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PolyCRomA SIGNED

Polychromy: the meaning of Colour in Roman African statues

Total Cost €

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EC-Contrib. €

0

Partnership

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 PolyCRomA project word cloud

Explore the words cloud of the PolyCRomA project. It provides you a very rough idea of what is the project "PolyCRomA" about.

multidisciplinary    offers    sciences    systematic    marble    undergo    vil    colour    omnipresent    explores    mentioning    archaeological    museum    hyperspectral    imperial    asia    variety    reflected    painting    copying    provenance    rome    bardo    literary    purpose    conceived    traces    analysed    epigraphic    though    multispectral    society    fashion    ir    religious    mirror    political    seems    techniques    coloured    variations    local    relation    statuary    statues    uv    action    greek    artefacts    african    videomicroscope    tunisia    workshops    polychromy    collection    sources    context    mosaic    edx    socio    typology    evaluation    proposing    visual    quality    cooperation    discovery    imaging    samples    investigation    inventoried    corpus    perception    understudied    raman    phenomenon    minor    africa    province    pixe    documented    history    natural    counterparts    ft    micro    ancient    coupling    humanities    sem    roman    ambiguous    data    scope    proconsular    modern    xrf    preserved    last    illusionistic    long    situ    quantitative    taste    first   

Project "PolyCRomA" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITE DE LIEGE 

Organization address
address: PLACE DU 20 AOUT 7
city: LIEGE
postcode: 4000
website: www.ulg.ac.be

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Belgium [BE]
 Total cost 178˙320 €
 EC max contribution 178˙320 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2022-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITE DE LIEGE BE (LIEGE) coordinator 178˙320.00

Map

 Project objective

Long neglected, the polychromy of ancient statues has been increasingly studied during the last 20 years with a multidisciplinary cooperation between humanities and natural sciences. If the use of colour seems omnipresent in Greek statues with an illusionistic aim, the phenomenon is not only understudied in Roman statues but also more ambiguous: the fashion for copying Greek statues seems to develop the taste for marble and the socio-political value of the statues could be reflected in the use of colour. This action explores the meaning of Roman Imperial statues polychromy in Proconsular Africa though the Bardo museum collection in Tunisia, proposing the first systematic study of the use of colour in the statuary of an important Imperial province. The variety of typology, quality and provenance (local, Asia Minor, Rome workshops) of the more than 100 coloured statues in the corpus offers a significant mirror of the African society. Moreover, as the archaeological context of discovery is well known, the meaning of the polychromy will be analysed in relation with the socio-political and religious purpose with which these artefacts were conceived. The preserved traces of colour will first be documented by coupling visual investigation (by the support of multispectral imaging and UV and VIL videomicroscope) and in-situ analyses (XRF and µRaman) in order to identify the techniques used to colour the statues. Selected micro-samples will undergo further quantitative analyses (PIXE, SEM/EDX, hyperspectral imaging, FT-IR). Finally literary and epigraphic sources of Proconsular Africa mentioning the colour of statues will be inventoried and the use of colour on the statues will be compared with their counterparts in painting and mosaic. The overall evaluation of the data will go beyond the scope of the province and will reach wider conclusions on the variations in the use of colour and its meaning, contributing to the history of colour and the modern perception of Roman art.

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The information about "POLYCROMA" are provided by the European Opendata Portal: CORDIS opendata.

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