Opendata, web and dolomites

MALMECC SIGNED

Music and Late Medieval European Court Cultures: Towards a Trans-Disciplinary and Post-National Cultural Poetics of the Performative Arts

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 MALMECC project word cloud

Explore the words cloud of the MALMECC project. It provides you a very rough idea of what is the project "MALMECC" about.

south    music    bohemia    kinship    orality    otherwise    encompassing    social    constitute    political    tensions    florence    fullness    1450    life    decisive    systematically    qualities    politics    savoy    site    significantly    genesis    arts    1280    explore    unheard    manuscripts    medievalist    musical    dimensions    sound    singing    listening    synoptically    ecology    courtly    interstices    writing    england    formations    enhanced    reveal    culture    medieval    multidisciplinary    cyprus    interplay    religious    mono    meanings    cultures    cultural    salzburg    relief    countries    ist    relatively    first    vibrant    relational    perspective    status    owning    time    post    reverse    courts    paris    discursive    transmission    obscured    performances    framework    court    late    germany    malmecc    texts    re    paradigm    avignon    noblesse    develops    visual    integrate    literary    national    performance    disciplinary    innovative    trans    centres    times    eastern    informed    begun    religion    favouring    prevailing    throwing    rituals    sociocultural    gender    linking   

Project "MALMECC" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website http://www.malmecc.eu
 Total cost 2˙186˙400 €
 EC max contribution 2˙186˙400 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2014-ADG
 Funding Scheme ERC-ADG
 Starting year 2016
 Duration (year-month-day) from 2016-01-01   to  2020-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 2˙113˙283.00
2    UNIVERSITEIT UTRECHT NL (UTRECHT) participant 73˙116.00

Map

 Project objective

Late medieval European court cultures have traditionally been studied from a mono-disciplinary and national(ist) perspective. This focus has obscured much of the interplay of cultural performances that informed “courtly life”. Recent research has begun to reverse this, focusing on issues such as the tensions between orality, writing, and performance; the sociocultural dimensions of making and owning manuscripts (musical and otherwise); the interstices between musical, literary and visual texts and political, social and religious rituals; and the impact of gender, kinship, and social status on the genesis and transmission of culture and music. These “new medievalist” studies have significantly enhanced our understanding of the cultural meanings of singing, listening, and sound in late medieval times. Taking a decisive step further, MALMECC will, for the first time, systematically explore late medieval (c. 1280-1450) court cultures and their music synoptically across Europe. England, the Low Countries, Avignon, Bohemia, south-eastern Germany/Salzburg, Savoy, and Cyprus have been selected for study as each was a vibrant site of cultural production but has been relatively neglected due to prevailing discursive formations favouring “centres” like Paris and Florence. Linking these courts in a large-scale comparative study focused on the role of music in courtly life but embedded within a multidisciplinary framework encompassing all the arts as well as politics and religion will reveal the complex ecology of late medieval performances of noblesse in unheard-of depth while at the same time throwing the unique qualities of each court into distinct relief. The project will apply an innovative research paradigm that develops a trans-disciplinary and post-national(ist), “relational” approach to the study of music in late-medieval court cultures. In doing so it will integrate all late medieval arts and re-constitute the fullness of their potential meanings.

 Publications

year authors and title journal last update
List of publications.
2017 Christophe Masson
\"Review of J.-Y. COPY, \"\"La revendication bretonne du trône de France (1213-1358)\"\", Paris, Alain Baudry et Cie, 2016\"
published pages: Online, ISSN: 1618-6168, DOI:
Sehepunkte : Rezensionsjournal für Geschichtswissenschaften Sehepunkte 17 (2017), Nr. 12 [1 2020-04-23

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "MALMECC" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "MALMECC" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.1.)

ENUF (2019)

Evaluation of Novel Ultra-Fast selective III-V Epitaxy

Read More  

PonD (2019)

Particles-on-Demand for Multiscale Fluid Dynamics

Read More  

Aware (2019)

Aiding Antibiotic Development with Deep Analysis of Resistance Evolution

Read More