Opendata, web and dolomites


Binaural Tools for the Creative Industries

Total Cost €


EC-Contrib. €






 BINCI project word cloud

Explore the words cloud of the BINCI project. It provides you a very rough idea of what is the project "BINCI" about.

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Project "BINCI" data sheet

The following table provides information about the project.


Organization address
postcode: 8290

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Spain [ES]
 Project website
 Total cost 1˙251˙112 €
 EC max contribution 993˙603 € (79%)
 Programme 1. H2020-EU.2.1.1. (INDUSTRIAL LEADERSHIP - Leadership in enabling and industrial technologies - Information and Communication Technologies (ICT))
 Code Call H2020-ICT-2016-1
 Funding Scheme IA
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2018-06-30


Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
2    3D SOUND LABS FR (CESSON-SEVIGNE) participant 252˙122.00
3    HEAD ACOUSTICS GMBH DE (HERZOGENRATH) participant 172˙506.00
4    ANTENNA AUDIO LIMITED UK (LONDON) participant 128˙581.00
5    MYLIUS LARS DE (BERLIN) participant 47˙643.00


 Project objective

BINCI’s main objective is to develop an integrated software and hardware solution to ease the production, post-production and distribution of 3D audio content meant to be experienced by consumers through headphones. BINCI tools for binaural 3D audio production will be fully suitable to develop professional applications in the creative industries (e.g. music, video games, virtual and augmented reality, etc). BINCI will deliver market ready solutions proven in real production environments. This goal will be attained by filling the gap between the common practices and tools used by the actors of the audio and music production industry and the playback tools/devices widely used by the end listeners. BINCI will set up an adhoc User Group in the centre of its innovations. This User Group consists of renowned European audio production companies and recording labels, musicians and professional audiovisual content creators. The User Group will be involved in the requirement gathering and in the testing of the BINCI solutions. They will also pioneer binaural 3D audio production. To stimulate the binaural 3D audio content demand at consumer level, BINCI will create audioguide experimental productions for three emblematic cultural and touristic sites: Sagrada Familia (Spain), Opera Garnier (France) and and Bayerische Staatsgemäldesammlungen – Pinakotheken (Germany). Altogether, these productions will be showcased to more than 500 real site visitors BINCI integrated approach to exploitation, dissemination and communication tasks will secure an increase of 25% to 40% in yearly revenues to BINCI participating companies¸ as a result of BINCI-derived products and services. For the creative industries, BINCI will generate yearly 10 to 20 million Euro worth in direct and indirect business in binaural 3D contents contracts for audioguides productions in international cultural and touristic sites. BINCI will permit European SMEs in the audio and music production to respond to that market demand.


List of deliverables.
Project video Demonstrators, pilots, prototypes 2019-05-31 10:39:05
BINCI visual identity set (logo, templates, leaflet, etc.) Demonstrators, pilots, prototypes 2019-05-31 10:38:57
Project website Demonstrators, pilots, prototypes 2019-05-31 10:38:58
Social media and PR activities Summary Documents, reports 2019-05-31 10:38:58

Take a look to the deliverables list in detail:  detailed list of BINCI deliverables.


year authors and title journal last update
List of publications.
2018 Andrés Pérez López; Julien de Muynke
Ambisonics Directional Room Impulse Response as a new Convention of the Spatially Oriented Format for Acoustics
published pages: , ISSN: , DOI: 10.5281/zenodo.1299894
Proceedings AES Convention, Milan, 14-May-2018 1 2019-06-11
2018 A. Kruh-Elendt, A. Fiebig, R. Sottek and J. De Muynke
Tools for the production of spatial audio within BINCI
published pages: , ISSN: , DOI:
Proceedings of DAGA 2018 1 2019-06-11
2018 Schmele, Timothy; Sayin, Umut
Controlling the Apparent SourceSize in Ambisonics Using Decorrelation Filters
published pages: PP-4, ISSN: , DOI:
2018 AES International Conference on Spatial Reproduction - Aesthetics and Science July 2018 2019-06-11
2017 Adan Garriga; Ma. Eugenia Fuenmayor; Monica Caballero
Binaural tools for 3D audio production at home
published pages: , ISSN: , DOI: 10.5281/zenodo.1299869
Proceedings NEM Summit 2017 1 2019-06-11
2018 Erruz, Gerard; Schmele, Timothy
Sound-Space Choreography
published pages: P11-1, ISSN: , DOI:
2018 AES International Conference on Spatial Reproduction - Aesthetics and Science July 2018 2019-06-11

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The information about "BINCI" are provided by the European Opendata Portal: CORDIS opendata.

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