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TMIM SIGNED

Textiles and the Making of Israeli Modernism: From the Zionist Bauhuas to Feminist Art

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 TMIM project word cloud

Explore the words cloud of the TMIM project. It provides you a very rough idea of what is the project "TMIM" about.

oscillated    shaped    object    garde    eastern    position    precisely    fine    establishment    prolific    modernism    israel    global    local    academy    expand    draw    dialogue    underscored    historiography    societies    things    female    interrelated    movements    universalism    period    united    craft    social    twentieth    commercial    little    scholars    overlooked    nation    debates    century    jewish    government    artists    fertile    israeli    settler    received    bauhaus    tmim    building    modernist    group    roots    style    1940s    feminist    nevertheless    emphasized    cultural    influences    construction    oriented    ground    arena    heritage    association    visual    crossroads    textiles    political    agents    artistic    universal    desire    innovative    tendencies    culture    middle    traditions    avant    search    commerce    versus    zionist    actually    seemingly    idiom    medium    entirely    continue    counterbalanced    national    overlapping    nativism    incorporation    feminine    tension    ongoing    international    fashion    followed    owned    scholarly    significance    scholarship    implications    australia    anthropology    brand    designers    sources    opposed    attempt    1970s    perceptions    marginalization    history    separate    distinguished    formative   

Project "TMIM" data sheet

The following table provides information about the project.

Coordinator
THE HEBREW UNIVERSITY OF JERUSALEM 

Organization address
address: EDMOND J SAFRA CAMPUS GIVAT RAM
city: JERUSALEM
postcode: 91904
website: www.huji.ac.il

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Israel [IL]
 Total cost 185˙464 €
 EC max contribution 185˙464 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-EF-RI
 Starting year 2020
 Duration (year-month-day) from 2020-05-01   to  2022-04-30

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE HEBREW UNIVERSITY OF JERUSALEM IL (JERUSALEM) coordinator 185˙464.00

Map

 Project objective

'The development of Israeli visual culture in the twentieth century was underscored by artists’ search for local roots, counterbalanced with their desire to dialogue with an international artistic arena. As in other settler societies such as the United States and Australia, the attempt to produce a distinguished idiom of Israeli modernism oscillated between 'nativism' and 'universalism'––two seemingly opposed tendencies that were actually interrelated. Indeed, the historiography of Israeli visual culture has emphasized the ongoing tension between local versus global/universal influences. Nevertheless, scholars continue to debate which sources shaped Israeli modernism, and what political implications followed the incorporation of Middle Eastern traditions, European Jewish heritage, or international avant-garde movements into an Israeli national style. The proposed study would contribute to such debates by investigating a medium that has received little scholarly attention––textiles. Textiles and the Making of Israeli Modernism: From the Zionist Bauhaus to Feminist Art (TMIM) will focus on textiles produced in Israel during the 1940s–1970s within three separate yet overlapping fields of practice: an art and craft academy, a government-owned fashion brand, and the fine art establishment. TMIM will draw and expand on recent scholarship that addressed the marginalization of textiles within art history due to its association with 'low,' commercial, or 'feminine' work, as well as the innovative field of object-oriented anthropology that considers 'things' as agents of cultural and social meaning. TMIM aims to establish the significance of a group of highly prolific artists-designers, all female, whose work has been entirely overlooked. It is precisely its position at the crossroads of art, craft, and commerce that makes the field of textiles fertile ground for examining the construction of modernist perceptions during this formative period of Israeli nation-building.'

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The information about "TMIM" are provided by the European Opendata Portal: CORDIS opendata.

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