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Aural Paris SIGNED

Aural Paris: The Changing Identities of The City of Sound in Music, Film and Literature, 1870-1940.

Total Cost €

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EC-Contrib. €

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Partnership

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 Aural Paris project word cloud

Explore the words cloud of the Aural Paris project. It provides you a very rough idea of what is the project "Aural Paris" about.

assimilation    stage    music    demarcated    geography    though    orlan    composers    international    create    architectural    musical    century    reassesses    consolidate    clair    political    french    intersected    transition    pierre    singer    plan    ren    outputs    city    culture    aristide    filmmakers    embracing    communication    politics    cultural    joining    creative    metaphor    strategies    charpentier    changing    1940    sound    identity    academic    mac    reconstruction    compositions    context    urban    orthodox    period    global    war    capacities    offers    network    re    republic    ignored    impoverished    songwriters    cinema    paris    fournel    writing    sources    1870    symbols    interdisciplinary    participated    debates    vividly    ecomusicological    backdrop    sense    street    examines    parisian    place    totally    overlooked    19th    jean    literature    space    composition    metropolis    modernity    notions    gustave    ground    silent    world    soundscape    bruant    archival    musicology    defeats    had    populist    cocteau    film    corpus    moral    authors    changed    panoramic    life    acquired    arts    eacute    enlighten    songs    connotations    force    interaction    victor    france    sounds    everyday    artefacts   

Project "Aural Paris" data sheet

The following table provides information about the project.

Coordinator
ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES 

Organization address
address: 54 BD RASPAIL
city: PARIS 6
postcode: 75270
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 173˙076 €
 EC max contribution 173˙076 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2018
 Duration (year-month-day) from 2018-09-01   to  2020-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES FR (PARIS 6) coordinator 173˙076.00

Map

 Project objective

This project examines the creative assimilation of the city of Paris into the music, film and literature of the French Third Republic (1870-1940). In this period, demarcated by two war defeats, France had to find its new place within global politics, and the arts participated vividly in these debates. As the city of Paris changed rapidly from a world-leading metropolis to an impoverished city in need of architectural, political and moral reconstruction, its symbols acquired different connotations. This changing backdrop offers the ground for the study, which analyses how singer/songwriters, composers, authors and filmmakers —such as Victor Fournel, Aristide Bruant, Jean Cocteau, Gustave Charpentier, René Clair and Pierre Mac Orlan— used the city and its sounds as creative force and political metaphor. The study of overlooked, or totally ignored, archival sources and cultural artefacts will enlighten our knowledge of how street culture and city life intersected with art. The proposed research plan analyses ‘panoramic literature’ in the late 19th century, the development of the city as a musical stage, the corpus of compositions about Paris, street music and sound in the transition from silent to sound cinema, and the composition of populist Parisian songs by authors of urban life-writing. The project allows us to re-evaluate the politics of the city soundscape and its role in defining French identity. It also reassesses established notions of modernity and its interaction with the urban context though the study of everyday sounds and music. By embracing novel ecomusicological methodologies, this project is timely in joining current debates within musicology and cultural geography on the capacities of sound to produce a sense of space and place. The research will create orthodox academic outputs, exploit novel dissemination and communication strategies, and consolidate an international interdisciplinary network on urban musicology.

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The information about "AURAL PARIS" are provided by the European Opendata Portal: CORDIS opendata.

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