Opendata, web and dolomites

CRESO

Cognition and Representation of Self and the Other in North African Rock Art

Total Cost €

0

EC-Contrib. €

0

Partnership

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 CRESO project word cloud

Explore the words cloud of the CRESO project. It provides you a very rough idea of what is the project "CRESO" about.

worldviews    periods    renew    being    excavated    painted    humans    corpus    profound    body    life    saharan    posed    paintings    african    kebir    depiction    tell    period    platform    tibesti    palaeosociology    green    meanings    until    west    iuml    traditions    parts    typology    wetter    perception    proportion    images    painters    became    database    encompasses    identity    acacus    representation    self    mid    uweinat    representations    tassili    motifs    desert    perspective    north    explored    gilf    dimensions    el    9500    data    world    dating    disciplines    rock    relationships    collected    maintained    economic    ecological    style    prehistoric    human    bc    ennedi    small    optimum    socio    prehistory    subset    holocene    review    east    3500    question    questions    groups    messak    thought    scenes    archaeology    before    ca    cognitive    massifs    sahara    creso    actually    conception    jebel    ahaggar    africa    group    symbolic    cultural    social    crossroads    gis   

Project "CRESO" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website https://paris-cambridge.weebly.com/
 Total cost 195˙454 €
 EC max contribution 195˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-12-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 195˙454.00

Map

 Project objective

Before it became desert, the so-called ‘Green Sahara’ was maintained by wetter conditions during the Early and Mid-Holocene periods (ca. 9500 to 3500 BC). Prehistoric groups have painted numerous scenes and motifs, especially in the Saharan massifs such as Ahaggar, Tassili, Messak, Acacus, Aïr, Tibesti, Ennedi, Gilf el-Kebir and Jebel Uweinat, from West to East. Rock art of this 'optimum' encompasses a wide range of representations, in which images of the human body and social life are at a very high proportion, compared to rock art traditions of other parts of the world. As such, it is a unique corpus for studying body perception and depiction in the late Prehistory. Until today, the potential of the corpus is still under-explored in terms of human and cultural thought, systems of meanings and social dimensions. The objective is to get Saharan rock art studies beyond typology, style and dating to actually learn about the meanings involved, particularly on the body and on identity. It aims to review prehistoric paintings of humans in the perspective of what they tell to us about perception and representation of the body, of Self and of the group. Beyond, the research question posed is ‘How prehistoric groups of North Africa have built images of their identity and social being?’. The CRESO project is based on rock art data already collected in the Saharan massifs. The research questions focus on body conception and human relationships throughout a period of profound ecological and socio-economic changes, and on generic and symbolic representations and what they tell of the ‘worldviews’ of the painters. Two approaches will be applied, (1) at a large scale with a database and GIS platform, and (2) on a small subset in which images will be ‘excavated’ through a very detailed analysis. At the crossroads of several disciplines including cognitive archaeology and palaeosociology, CRESO is expected to renew the research issues in North African rock art studies.

 Publications

year authors and title journal last update
List of publications.
2018 Emmanuelle Honoré
15e congrès de l’Association panafricaine d’archéologie, de préhistoire et disciplines associées
published pages: , ISSN: 2431-2045, DOI: 10.4000/aaa.1863
Afrique: Archéologie & Arts 14 2019-07-26
2017 Manuel Gutierrez, Emmanuelle Honoré
L’art rupestre d’Afrique. Actualité de la recherche (2016). Actes du colloque international, Paris (15-17 janvier 2014), M. Gutierrez & E. Honoré (dir.), université Paris 1, centre Panthéon & musée du quai Branly, Paris, L’Harmattan
published pages: 121, ISSN: 2431-2045, DOI: 10.4000/aaa.1056
Afrique: Archéologie & Arts 13 2019-07-26
2017 Emmanuelle Honoré
Prehistoric landmarks in contrasted territories: Rock art of the Libyan Desert massifs, Egypt
published pages: , ISSN: 1040-6182, DOI: 10.1016/j.quaint.2017.06.068
Quaternary International 2019-07-26

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