Opendata, web and dolomites

STUDIOTEC SIGNED

Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60.

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 STUDIOTEC project word cloud

Explore the words cloud of the STUDIOTEC project. It provides you a very rough idea of what is the project "STUDIOTEC" about.

3d    innovation    extended    underpinned    material    historical    spaces    germany    studio    transformed    vr    time    local    politics    diverse    empirical    sites    wartime    contemporaneous    formative    occurred    countries    dynamic    collaborative    period    hollywood    dominated    practices    war    italy    structured    tectonics    centralized    flows    responded    transnational    tools    economic    methodology    architecture    britain    technologies    typified    materialist    locations    professional    spatial    themes    cultures    environments    challenged    studios    understandings    1930    discrete    stratified    architectural    shaped    proposes    disruptions    economics    creative    expertise    models    literatures    creativity    first    artistic    movement    team    materially    fragmentation    investigates    create    linear    metaphorical    shifting    idea    infrastructure    perspective    labour    explore    interrelated    linking    histories    infrastructures    france    experiences    imagination    film    relations    introduction    multiple    data    post    constituting    attracted    undertheorized   

Project "STUDIOTEC" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY OF BRISTOL 

Organization address
address: BEACON HOUSE QUEENS ROAD
city: BRISTOL
postcode: BS8 1QU
website: www.bristol.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 2˙498˙965 €
 EC max contribution 2˙498˙965 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-09-01   to  2024-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY OF BRISTOL UK (BRISTOL) coordinator 1˙678˙864.00
2    UNIVERSITY OF SOUTHAMPTON UK (SOUTHAMPTON) participant 417˙916.00
3    QUEEN MARY UNIVERSITY OF LONDON UK (LONDON) participant 402˙185.00

Map

 Project objective

This project investigates film studios across four major European production sites: Britain, France, Germany and Italy, 1930-60. During these years studios were transformed as they responded to challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While these countries have attracted their own historical literatures, this project proposes for the first time their comparative analysis from the perspective of film studio tectonics, cultures and practices. The project is underpinned by the idea of tectonics as a metaphorical way into understanding the studios’ multiple, stratified, shifting experiences as architectural spaces, diverse working environments and locations for innovation. The study of film studios has been dominated by the centralized Hollywood ‘system’, and local studio histories are typified by discrete, linear and undertheorized approaches. This project proposes a more dynamic materialist methodology, linking empirical data with comparative, transnational developments which occurred during a major period of change within the four key production sites. Using historical research and a range of spatial analysis, 3D and VR tools, the project will explore studio spaces as diverse creative and economic infrastructures which both extended and challenged the range of contemporaneous models. The team will investigate how artistic practices responded to transnational flows in film studio expertise while constituting formative, materially-based ‘spaces of the imagination’. Research will be structured around four major interrelated themes: 1) Architecture and Infrastructure; 2) Creativity, Practices and Innovation; 3) Politics and Economics; 4) Professional and Labour relations. The project will create new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures.

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "STUDIOTEC" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "STUDIOTEC" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.1.)

Resonances (2019)

Resonances and Zeta Functions in Smooth Ergodic Theory and Geometry

Read More  

Aware (2019)

Aiding Antibiotic Development with Deep Analysis of Resistance Evolution

Read More  

PonD (2019)

Particles-on-Demand for Multiscale Fluid Dynamics

Read More