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HOLOFRENPOSTMOD SIGNED

Un passé qui ne passe pas. The Ethics and Aesthetics of Contemporary French Holocaust Literature

Total Cost €

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EC-Contrib. €

0

Partnership

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 HOLOFRENPOSTMOD project word cloud

Explore the words cloud of the HOLOFRENPOSTMOD project. It provides you a very rough idea of what is the project "HOLOFRENPOSTMOD" about.

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Project "HOLOFRENPOSTMOD" data sheet

The following table provides information about the project.

Coordinator
ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE 

Organization address
address: EGHAM HILL UNIVERSITY OF LONDON
city: EGHAM
postcode: TW20 0EX
website: http://www.rhul.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
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 Coordinator Country United Kingdom [UK]
 Project website https://www.facebook.com/Un-pass
 Total cost 195˙454 €
 EC max contribution 195˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2014
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2016
 Duration (year-month-day) from 2016-08-01   to  2018-07-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE UK (EGHAM) coordinator 195˙454.00

Map

 Project objective

The project addresses the controversial interplay between postmodern narrative strategies and Holocaust representations in recent French fiction. The project’s innovative quality lies in applying Anglo-American theories of postmodernism to French literature, deemed largely immune to the influence of the ‘alien’ and negatively connoted postmodern poetics. The project’s aims are a) to establish the presence of French literary postmodernism, b) to observe parallels between contemporary French- and English-language Holocaust historiographic metafiction, c) to explore the tension between the analysed works’ thematics and aesthetics, and d) to examine the ethical implications of the corpus for French World War II memory. The project is planned for 24 months and is entirely feasible, its successful completion being ensured by suitable project management procedures, the perfect match between the Fellow’s profile and the research, and the ideal working environment offered by the Host. The future Fellow is Dr Helena Duffy, an experienced researcher whose academic work has more than adequately prepared her for the proposed research, and the Host is Royal Holloway (RHUL). By being one of UK’s top research-led universities and home to the Holocaust Research Centre, the leading academic centre of its kind in Europe, RHUL is the best possible context for Dr Duffy’s work. The project will be supervised by Prof. Robert Eaglestone, a world-leading specialist in Holocaust Studies, and carried out in synergy with other eminent scholars. The project, which will result in a range of publications and outreach activities, will create a space for a two-way transfer of knowledge between Dr Duffy, who will contribute her specialism in French literature and postmodernism, and the Host that will offer its expertise in Holocaust Studies. By creating an opportunity to refocus her research, the fellowship will help Dr Duffy attain the position of academic independence and authority she is seeking

 Publications

year authors and title journal last update
List of publications.
2018 Helena Duffy
The Ethics of Metawitnessing in Yannick Haenel’s Jan Karski
published pages: 1-21, ISSN: 2325-6249, DOI: 10.1080/23256249.2018.1432254
Dapim: Studies on the Holocaust 32/1 2019-06-13
2018 Helena Duffy
Philippe Claudel’s Brodeck as a parody of the fable or the Holocaust universalized
published pages: 1-24, ISSN: 1750-4902, DOI: 10.1080/17504902.2018.1468669
Holocaust Studies 24.4 (2018) 2019-06-13

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