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TACOMO SIGNED

Transatlantic Cowgirl Mobilities and the Western Show

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 TACOMO project word cloud

Explore the words cloud of the TACOMO project. It provides you a very rough idea of what is the project "TACOMO" about.

roping    experiment    advertising    cowboys    day    audiences    culture    essentially    imagine    completes    gender    special    male    north    figure    gendered    did    turn    white    takes    objects    naturally    fantasies    look    century    travelling    scholarly    innovative    imperial    appeal    action    behavior    cowgirls    mobility    created    embody    narratives    myth    transatlantically    performers    revise    austria    mobilities    commentary    theorizes    diachronic    academia    cowboydom    trick    20th    explores    canada    cowgirldom    first    resonate    women    tacomo    researcher    cutting    west    ideas    norms    roam    reception    presented    dialogue    mobile    western    world    cultures    riding    frontier    newspaper    prairies    acts    people    relevance    shows    womanhood    closes    critical    inquiry    persons    sharpshooting    continental    transnational    figures    perspectives    bill    performance    buffalo    edge    adventure    american    female    cultural    globe    gap    questions    cowboy    wild    costume    interact    america    host    popular    roles    visual    germany    legacy   

Project "TACOMO" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITAT WIEN 

Organization address
address: UNIVERSITATSRING 1
city: WIEN
postcode: 1010
website: www.univie.ac.at

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Austria [AT]
 Total cost 186˙167 €
 EC max contribution 186˙167 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2022-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITAT WIEN AT (WIEN) coordinator 186˙167.00

Map

 Project objective

Cowboys are known all over the world. They embody fantasies of mobility and adventure in the North American West to people around the globe. And naturally, we imagine cowboys as white and male figures who roam the prairies. The innovative action TACOMO takes a new look at cowboydom: It shows how cowGIRLS produce and revise cowboy gender norms in transnational cultural mobilities. Travelling with Buffalo Bill’s Wild West Show to Germany and Austria at the turn of the 20th century, female performers presented show acts such as trick riding, roping, and sharpshooting. Their acts addressed narratives of the frontier, American womanhood, and the gender norms of their European audiences, both through their performance (dialogue, costume, behavior) and its reception (newspaper commentary, advertising). TACOMO’s objective is to show that the gendered myth of the Wild West was created transatlantically in North America and in Europe. It explores three research questions: first, how did women performers experiment on the cowboy figure at Wild West Shows? Second, how did US cowgirldom interact with continental imperial gender roles? And third, how does their legacy resonate with present-day popular Western cultures in the US, Canada, Austria, and Germany? The action completes the researcher’s previous findings about female cowboys. It theorizes their performance through cutting edge fields of inquiry from Popular and Visual Culture, Mobility Studies and Transnational North American Studies, and it closes a gap in scholarly research on the myth of the American West. TACOMO’s special relevance to the H2020 program includes, first, a strong gender aspect in the diachronic research topic and in the researcher’s and the host’s gender-critical perspectives on academia; second, an appeal to general interest through its popular culture focus; and third, an understanding of culture as essentially mobile and produced in the travelling of ideas, persons, and objects between cultures.

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The information about "TACOMO" are provided by the European Opendata Portal: CORDIS opendata.

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