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TMIM SIGNED

Textiles and the Making of Israeli Modernism: From the Zionist Bauhuas to Feminist Art

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 TMIM project word cloud

Explore the words cloud of the TMIM project. It provides you a very rough idea of what is the project "TMIM" about.

medium    societies    sources    underscored    attempt    settler    idiom    cultural    commercial    distinguished    object    textiles    continue    female    australia    precisely    social    heritage    position    israel    overlooked    versus    oscillated    period    tension    feminist    actually    scholarly    shaped    tmim    movements    avant    incorporation    tendencies    traditions    ongoing    formative    bauhaus    dialogue    national    israeli    eastern    century    government    global    significance    seemingly    zionist    fertile    nation    middle    craft    innovative    group    culture    things    perceptions    1970s    artistic    designers    search    arena    implications    fashion    anthropology    interrelated    draw    garde    roots    modernist    crossroads    marginalization    prolific    owned    history    commerce    universalism    nativism    influences    construction    twentieth    political    debates    agents    little    followed    establishment    united    historiography    international    academy    expand    fine    jewish    oriented    association    modernism    scholarship    universal    entirely    brand    artists    emphasized    style    feminine    opposed    nevertheless    local    separate    overlapping    received    visual    counterbalanced    building    ground    1940s    desire    scholars   

Project "TMIM" data sheet

The following table provides information about the project.

Coordinator
THE HEBREW UNIVERSITY OF JERUSALEM 

Organization address
address: EDMOND J SAFRA CAMPUS GIVAT RAM
city: JERUSALEM
postcode: 91904
website: www.huji.ac.il

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Israel [IL]
 Total cost 185˙464 €
 EC max contribution 185˙464 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-EF-RI
 Starting year 2020
 Duration (year-month-day) from 2020-05-01   to  2022-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE HEBREW UNIVERSITY OF JERUSALEM IL (JERUSALEM) coordinator 185˙464.00

Map

 Project objective

'The development of Israeli visual culture in the twentieth century was underscored by artists’ search for local roots, counterbalanced with their desire to dialogue with an international artistic arena. As in other settler societies such as the United States and Australia, the attempt to produce a distinguished idiom of Israeli modernism oscillated between 'nativism' and 'universalism'––two seemingly opposed tendencies that were actually interrelated. Indeed, the historiography of Israeli visual culture has emphasized the ongoing tension between local versus global/universal influences. Nevertheless, scholars continue to debate which sources shaped Israeli modernism, and what political implications followed the incorporation of Middle Eastern traditions, European Jewish heritage, or international avant-garde movements into an Israeli national style. The proposed study would contribute to such debates by investigating a medium that has received little scholarly attention––textiles. Textiles and the Making of Israeli Modernism: From the Zionist Bauhaus to Feminist Art (TMIM) will focus on textiles produced in Israel during the 1940s–1970s within three separate yet overlapping fields of practice: an art and craft academy, a government-owned fashion brand, and the fine art establishment. TMIM will draw and expand on recent scholarship that addressed the marginalization of textiles within art history due to its association with 'low,' commercial, or 'feminine' work, as well as the innovative field of object-oriented anthropology that considers 'things' as agents of cultural and social meaning. TMIM aims to establish the significance of a group of highly prolific artists-designers, all female, whose work has been entirely overlooked. It is precisely its position at the crossroads of art, craft, and commerce that makes the field of textiles fertile ground for examining the construction of modernist perceptions during this formative period of Israeli nation-building.'

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The information about "TMIM" are provided by the European Opendata Portal: CORDIS opendata.

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