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Aural Paris SIGNED

Aural Paris: The Changing Identities of The City of Sound in Music, Film and Literature, 1870-1940.

Total Cost €

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EC-Contrib. €

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Partnership

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 Aural Paris project word cloud

Explore the words cloud of the Aural Paris project. It provides you a very rough idea of what is the project "Aural Paris" about.

war    creative    outputs    ecomusicological    writing    interdisciplinary    ignored    silent    though    paris    identity    sources    moral    participated    metropolis    musicology    songs    had    music    cinema    sense    charpentier    communication    sounds    network    acquired    arts    artefacts    victor    panoramic    space    19th    reconstruction    vividly    authors    fournel    french    literature    force    debates    gustave    composers    bruant    jean    changed    symbols    culture    notions    france    create    songwriters    street    architectural    transition    eacute    century    place    modernity    parisian    backdrop    consolidate    orthodox    musical    metaphor    1940    intersected    singer    offers    totally    capacities    defeats    re    stage    archival    overlooked    strategies    political    interaction    soundscape    embracing    context    pierre    changing    compositions    international    cocteau    geography    everyday    world    examines    clair    reassesses    academic    joining    plan    urban    demarcated    global    sound    ground    enlighten    city    life    impoverished    assimilation    aristide    ren    mac    connotations    orlan    period    filmmakers    republic    corpus    1870    film    politics    populist    cultural    composition   

Project "Aural Paris" data sheet

The following table provides information about the project.

Coordinator
ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES 

Organization address
address: 54 BD RASPAIL
city: PARIS 6
postcode: 75270
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 173˙076 €
 EC max contribution 173˙076 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2018
 Duration (year-month-day) from 2018-09-01   to  2020-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES FR (PARIS 6) coordinator 173˙076.00

Map

 Project objective

This project examines the creative assimilation of the city of Paris into the music, film and literature of the French Third Republic (1870-1940). In this period, demarcated by two war defeats, France had to find its new place within global politics, and the arts participated vividly in these debates. As the city of Paris changed rapidly from a world-leading metropolis to an impoverished city in need of architectural, political and moral reconstruction, its symbols acquired different connotations. This changing backdrop offers the ground for the study, which analyses how singer/songwriters, composers, authors and filmmakers —such as Victor Fournel, Aristide Bruant, Jean Cocteau, Gustave Charpentier, René Clair and Pierre Mac Orlan— used the city and its sounds as creative force and political metaphor. The study of overlooked, or totally ignored, archival sources and cultural artefacts will enlighten our knowledge of how street culture and city life intersected with art. The proposed research plan analyses ‘panoramic literature’ in the late 19th century, the development of the city as a musical stage, the corpus of compositions about Paris, street music and sound in the transition from silent to sound cinema, and the composition of populist Parisian songs by authors of urban life-writing. The project allows us to re-evaluate the politics of the city soundscape and its role in defining French identity. It also reassesses established notions of modernity and its interaction with the urban context though the study of everyday sounds and music. By embracing novel ecomusicological methodologies, this project is timely in joining current debates within musicology and cultural geography on the capacities of sound to produce a sense of space and place. The research will create orthodox academic outputs, exploit novel dissemination and communication strategies, and consolidate an international interdisciplinary network on urban musicology.

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The information about "AURAL PARIS" are provided by the European Opendata Portal: CORDIS opendata.

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