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GYSIART SIGNED

A cultural history of comparative art practices and receptions in Cold War Europe (1945-1991)

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 GYSIART project word cloud

Explore the words cloud of the GYSIART project. It provides you a very rough idea of what is the project "GYSIART" about.

intend    getty    missed    2016    connections    german    associate    century    sectors    actors    exhibition    history    dimension    visitors    cold    continent    reflection    question    professional    communities    artistic    countries    training    starting    mobility    union    political    inform    individual    archives    culture    reception    yugoslavia    soviet    career    stated    social    mostly    policies    ground    academic    premise    wende    museum    critical    comprehension    conceived    expectations    cultural    locations    horizon    analysed    inclusive    angeles    dictated    meant    sectoral    prospects    nature    society    half    popular    practices    solutions    bilateral    republics    collective    international    relations    2020    war    context    actions    emphasize    divided    unmet    multilateral    inter    narratives    tend    area    dual    20th    collections    shaping    los    intended    2017    commentaries    encounters    world    multidisciplinary    historian    italy    survey    paid    speculative    breaking    left    polycentric    integration   

Project "GYSIART" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA CA' FOSCARI VENEZIA 

Organization address
address: DORSODURO 3246
city: VENEZIA
postcode: 30123
website: www.unive.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 244˙269 €
 EC max contribution 244˙269 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-GF
 Starting year 2018
 Duration (year-month-day) from 2018-02-01   to  2021-01-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA CA' FOSCARI VENEZIA IT (VENEZIA) coordinator 244˙269.00
2    THE REGENTS OF THE UNIVERSITY OF CALIFORNIA US (OAKLAND CA) partner 0.00

Map

 Project objective

Cold War studies tend to emphasize dual narratives, mostly investigated as actions that are dictated from above by State policies or as cultural relations in an international context. Starting from my previous studies on bilateral art relations in the second half of 20th century, the project is intended as a comparative survey within a polycentric and inclusive European focus area, including the two German republics, Yugoslavia, the Soviet Union and Italy. The main study cases will be provided by multilateral art encounters and the involved locations and actors, analysed as individual and collective art practices. Unique Cold War art archives and collections at the Getty Research Institute and at the Wende Museum in Los Angeles will provide key resources. In order to assess the impact of the art practices on culture and society, I intend to investigate both their critical reception in the professional art world and their popular response through the commentaries left by exhibition visitors. A crucial question is whether the European dimension has ever been considered as a common ground - be it of political, social, artistic or speculative nature - for multilateral art practices within the divided continent. Particular attention will be paid to unmet expectations and missed connections among the interested art communities. By including current Member and Associate States and Third Countries, the research is meant to contribute to inter-European comprehension and integration, as an essential premise in order to “inform the reflection about present problems and help to find solutions for shaping Europe's future”, as stated in the Work programme 2016-2017 of Horizon 2020. The project is conceived as a multidisciplinary research which, through training and inter-sectoral mobility in Comparative Studies, History and Art History, will have a ground-breaking impact on my future career prospects in the academic and non-academic sectors as Comparative European Art Historian.

 Publications

year authors and title journal last update
List of publications.
2018 Matteo Bertelé
Review of Globalizing East European Art Histories. Past and Present, edited by Beáta Hock, Anu Allas, New York-London, Routledge, 2018, 220 p.
published pages: 370-372, ISSN: 0392-4580, DOI:
Europa Orientalis 2018, vol. 37 2019-09-02

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The information about "GYSIART" are provided by the European Opendata Portal: CORDIS opendata.

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