Opendata, web and dolomites

STUDIOTEC SIGNED

Film Studios: Infrastructure, Culture, Innovation in Britain, France, Germany and Italy, 1930-60.

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 STUDIOTEC project word cloud

Explore the words cloud of the STUDIOTEC project. It provides you a very rough idea of what is the project "STUDIOTEC" about.

underpinned    flows    war    vr    dominated    first    challenged    studios    models    technologies    innovation    labour    transformed    idea    tectonics    film    empirical    introduction    understandings    germany    locations    professional    relations    extended    expertise    fragmentation    team    constituting    time    tools    materially    wartime    diverse    local    metaphorical    imagination    architecture    undertheorized    explore    multiple    responded    spaces    spatial    economics    economic    practices    movement    attracted    sites    stratified    cultures    italy    create    themes    dynamic    infrastructures    historical    1930    infrastructure    architectural    creativity    france    studio    britain    discrete    environments    3d    perspective    linear    formative    structured    interrelated    typified    experiences    methodology    countries    collaborative    linking    shifting    proposes    contemporaneous    investigates    period    material    centralized    shaped    politics    creative    literatures    materialist    hollywood    data    histories    disruptions    occurred    post    transnational    artistic   

Project "STUDIOTEC" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY OF BRISTOL 

Organization address
address: BEACON HOUSE QUEENS ROAD
city: BRISTOL
postcode: BS8 1QU
website: www.bristol.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 2˙498˙965 €
 EC max contribution 2˙498˙965 € (100%)
 Programme 1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
 Code Call ERC-2018-ADG
 Funding Scheme ERC-ADG
 Starting year 2019
 Duration (year-month-day) from 2019-09-01   to  2024-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY OF BRISTOL UK (BRISTOL) coordinator 1˙678˙864.00
2    UNIVERSITY OF SOUTHAMPTON UK (SOUTHAMPTON) participant 417˙916.00
3    QUEEN MARY UNIVERSITY OF LONDON UK (LONDON) participant 402˙185.00

Map

 Project objective

This project investigates film studios across four major European production sites: Britain, France, Germany and Italy, 1930-60. During these years studios were transformed as they responded to challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While these countries have attracted their own historical literatures, this project proposes for the first time their comparative analysis from the perspective of film studio tectonics, cultures and practices. The project is underpinned by the idea of tectonics as a metaphorical way into understanding the studios’ multiple, stratified, shifting experiences as architectural spaces, diverse working environments and locations for innovation. The study of film studios has been dominated by the centralized Hollywood ‘system’, and local studio histories are typified by discrete, linear and undertheorized approaches. This project proposes a more dynamic materialist methodology, linking empirical data with comparative, transnational developments which occurred during a major period of change within the four key production sites. Using historical research and a range of spatial analysis, 3D and VR tools, the project will explore studio spaces as diverse creative and economic infrastructures which both extended and challenged the range of contemporaneous models. The team will investigate how artistic practices responded to transnational flows in film studio expertise while constituting formative, materially-based ‘spaces of the imagination’. Research will be structured around four major interrelated themes: 1) Architecture and Infrastructure; 2) Creativity, Practices and Innovation; 3) Politics and Economics; 4) Professional and Labour relations. The project will create new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures.

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "STUDIOTEC" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "STUDIOTEC" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.1.)

ENUF (2019)

Evaluation of Novel Ultra-Fast selective III-V Epitaxy

Read More  

DeCoCt (2019)

Knowledge based design of complex synthetic microbial communities for plant protection

Read More  

HydroLieve (2018)

A long-lasting non-migrating hydrogel for relieving chronic pain

Read More