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TMIM SIGNED

Textiles and the Making of Israeli Modernism: From the Zionist Bauhuas to Feminist Art

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 TMIM project word cloud

Explore the words cloud of the TMIM project. It provides you a very rough idea of what is the project "TMIM" about.

distinguished    nevertheless    nativism    culture    position    heritage    international    desire    building    national    avant    middle    prolific    bauhaus    object    dialogue    attempt    commerce    government    anthropology    received    ground    fine    shaped    universalism    century    scholars    global    history    academy    oscillated    interrelated    movements    twentieth    artists    1940s    marginalization    settler    australia    crossroads    political    sources    construction    overlapping    seemingly    little    female    draw    idiom    search    brand    implications    local    influences    universal    fertile    continue    counterbalanced    historiography    scholarship    scholarly    arena    roots    precisely    establishment    traditions    group    entirely    zionist    modernist    israeli    united    style    textiles    social    eastern    medium    owned    period    israel    significance    oriented    designers    feminist    versus    tmim    underscored    fashion    craft    tension    separate    feminine    followed    innovative    perceptions    garde    artistic    1970s    incorporation    modernism    tendencies    ongoing    things    jewish    actually    overlooked    formative    agents    visual    cultural    opposed    expand    societies    nation    debates    emphasized    commercial    association   

Project "TMIM" data sheet

The following table provides information about the project.

Coordinator
THE HEBREW UNIVERSITY OF JERUSALEM 

Organization address
address: EDMOND J SAFRA CAMPUS GIVAT RAM
city: JERUSALEM
postcode: 91904
website: www.huji.ac.il

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Israel [IL]
 Total cost 185˙464 €
 EC max contribution 185˙464 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-EF-RI
 Starting year 2020
 Duration (year-month-day) from 2020-05-01   to  2022-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE HEBREW UNIVERSITY OF JERUSALEM IL (JERUSALEM) coordinator 185˙464.00

Map

 Project objective

'The development of Israeli visual culture in the twentieth century was underscored by artists’ search for local roots, counterbalanced with their desire to dialogue with an international artistic arena. As in other settler societies such as the United States and Australia, the attempt to produce a distinguished idiom of Israeli modernism oscillated between 'nativism' and 'universalism'––two seemingly opposed tendencies that were actually interrelated. Indeed, the historiography of Israeli visual culture has emphasized the ongoing tension between local versus global/universal influences. Nevertheless, scholars continue to debate which sources shaped Israeli modernism, and what political implications followed the incorporation of Middle Eastern traditions, European Jewish heritage, or international avant-garde movements into an Israeli national style. The proposed study would contribute to such debates by investigating a medium that has received little scholarly attention––textiles. Textiles and the Making of Israeli Modernism: From the Zionist Bauhaus to Feminist Art (TMIM) will focus on textiles produced in Israel during the 1940s–1970s within three separate yet overlapping fields of practice: an art and craft academy, a government-owned fashion brand, and the fine art establishment. TMIM will draw and expand on recent scholarship that addressed the marginalization of textiles within art history due to its association with 'low,' commercial, or 'feminine' work, as well as the innovative field of object-oriented anthropology that considers 'things' as agents of cultural and social meaning. TMIM aims to establish the significance of a group of highly prolific artists-designers, all female, whose work has been entirely overlooked. It is precisely its position at the crossroads of art, craft, and commerce that makes the field of textiles fertile ground for examining the construction of modernist perceptions during this formative period of Israeli nation-building.'

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The information about "TMIM" are provided by the European Opendata Portal: CORDIS opendata.

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