study of music in late-medieval court cultures. In doing so it will integrate all late medieval arts and re-constitute the fullness of their potential meanings.

 Publications

year authors and title journal last update
List of publications.
2017 Christophe Masson
\"Review of J.-Y. COPY, \"\"La revendication bretonne du trône de France (1213-1358)\"\", Paris, Alain Baudry et Cie, 2016\"
published pages: Online, ISSN: 1618-6168, DOI:
Sehepunkte : Rezensionsjournal für Geschichtswissenschaften Sehepunkte 17 (2017), Nr. 12 [1 2020-04-23

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