Opendata, web and dolomites

CRESO

Cognition and Representation of Self and the Other in North African Rock Art

Total Cost €

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EC-Contrib. €

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Partnership

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 CRESO project word cloud

Explore the words cloud of the CRESO project. It provides you a very rough idea of what is the project "CRESO" about.

dating    renew    ca    excavated    east    database    parts    platform    paintings    africa    actually    mid    messak    kebir    ennedi    thought    ecological    small    acacus    disciplines    posed    optimum    painted    desert    questions    african    tell    self    worldviews    west    creso    el    encompasses    painters    periods    human    palaeosociology    question    dimensions    typology    relationships    maintained    being    until    uweinat    bc    gis    representations    prehistory    tassili    economic    iuml    cultural    perception    prehistoric    images    ahaggar    sahara    3500    social    symbolic    data    identity    motifs    meanings    saharan    9500    before    profound    jebel    perspective    green    holocene    traditions    period    representation    rock    groups    explored    corpus    massifs    crossroads    body    world    tibesti    review    group    style    life    subset    archaeology    became    proportion    conception    collected    gilf    wetter    socio    depiction    cognitive    humans    north    scenes   

Project "CRESO" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://paris-cambridge.weebly.com/
 Total cost 195˙454 €
 EC max contribution 195˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 195˙454.00

Map

 Project objective

Before it became desert, the so-called ‘Green Sahara’ was maintained by wetter conditions during the Early and Mid-Holocene periods (ca. 9500 to 3500 BC). Prehistoric groups have painted numerous scenes and motifs, especially in the Saharan massifs such as Ahaggar, Tassili, Messak, Acacus, Aïr, Tibesti, Ennedi, Gilf el-Kebir and Jebel Uweinat, from West to East. Rock art of this 'optimum' encompasses a wide range of representations, in which images of the human body and social life are at a very high proportion, compared to rock art traditions of other parts of the world. As such, it is a unique corpus for studying body perception and depiction in the late Prehistory. Until today, the potential of the corpus is still under-explored in terms of human and cultural thought, systems of meanings and social dimensions. The objective is to get Saharan rock art studies beyond typology, style and dating to actually learn about the meanings involved, particularly on the body and on identity. It aims to review prehistoric paintings of humans in the perspective of what they tell to us about perception and representation of the body, of Self and of the group. Beyond, the research question posed is ‘How prehistoric groups of North Africa have built images of their identity and social being?’. The CRESO project is based on rock art data already collected in the Saharan massifs. The research questions focus on body conception and human relationships throughout a period of profound ecological and socio-economic changes, and on generic and symbolic representations and what they tell of the ‘worldviews’ of the painters. Two approaches will be applied, (1) at a large scale with a database and GIS platform, and (2) on a small subset in which images will be ‘excavated’ through a very detailed analysis. At the crossroads of several disciplines including cognitive archaeology and palaeosociology, CRESO is expected to renew the research issues in North African rock art studies.

 Publications

year authors and title journal last update
List of publications.
2018 Emmanuelle Honoré
15e congrès de l’Association panafricaine d’archéologie, de préhistoire et disciplines associées
published pages: , ISSN: 2431-2045, DOI: 10.4000/aaa.1863
Afrique: Archéologie & Arts 14 2019-07-26
2017 Manuel Gutierrez, Emmanuelle Honoré
L’art rupestre d’Afrique. Actualité de la recherche (2016). Actes du colloque international, Paris (15-17 janvier 2014), M. Gutierrez & E. Honoré (dir.), université Paris 1, centre Panthéon & musée du quai Branly, Paris, L’Harmattan
published pages: 121, ISSN: 2431-2045, DOI: 10.4000/aaa.1056
Afrique: Archéologie & Arts 13 2019-07-26
2017 Emmanuelle Honoré
Prehistoric landmarks in contrasted territories: Rock art of the Libyan Desert massifs, Egypt
published pages: , ISSN: 1040-6182, DOI: 10.1016/j.quaint.2017.06.068
Quaternary International 2019-07-26

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