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PolyCRomA SIGNED

Polychromy: the meaning of Colour in Roman African statues

Total Cost €

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EC-Contrib. €

0

Partnership

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 PolyCRomA project word cloud

Explore the words cloud of the PolyCRomA project. It provides you a very rough idea of what is the project "PolyCRomA" about.

understudied    multidisciplinary    documented    mirror    videomicroscope    political    roman    tunisia    artefacts    ancient    techniques    investigation    last    illusionistic    seems    quality    statuary    xrf    phenomenon    proposing    situ    collection    micro    explores    ft    ir    bardo    conceived    ambiguous    perception    reflected    long    visual    inventoried    first    mentioning    data    cooperation    sources    provenance    discovery    evaluation    humanities    purpose    undergo    scope    proconsular    analysed    modern    mosaic    socio    corpus    offers    natural    sciences    hyperspectral    polychromy    vil    imaging    multispectral    statues    variations    relation    omnipresent    greek    counterparts    colour    fashion    edx    minor    society    traces    workshops    african    marble    province    though    epigraphic    action    context    literary    preserved    sem    imperial    museum    africa    systematic    pixe    coloured    asia    copying    uv    religious    local    typology    quantitative    raman    variety    coupling    rome    painting    samples    archaeological    taste    history   

Project "PolyCRomA" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITE DE LIEGE 

Organization address
address: PLACE DU 20 AOUT 7
city: LIEGE
postcode: 4000
website: www.ulg.ac.be

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Belgium [BE]
 Total cost 178˙320 €
 EC max contribution 178˙320 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2022-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITE DE LIEGE BE (LIEGE) coordinator 178˙320.00

Map

 Project objective

Long neglected, the polychromy of ancient statues has been increasingly studied during the last 20 years with a multidisciplinary cooperation between humanities and natural sciences. If the use of colour seems omnipresent in Greek statues with an illusionistic aim, the phenomenon is not only understudied in Roman statues but also more ambiguous: the fashion for copying Greek statues seems to develop the taste for marble and the socio-political value of the statues could be reflected in the use of colour. This action explores the meaning of Roman Imperial statues polychromy in Proconsular Africa though the Bardo museum collection in Tunisia, proposing the first systematic study of the use of colour in the statuary of an important Imperial province. The variety of typology, quality and provenance (local, Asia Minor, Rome workshops) of the more than 100 coloured statues in the corpus offers a significant mirror of the African society. Moreover, as the archaeological context of discovery is well known, the meaning of the polychromy will be analysed in relation with the socio-political and religious purpose with which these artefacts were conceived. The preserved traces of colour will first be documented by coupling visual investigation (by the support of multispectral imaging and UV and VIL videomicroscope) and in-situ analyses (XRF and µRaman) in order to identify the techniques used to colour the statues. Selected micro-samples will undergo further quantitative analyses (PIXE, SEM/EDX, hyperspectral imaging, FT-IR). Finally literary and epigraphic sources of Proconsular Africa mentioning the colour of statues will be inventoried and the use of colour on the statues will be compared with their counterparts in painting and mosaic. The overall evaluation of the data will go beyond the scope of the province and will reach wider conclusions on the variations in the use of colour and its meaning, contributing to the history of colour and the modern perception of Roman art.

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The information about "POLYCROMA" are provided by the European Opendata Portal: CORDIS opendata.

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