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EMUSIG SIGNED

Emotional Musical Signals

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

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 EMUSIG project word cloud

Explore the words cloud of the EMUSIG project. It provides you a very rough idea of what is the project "EMUSIG" about.

location    tracking    database    combined    influence    fear    vocal    lack    benefits    environment    pioneering    me    training    action    lab    scholar    catalogue    music    plays    programming    advertisements    emotion    eye    psychology    independent    disorders    relevance    behaviors    entices    force    rooms    synthesize    society    furthering    statistical    trained    fmri    deepening    tranquil    laboratory    impacting    signals    theory    drives    basis    biological    emotions    waiting    skills    excerpts    powerful    political    cognition    musical    signaling    medical    cultural    communicating    impacts    negatively    surprising    millions    zurich    evokes    mental    emotional    reckon    spread    behavioral    neuroscience    calm    expertise    beliefs    worldwide    groundbreaking    perfect    largely    person    cognitive    tool    university    bubbly    affective    power    influencer    report    extensive    create    anxiety    film    overlooked    daily    lives    diffuses    platform    frequently    questions    buy    multicultural    scary    interdisciplinary    perception    ideal    unlock    gain   

Project "EMUSIG" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITAT ZURICH 

Organization address
address: RAMISTRASSE 71
city: ZURICH
postcode: 8006
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Switzerland [CH]
 Total cost 191˙149 €
 EC max contribution 191˙149 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2019
 Duration (year-month-day) from 2019-05-01   to  2021-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITAT ZURICH CH (ZURICH) coordinator 191˙149.00

Map

 Project objective

The emotional power of music is a force we reckon with on a daily basis. Bubbly music in advertisements entices us to buy products. Tranquil music in medical waiting rooms evokes calm and diffuses anxiety. In spite of its extensive influence, there are still many open questions about how music impacts our emotions. One emotion in particular has been largely overlooked in music and emotion research: fear. The lack of research is surprising given the important role fear plays in society. Fear-based mental disorders are the most widespread, negatively impacting the lives of millions worldwide. Fear drives our daily behaviors and thus is used frequently to spread beliefs for political gain. Given its relevance, there are many benefits for deepening our understanding of fear. Music, a powerful emotional influencer, could be the ideal tool for furthering our knowledge of fear. This groundbreaking, interdisciplinary action will unlock the potential of music as a platform for fear research through the combined use of methods from cognitive neuroscience, behavioral psychology, and music theory. Specifically, my research objectives are to create a new multicultural database of scary music excerpts, catalogue cultural and biological musical fear signals, and synthesize the results of this research into a comprehensive report on musical fear signaling. My training in music theory and cognition methods and my expertise in film music make me the ideal person for this action. The interdisciplinary, state-of-the-art research environment at the Cognitive and Affective Neuroscience Laboratory at the University of Zurich is the perfect location for this work. At this pioneering lab in the field of vocal and music perception, I will be trained in cognitive neuroscience methods (fMRI & eye tracking), statistical and programming skills, and in communicating my interdisciplinary work, fostering my development as an independent music cognition scholar capable of leading my own laboratory.

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The information about "EMUSIG" are provided by the European Opendata Portal: CORDIS opendata.

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