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Aural Paris SIGNED

Aural Paris: The Changing Identities of The City of Sound in Music, Film and Literature, 1870-1940.

Total Cost €

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EC-Contrib. €

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Partnership

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 Aural Paris project word cloud

Explore the words cloud of the Aural Paris project. It provides you a very rough idea of what is the project "Aural Paris" about.

offers    1940    musical    politics    connotations    musicology    1870    life    had    period    sense    place    joining    metaphor    century    strategies    singer    ecomusicological    international    creative    force    space    stage    consolidate    war    artefacts    pierre    fournel    outputs    world    city    plan    cinema    victor    orthodox    literature    cultural    re    communication    ignored    silent    sounds    overlooked    reconstruction    demarcated    populist    orlan    songwriters    music    transition    street    participated    parisian    authors    panoramic    urban    notions    architectural    corpus    geography    charpentier    france    backdrop    songs    totally    everyday    writing    vividly    network    interaction    political    soundscape    examines    enlighten    capacities    mac    changed    modernity    defeats    compositions    film    ground    metropolis    moral    eacute    19th    symbols    embracing    sources    archival    though    sound    impoverished    clair    global    ren    gustave    create    filmmakers    republic    debates    jean    french    cocteau    reassesses    academic    culture    context    identity    interdisciplinary    changing    intersected    composition    acquired    aristide    paris    arts    assimilation    composers    bruant   

Project "Aural Paris" data sheet

The following table provides information about the project.

Coordinator
ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES 

Organization address
address: 54 BD RASPAIL
city: PARIS 6
postcode: 75270
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 173˙076 €
 EC max contribution 173˙076 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2018
 Duration (year-month-day) from 2018-09-01   to  2020-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES FR (PARIS 6) coordinator 173˙076.00

Map

 Project objective

This project examines the creative assimilation of the city of Paris into the music, film and literature of the French Third Republic (1870-1940). In this period, demarcated by two war defeats, France had to find its new place within global politics, and the arts participated vividly in these debates. As the city of Paris changed rapidly from a world-leading metropolis to an impoverished city in need of architectural, political and moral reconstruction, its symbols acquired different connotations. This changing backdrop offers the ground for the study, which analyses how singer/songwriters, composers, authors and filmmakers —such as Victor Fournel, Aristide Bruant, Jean Cocteau, Gustave Charpentier, René Clair and Pierre Mac Orlan— used the city and its sounds as creative force and political metaphor. The study of overlooked, or totally ignored, archival sources and cultural artefacts will enlighten our knowledge of how street culture and city life intersected with art. The proposed research plan analyses ‘panoramic literature’ in the late 19th century, the development of the city as a musical stage, the corpus of compositions about Paris, street music and sound in the transition from silent to sound cinema, and the composition of populist Parisian songs by authors of urban life-writing. The project allows us to re-evaluate the politics of the city soundscape and its role in defining French identity. It also reassesses established notions of modernity and its interaction with the urban context though the study of everyday sounds and music. By embracing novel ecomusicological methodologies, this project is timely in joining current debates within musicology and cultural geography on the capacities of sound to produce a sense of space and place. The research will create orthodox academic outputs, exploit novel dissemination and communication strategies, and consolidate an international interdisciplinary network on urban musicology.

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The information about "AURAL PARIS" are provided by the European Opendata Portal: CORDIS opendata.

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