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GYSIART SIGNED

A cultural history of comparative art practices and receptions in Cold War Europe (1945-1991)

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

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 GYSIART project word cloud

Explore the words cloud of the GYSIART project. It provides you a very rough idea of what is the project "GYSIART" about.

stated    integration    dual    countries    starting    associate    los    context    society    dictated    collective    collections    republics    expectations    connections    policies    divided    left    locations    international    shaping    academic    visitors    culture    paid    war    artistic    unmet    bilateral    yugoslavia    union    career    solutions    training    exhibition    polycentric    wende    history    intended    sectors    century    missed    cultural    critical    2017    continent    half    communities    german    practices    tend    individual    historian    meant    sectoral    popular    social    speculative    relations    actions    2016    area    survey    political    question    multilateral    20th    archives    nature    soviet    conceived    ground    museum    horizon    inclusive    mobility    inform    italy    narratives    breaking    reception    emphasize    actors    comprehension    encounters    getty    reflection    mostly    inter    professional    2020    prospects    premise    multidisciplinary    cold    intend    world    commentaries    angeles    dimension    analysed   

Project "GYSIART" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA CA' FOSCARI VENEZIA 

Organization address
address: DORSODURO 3246
city: VENEZIA
postcode: 30123
website: www.unive.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 244˙269 €
 EC max contribution 244˙269 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-GF
 Starting year 2018
 Duration (year-month-day) from 2018-02-01   to  2021-01-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA CA' FOSCARI VENEZIA IT (VENEZIA) coordinator 244˙269.00
2    THE REGENTS OF THE UNIVERSITY OF CALIFORNIA US (OAKLAND CA) partner 0.00

Map

 Project objective

Cold War studies tend to emphasize dual narratives, mostly investigated as actions that are dictated from above by State policies or as cultural relations in an international context. Starting from my previous studies on bilateral art relations in the second half of 20th century, the project is intended as a comparative survey within a polycentric and inclusive European focus area, including the two German republics, Yugoslavia, the Soviet Union and Italy. The main study cases will be provided by multilateral art encounters and the involved locations and actors, analysed as individual and collective art practices. Unique Cold War art archives and collections at the Getty Research Institute and at the Wende Museum in Los Angeles will provide key resources. In order to assess the impact of the art practices on culture and society, I intend to investigate both their critical reception in the professional art world and their popular response through the commentaries left by exhibition visitors. A crucial question is whether the European dimension has ever been considered as a common ground - be it of political, social, artistic or speculative nature - for multilateral art practices within the divided continent. Particular attention will be paid to unmet expectations and missed connections among the interested art communities. By including current Member and Associate States and Third Countries, the research is meant to contribute to inter-European comprehension and integration, as an essential premise in order to “inform the reflection about present problems and help to find solutions for shaping Europe's future”, as stated in the Work programme 2016-2017 of Horizon 2020. The project is conceived as a multidisciplinary research which, through training and inter-sectoral mobility in Comparative Studies, History and Art History, will have a ground-breaking impact on my future career prospects in the academic and non-academic sectors as Comparative European Art Historian.

 Publications

year authors and title journal last update
List of publications.
2018 Matteo Bertelé
Review of Globalizing East European Art Histories. Past and Present, edited by Beáta Hock, Anu Allas, New York-London, Routledge, 2018, 220 p.
published pages: 370-372, ISSN: 0392-4580, DOI:
Europa Orientalis 2018, vol. 37 2019-09-02

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The information about "GYSIART" are provided by the European Opendata Portal: CORDIS opendata.

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