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STUDIOTEC SIGNED

Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60.

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 STUDIOTEC project word cloud

Explore the words cloud of the STUDIOTEC project. It provides you a very rough idea of what is the project "STUDIOTEC" about.

innovation    create    fragmentation    understandings    expertise    italy    tools    histories    multiple    empirical    shifting    dynamic    tectonics    period    materially    time    literatures    dominated    infrastructures    perspective    vr    experiences    metaphorical    movement    introduction    war    disruptions    collaborative    idea    methodology    politics    first    economic    countries    formative    professional    studios    underpinned    historical    themes    diverse    linking    post    shaped    team    discrete    cultures    germany    constituting    structured    creativity    challenged    spatial    spaces    materialist    models    creative    wartime    france    environments    architectural    hollywood    economics    investigates    typified    occurred    architecture    technologies    transformed    imagination    infrastructure    local    proposes    data    artistic    undertheorized    film    3d    flows    linear    locations    1930    explore    stratified    labour    britain    contemporaneous    centralized    relations    interrelated    responded    transnational    extended    attracted    sites    practices    material    studio   

Project "STUDIOTEC" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY OF BRISTOL 

Organization address
address: BEACON HOUSE QUEENS ROAD
city: BRISTOL
postcode: BS8 1QU
website: www.bristol.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 2˙498˙965 €
 EC max contribution 2˙498˙965 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-09-01   to  2024-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY OF BRISTOL UK (BRISTOL) coordinator 1˙678˙864.00
2    UNIVERSITY OF SOUTHAMPTON UK (SOUTHAMPTON) participant 417˙916.00
3    QUEEN MARY UNIVERSITY OF LONDON UK (LONDON) participant 402˙185.00

Map

Leaflet | Map data © OpenStreetMap contributors, CC-BY-SA, Imagery © Mapbox

 Project objective

This project investigates film studios across four major European production sites: Britain, France, Germany and Italy, 1930-60. During these years studios were transformed as they responded to challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While these countries have attracted their own historical literatures, this project proposes for the first time their comparative analysis from the perspective of film studio tectonics, cultures and practices. The project is underpinned by the idea of tectonics as a metaphorical way into understanding the studios’ multiple, stratified, shifting experiences as architectural spaces, diverse working environments and locations for innovation. The study of film studios has been dominated by the centralized Hollywood ‘system’, and local studio histories are typified by discrete, linear and undertheorized approaches. This project proposes a more dynamic materialist methodology, linking empirical data with comparative, transnational developments which occurred during a major period of change within the four key production sites. Using historical research and a range of spatial analysis, 3D and VR tools, the project will explore studio spaces as diverse creative and economic infrastructures which both extended and challenged the range of contemporaneous models. The team will investigate how artistic practices responded to transnational flows in film studio expertise while constituting formative, materially-based ‘spaces of the imagination’. Research will be structured around four major interrelated themes: 1) Architecture and Infrastructure; 2) Creativity, Practices and Innovation; 3) Politics and Economics; 4) Professional and Labour relations. The project will create new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures.

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The information about "STUDIOTEC" are provided by the European Opendata Portal: CORDIS opendata.

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