Opendata, web and dolomites

TROMPA SIGNED

Towards Richer Online Music Public-domain Archives

Total Cost €

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EC-Contrib. €

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Partnership

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 TROMPA project word cloud

Explore the words cloud of the TROMPA project. It provides you a very rough idea of what is the project "TROMPA" about.

reusable    singers    setup    recordings    manually    massive    analysing    impossible    outreach    algorithmic    music    benefit    publicly    online    enrich    community    owners    centred    continually    heritage    creation    historical    data    public    feedback    genre    offers    millions    automatically    varying    content    enriching    interpreted    trompa    choir    contributed    loving    performance    appreciate    uses    personal    philosophy    cooperate    ways    quality    performers    made    actively    associations    wealth    repositories    classical    global    happen    explicitly    domain    linking    cultural    full    insights    scores    crowd    audiences    innovation    modalities    massively    unprecedented    repertoire    revitalised    musicians    giving    employ    expertise    co    stored    understand    contextualise    scene    contributors    amidst    scholars    reached    greatest    released    amateur    treasures    democratising    enthusiasts    annotating    re    instrumentalists    deluge    musical    back    citizens   

Project "TROMPA" data sheet

The following table provides information about the project.

Coordinator
UNIVERSIDAD POMPEU FABRA 

Organization address
address: PLACA DE LA MERCE, 10-12
city: BARCELONA
postcode: 8002
website: www.upf.edu

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Spain [ES]
 Project website https://trompamusic.eu/
 Total cost 3˙054˙930 €
 EC max contribution 3˙054˙930 € (100%)
 Programme 1. H2020-EU.3.6.3.1. (Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform and understand the present by richer interpretat...)
 Code Call H2020-SC6-CULT-COOP-2017-two-stage
 Funding Scheme RIA
 Starting year 2018
 Duration (year-month-day) from 2018-05-01   to  2021-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSIDAD POMPEU FABRA ES (BARCELONA) coordinator 729˙000.00
2    TECHNISCHE UNIVERSITEIT DELFT NL (DELFT) participant 640˙500.00
3    PEACHNOTE GMBH DE (MUNICH) participant 343˙500.00
4    GOLDSMITHS' COLLEGE UK (LONDON) participant 322˙625.00
5    VIDEO DOCK BV NL (AMSTERDAM) participant 289˙375.00
6    UNIVERSITAT FUR MUSIK UND DARSTELLENDE KUNST WIEN AT (WIEN) participant 232˙600.00
7    VOCTRO LABS SL ES (BARCELONA) participant 223˙225.00
8    STICHTING CENTRALE DISCOTHEEK NL (ROTTERDAM) participant 143˙662.00
9    STICHTING KONINKLIJK CONCERTGEBOUWORKEST NL (AMSTERDAM) participant 130˙442.00

Map

 Project objective

Classical music is one of the greatest treasures of Europe’s cultural heritage. Although a historical genre, it is continually (re)interpreted and revitalised through musical performance. Today, most of the classical repertoire is in the public domain; massive numbers of scores and recordings are now available in online community-contributed repositories actively used by scholars and musicians. Technology offers ways to enrich and contextualise this repertoire, so that users might better understand and appreciate it. However, due to varying data quality and scale, this does not happen automatically for public-domain resources. Amidst a deluge of data, relevant associations across repositories and modalities (e.g. from scores to recordings) still have to be made manually, while insights by previous users are not explicitly stored for future users to learn from. It is thus impossible to get comprehensive insight into the full wealth of our musical cultural heritage. TROMPA will change this by massively enriching and democratising our publicly available musical heritage through a user-centred co-creation setup. For analysing and linking music data at scale, the project will employ and improve state-of-the-art technology. Music-loving citizens (including the large scene of amateur performers) will cooperate with the technology, giving feedback on algorithmic results, and annotating the data according to their personal expertise. Following an open innovation philosophy, all knowledge derived will be released back to the community in reusable ways. This enables many uses in applications which directly benefit crowd contributors and further audiences. TROMPA will demonstrate this for music scholars, content owners, instrumentalists, choir singers, and music enthusiasts. Via the consortium and associated partners, global audiences can be reached at an unprecedented scale, with potential outreach to millions of users.

 Deliverables

List of deliverables.
Data Management Plan Open Research Data Pilot 2020-04-11 08:07:07
Music performance assessment Documents, reports 2020-04-11 08:07:07
Communication channels Websites, patent fillings, videos etc. 2020-04-11 08:07:07
Data infrastructure Documents, reports 2020-04-11 08:07:07
Multimodal music information alignment Documents, reports 2020-04-11 08:07:07
Develop project website and blog Websites, patent fillings, videos etc. 2020-04-11 08:07:07
TROMPA processing library Documents, reports 2020-04-11 08:07:07
Annotation tools Documents, reports 2020-04-11 08:07:07
Project handbook Documents, reports 2020-04-11 08:07:07
Annual dissemination report Documents, reports 2020-04-11 08:07:07
Music description Documents, reports 2020-04-11 08:07:07
Data resource preparation Documents, reports 2020-04-11 08:07:07

Take a look to the deliverables list in detail:  detailed list of TROMPA deliverables.

 Publications

year authors and title journal last update
List of publications.
2018 Cuesta, H., Gómez E., Martorell A., & Loáiciga F.
Analysis of Intonation in Unison Choir Singing
published pages: , ISSN: , DOI: 10.5281/zenodo.1319597
15th International Conference on Music Perception and Cognition (ICMPC) 2020-04-11
2019 Slizovskaia, Olga; Kim, Leo; Haro, Gloria; Gomez, Emilia
End-to-End Sound Source Separation Conditioned On Instrument Labels
published pages: , ISSN: , DOI:
2019 International Conference on Acoustics, Speech, and Signal Processing. 2 2020-04-11
2018 Gómez, Emilia; Blaauw, Merlijn; Bonada, Jordi; Chandna, Pritish; Cuesta, Helena
Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners
published pages: , ISSN: , DOI:
2018 Joint Workshop on Machine Learning for Music. The Federated Artificial Intelligence Meeting (FAIM) 3 2020-04-11
2019 Cuesta, H., Gómez E., & Chandna P.
A Framework for Multi-f0 Modeling in SATB Choir Recordings
published pages: , ISSN: , DOI:
Sound and Music Computing (SMC) Conference. 2020-04-11
2019 Álvaro Sarasúa, Julián Urbano, Emilia Gómez
Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements
published pages: , ISSN: 2297-2668, DOI: 10.3389/fdigh.2019.00003
Frontiers in Digital Humanities 6 2020-04-11

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The information about "TROMPA" are provided by the European Opendata Portal: CORDIS opendata.

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