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FemTHEATRE SIGNED

Through Her Own Looking Glass: Rethinking ‘Woman’ in Italian Feminist Dramaturgy

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 FemTHEATRE project word cloud

Explore the words cloud of the FemTHEATRE project. It provides you a very rough idea of what is the project "FemTHEATRE" about.

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Project "FemTHEATRE" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA DEGLI STUDI DI MILANO 

Organization address
address: Via Festa Del Perdono 7
city: MILANO
postcode: 20122
website: www.unimi.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 168˙277 €
 EC max contribution 168˙277 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2017
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2018
 Duration (year-month-day) from 2018-09-03   to  2020-09-02

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA DEGLI STUDI DI MILANO IT (MILANO) coordinator 168˙277.00

Map

 Project objective

Adopting an interdisciplinary approach that combines feminist theory, Italian Studies, and women’s writing for theatre, this project will offer the first full-length investigation of the entwined dynamics between the rise of active feminism in 1970s Italy and the coeval theatrical practice. The twofold research objective represents a novelty with respect to the scant existing criticism on the subject. The study will 1) look at how the dramaturgical served as an ideological vehicle for feminism in rethinking the representation of women’s gender roles and 2) assess the impact of feminist ideology in rupturing established dramatic conventions. To better achieve this scope, it will be articulated on three main grounds: i) contextualisation of feminist theory and practice in Italy ii) philological and theatrical analysis of a wide-ranging corpus of plays produced at the time iii) collection of first-hand testimonies. This project will benefit from a unique blend of competences between the researcher and internationally established experts from the Departments of Italian Studies and Theatre Studies at the University of Milan that, combined with intense training, will allow the researcher to reach a position of professional maturity. While promising to make a significant contribution to academia by developing new knowledge in the field, the project also recognises the importance of the research topic for a wider audience. Particular attention will be given to dissemination and audience development activities, including the realisation of a number of performances intended to raise awareness of feminist issues and the topicality of feminist matters nowadays among theatre audiences and the general public. Whilst focusing on the Italian context, this study will also fill a vacuum in Women’s and Gender Studies by establishing a connection between a historically circumscribed form of artistic output and its sociological and historical context that is hitherto lacking.

 Publications

year authors and title journal last update
List of publications.
2019 Maria Morelli
Performing Gender, Gender as Performance: Politics, Aesthetics and Performativity in Dacia Maraini’s ‘Barricade’ Theatre
published pages: pp. 1-21, ISSN: 2052-5397, DOI: 10.3828/mlo.v0i0.241
Modern Languages Open 2019/1 2020-03-23
2019 Maria Morelli
Il teatro delle donne in Italia
published pages: , ISSN: , DOI:
Il teatro delle donne in Italia 2019 /1 2020-03-23

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The information about "FEMTHEATRE" are provided by the European Opendata Portal: CORDIS opendata.

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