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TMIM SIGNED

Textiles and the Making of Israeli Modernism: From the Zionist Bauhuas to Feminist Art

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 TMIM project word cloud

Explore the words cloud of the TMIM project. It provides you a very rough idea of what is the project "TMIM" about.

artistic    association    eastern    innovative    heritage    tmim    establishment    prolific    little    nativism    feminine    israel    interrelated    history    tendencies    arena    australia    commerce    counterbalanced    significance    social    style    opposed    israeli    roots    female    expand    zionist    settler    agents    followed    international    period    movements    sources    crossroads    precisely    modernist    ground    scholarly    united    nation    designers    global    owned    1970s    societies    perceptions    building    separate    textiles    medium    cultural    distinguished    things    fertile    influences    ongoing    culture    received    universal    government    avant    emphasized    attempt    nevertheless    implications    anthropology    academy    universalism    tension    brand    versus    group    century    formative    national    debates    political    craft    local    traditions    incorporation    idiom    draw    artists    overlooked    oriented    object    underscored    construction    search    modernism    dialogue    garde    oscillated    marginalization    twentieth    visual    feminist    jewish    bauhaus    1940s    continue    actually    scholars    entirely    fashion    desire    overlapping    middle    seemingly    fine    commercial    shaped    position    scholarship    historiography   

Project "TMIM" data sheet

The following table provides information about the project.

Coordinator
THE HEBREW UNIVERSITY OF JERUSALEM 

Organization address
address: EDMOND J SAFRA CAMPUS GIVAT RAM
city: JERUSALEM
postcode: 91904
website: www.huji.ac.il

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Israel [IL]
 Total cost 185˙464 €
 EC max contribution 185˙464 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-EF-RI
 Starting year 2020
 Duration (year-month-day) from 2020-05-01   to  2022-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE HEBREW UNIVERSITY OF JERUSALEM IL (JERUSALEM) coordinator 185˙464.00

Map

 Project objective

'The development of Israeli visual culture in the twentieth century was underscored by artists’ search for local roots, counterbalanced with their desire to dialogue with an international artistic arena. As in other settler societies such as the United States and Australia, the attempt to produce a distinguished idiom of Israeli modernism oscillated between 'nativism' and 'universalism'––two seemingly opposed tendencies that were actually interrelated. Indeed, the historiography of Israeli visual culture has emphasized the ongoing tension between local versus global/universal influences. Nevertheless, scholars continue to debate which sources shaped Israeli modernism, and what political implications followed the incorporation of Middle Eastern traditions, European Jewish heritage, or international avant-garde movements into an Israeli national style. The proposed study would contribute to such debates by investigating a medium that has received little scholarly attention––textiles. Textiles and the Making of Israeli Modernism: From the Zionist Bauhaus to Feminist Art (TMIM) will focus on textiles produced in Israel during the 1940s–1970s within three separate yet overlapping fields of practice: an art and craft academy, a government-owned fashion brand, and the fine art establishment. TMIM will draw and expand on recent scholarship that addressed the marginalization of textiles within art history due to its association with 'low,' commercial, or 'feminine' work, as well as the innovative field of object-oriented anthropology that considers 'things' as agents of cultural and social meaning. TMIM aims to establish the significance of a group of highly prolific artists-designers, all female, whose work has been entirely overlooked. It is precisely its position at the crossroads of art, craft, and commerce that makes the field of textiles fertile ground for examining the construction of modernist perceptions during this formative period of Israeli nation-building.'

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The information about "TMIM" are provided by the European Opendata Portal: CORDIS opendata.

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