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TACOMO SIGNED

Transatlantic Cowgirl Mobilities and the Western Show

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

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 TACOMO project word cloud

Explore the words cloud of the TACOMO project. It provides you a very rough idea of what is the project "TACOMO" about.

audiences    action    riding    cutting    north    day    buffalo    fantasies    roles    presented    transnational    naturally    researcher    innovative    roping    trick    myth    bill    newspaper    ideas    takes    created    gap    look    cowgirldom    globe    20th    reception    prairies    cultures    relevance    completes    explores    canada    acts    people    popular    shows    critical    costume    revise    tacomo    figures    scholarly    roam    frontier    narratives    wild    white    interact    perspectives    imperial    adventure    visual    germany    cowboydom    edge    imagine    diachronic    appeal    male    mobile    questions    cowgirls    travelling    closes    turn    first    american    womanhood    gender    performers    austria    mobilities    sharpshooting    cultural    america    world    women    commentary    did    gendered    behavior    century    norms    cowboy    transatlantically    continental    dialogue    legacy    persons    academia    special    mobility    female    figure    host    embody    theorizes    experiment    culture    essentially    performance    cowboys    resonate    objects    advertising    inquiry    western    west   

Project "TACOMO" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITAT WIEN 

Organization address
address: UNIVERSITATSRING 1
city: WIEN
postcode: 1010
website: www.univie.ac.at

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Austria [AT]
 Total cost 186˙167 €
 EC max contribution 186˙167 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2022-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITAT WIEN AT (WIEN) coordinator 186˙167.00

Map

 Project objective

Cowboys are known all over the world. They embody fantasies of mobility and adventure in the North American West to people around the globe. And naturally, we imagine cowboys as white and male figures who roam the prairies. The innovative action TACOMO takes a new look at cowboydom: It shows how cowGIRLS produce and revise cowboy gender norms in transnational cultural mobilities. Travelling with Buffalo Bill’s Wild West Show to Germany and Austria at the turn of the 20th century, female performers presented show acts such as trick riding, roping, and sharpshooting. Their acts addressed narratives of the frontier, American womanhood, and the gender norms of their European audiences, both through their performance (dialogue, costume, behavior) and its reception (newspaper commentary, advertising). TACOMO’s objective is to show that the gendered myth of the Wild West was created transatlantically in North America and in Europe. It explores three research questions: first, how did women performers experiment on the cowboy figure at Wild West Shows? Second, how did US cowgirldom interact with continental imperial gender roles? And third, how does their legacy resonate with present-day popular Western cultures in the US, Canada, Austria, and Germany? The action completes the researcher’s previous findings about female cowboys. It theorizes their performance through cutting edge fields of inquiry from Popular and Visual Culture, Mobility Studies and Transnational North American Studies, and it closes a gap in scholarly research on the myth of the American West. TACOMO’s special relevance to the H2020 program includes, first, a strong gender aspect in the diachronic research topic and in the researcher’s and the host’s gender-critical perspectives on academia; second, an appeal to general interest through its popular culture focus; and third, an understanding of culture as essentially mobile and produced in the travelling of ideas, persons, and objects between cultures.

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The information about "TACOMO" are provided by the European Opendata Portal: CORDIS opendata.

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