Explore the words cloud of the TROMPA project. It provides you a very rough idea of what is the project "TROMPA" about.
The following table provides information about the project.
UNIVERSIDAD POMPEU FABRA
|Coordinator Country||Spain [ES]|
|Total cost||3˙054˙930 €|
|EC max contribution||3˙054˙930 € (100%)|
1. H2020-EU.184.108.40.206. (Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform and understand the present by richer interpretat...)
|Duration (year-month-day)||from 2018-05-01 to 2021-04-30|
Take a look of project's partnership.
|1||UNIVERSIDAD POMPEU FABRA||ES (BARCELONA)||coordinator||729˙000.00|
|2||TECHNISCHE UNIVERSITEIT DELFT||NL (DELFT)||participant||640˙500.00|
|3||PEACHNOTE GMBH||DE (MUNICH)||participant||343˙500.00|
|4||GOLDSMITHS' COLLEGE||UK (LONDON)||participant||322˙625.00|
|5||VIDEO DOCK BV||NL (AMSTERDAM)||participant||289˙375.00|
|6||UNIVERSITAT FUR MUSIK UND DARSTELLENDE KUNST WIEN||AT (WIEN)||participant||232˙600.00|
|7||VOCTRO LABS SL||ES (BARCELONA)||participant||223˙225.00|
|8||STICHTING CENTRALE DISCOTHEEK||NL (ROTTERDAM)||participant||143˙662.00|
|9||STICHTING KONINKLIJK CONCERTGEBOUWORKEST||NL (AMSTERDAM)||participant||130˙442.00|
Classical music is one of the greatest treasures of Europe’s cultural heritage. Although a historical genre, it is continually (re)interpreted and revitalised through musical performance. Today, most of the classical repertoire is in the public domain; massive numbers of scores and recordings are now available in online community-contributed repositories actively used by scholars and musicians. Technology offers ways to enrich and contextualise this repertoire, so that users might better understand and appreciate it. However, due to varying data quality and scale, this does not happen automatically for public-domain resources. Amidst a deluge of data, relevant associations across repositories and modalities (e.g. from scores to recordings) still have to be made manually, while insights by previous users are not explicitly stored for future users to learn from. It is thus impossible to get comprehensive insight into the full wealth of our musical cultural heritage. TROMPA will change this by massively enriching and democratising our publicly available musical heritage through a user-centred co-creation setup. For analysing and linking music data at scale, the project will employ and improve state-of-the-art technology. Music-loving citizens (including the large scene of amateur performers) will cooperate with the technology, giving feedback on algorithmic results, and annotating the data according to their personal expertise. Following an open innovation philosophy, all knowledge derived will be released back to the community in reusable ways. This enables many uses in applications which directly benefit crowd contributors and further audiences. TROMPA will demonstrate this for music scholars, content owners, instrumentalists, choir singers, and music enthusiasts. Via the consortium and associated partners, global audiences can be reached at an unprecedented scale, with potential outreach to millions of users.
|Data Management Plan||Open Research Data Pilot||2020-04-11 08:07:07|
|Music performance assessment||Documents, reports||2020-04-11 08:07:07|
|Communication channels||Websites, patent fillings, videos etc.||2020-04-11 08:07:07|
|Data infrastructure||Documents, reports||2020-04-11 08:07:07|
|Multimodal music information alignment||Documents, reports||2020-04-11 08:07:07|
|Develop project website and blog||Websites, patent fillings, videos etc.||2020-04-11 08:07:07|
|TROMPA processing library||Documents, reports||2020-04-11 08:07:07|
|Annotation tools||Documents, reports||2020-04-11 08:07:07|
|Project handbook||Documents, reports||2020-04-11 08:07:07|
|Annual dissemination report||Documents, reports||2020-04-11 08:07:07|
|Music description||Documents, reports||2020-04-11 08:07:07|
|Data resource preparation||Documents, reports||2020-04-11 08:07:07|
Take a look to the deliverables list in detail: detailed list of TROMPA deliverables.
|year||authors and title||journal||last update|
Cuesta, H., GÃ³mez E., Martorell A., & LoÃ¡iciga F.
Analysis of Intonation in Unison Choir Singing
published pages: , ISSN: , DOI: 10.5281/zenodo.1319597
|15th International Conference on Music Perception and Cognition (ICMPC)||2020-04-11|
Slizovskaia, Olga; Kim, Leo; Haro, Gloria; Gomez, Emilia
End-to-End Sound Source Separation Conditioned On Instrument Labels
published pages: , ISSN: , DOI:
|2019 International Conference on Acoustics, Speech, and Signal Processing. 2||2020-04-11|
GÃ³mez, Emilia; Blaauw, Merlijn; Bonada, Jordi; Chandna, Pritish; Cuesta, Helena
Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners
published pages: , ISSN: , DOI:
|2018 Joint Workshop on Machine Learning for Music. The Federated Artificial Intelligence Meeting (FAIM) 3||2020-04-11|
Cuesta, H., GÃ³mez E., & Chandna P.
A Framework for Multi-f0 Modeling in SATB Choir Recordings
published pages: , ISSN: , DOI:
|Sound and Music Computing (SMC) Conference.||2020-04-11|
Ãlvaro SarasÃºa, JuliÃ¡n Urbano, Emilia GÃ³mez
Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements
published pages: , ISSN: 2297-2668, DOI: 10.3389/fdigh.2019.00003
|Frontiers in Digital Humanities 6||2020-04-11|
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The information about "TROMPA" are provided by the European Opendata Portal: CORDIS opendata.
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