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AMBH SIGNED

Ancient Music Beyond Hellenisation

Total Cost €

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EC-Contrib. €

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Partnership

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 AMBH project word cloud

Explore the words cloud of the AMBH project. It provides you a very rough idea of what is the project "AMBH" about.

relation    notated    periods    technicalities    interplay    diatonic    eastern    from    breaking    culture    modern    world    examined    thinking    mediterranean    african    empire    facts    close    times    hope    maintained    pervaded    arabian    inherited    outside    confinements    roman    hellenistic    royal    texts    regions    philology    medieval    caliphates    uncharted    views    analysed    archaeological    free    life    later    wind    iconography    employed    bias    ancient    found    heartlands    sources    city    instruments    potentially    ties    latter    euml    reading    segregate    egypt    theory    ideas    influence    orientalising    contemporaneous    places    concert    tajikistan    arabic    finds    northern    musical    temple    reconstruction    foreign    material    south    almost    demands    neighbours    writings    near    tonality    antiquity    hellenic    surviving    explores    relations    traditions    relate    instrument    insights    melodies    oxus    cuneiform    hellenised    informing    had    tradition    theatres    mero    halls    sudan    territory    pedigree    virtual    peninsula    breakthroughs    flourishing    region    greek    music   

Project "AMBH" data sheet

The following table provides information about the project.

Coordinator
OESTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN 

Organization address
address: DR. IGNAZ SEIPEL-PLATZ 2
city: WIEN
postcode: 1010
website: www.oeaw.ac.at

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Austria [AT]
 Total cost 775˙959 €
 EC max contribution 775˙959 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2017-ADG
 Funding Scheme ERC-ADG
 Starting year 2018
 Duration (year-month-day) from 2018-09-01   to  2023-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    OESTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN AT (WIEN) coordinator 775˙959.00

Map

 Project objective

From medieval times, Arabic as well as European music was analysed in terms that were inherited from Classical Antiquity and had thus developed in a very different music culture. In spite of recent breakthroughs in the understanding of the latter, whose technicalities we access not only through texts and iconography, but also through instrument finds and surviving notated melodies, its relation to music traditions known from later periods and different places is almost uncharted territory. The present project explores relations between Hellenic/Hellenistic music as pervaded the theatres and concert halls throughout and beyond the Roman empire, Near Eastern traditions – from the diatonic system emerging from cuneiform sources to the flourishing musical world of the caliphates – and, as far as possible, African musical life south of Egypt as well – a region that maintained close ties both with the Hellenised culture of its northern neighbours and with the Arabian Peninsula. On the one hand, this demands collaboration between Classical Philology and Arabic Studies, extending methods recently developed within music archaeological research related to the Classical Mediterranean. Arabic writings need to be examined in close reading, using recent insights into the interplay between ancient music theory and practice, in order to segregate the influence of Greek thinking from ideas and facts that must relate to contemporaneous ‘Arabic’ music-making. In this way we hope better to define the relation of this tradition to the ‘Classical world’, potentially breaking free of Orientalising bias informing modern views. On the other hand, the study and reconstruction, virtual and material, of wind instruments of Hellenistic pedigree but found outside the confinements of the Hellenistic ‘heartlands’ may provide evidence of ‘foreign’ tonality employed in those regions – specifically the royal city of Meroë in modern Sudan and the Oxus Temple in modern Tajikistan.

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