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SPECTACLE SIGNED

The lure of the foreign stage: Italian art and artistry serving the French and European spectacle.

Total Cost €

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EC-Contrib. €

0

Partnership

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 SPECTACLE project word cloud

Explore the words cloud of the SPECTACLE project. It provides you a very rough idea of what is the project "SPECTACLE" about.

scattered    material    gap    examined    popular    chronologically    revolutionary    historical    histories    purveyors    performer    paid    spectacularity    french    france    scholarship    performances    propaganda    politics    cultural    world    background    exploration    contributions    contracts    1820    technicians    franconi    novelty    diverse    ephemeral    family    sources    contingent    fireworks    critical    networks    expertise    multidisciplinary    degotti    letters    circus    decades    public    affording    transformation    theatre    radical    remaking    stage    history    eacute    integrating    visual    musicians    transient    century    deeper    designers    settings    broadly    artists    inherently    sketches    arts    music    historians    eighteenth    assembling    interweaving    beginning    illuminate    ruggieri    culture    1780    dramatists    refined    italian    events    body    creation    creative    micro    ignazio    lives    biographically    private    cover    experiencing    conceived    seeing    backgrounds    phenomena    cor    archival    manifestations    reducing    spectacle    principal    antonio    investigation    festivals    foreground    designer    wills   

Project "SPECTACLE" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA CA' FOSCARI VENEZIA 

Organization address
address: DORSODURO 3246
city: VENEZIA
postcode: 30123
website: www.unive.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 269˙002 €
 EC max contribution 269˙002 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2023-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA CA' FOSCARI VENEZIA IT (VENEZIA) coordinator 269˙002.00
2    NEW YORK UNIVERSITY US (NEW YORK) partner 0.00

Map

 Project objective

The proposed research is a multidisciplinary investigation on the role of spectacle during the radical transformation of European politics and culture in the decades between 1780 and 1820. Its principal aim is to define the cultural meaning of ‘spectacle’ and ‘spectacularity’ in eighteenth-century France. This will be achieved via an exploration of key contributions of Italian artists from different backgrounds and expertise (the designer Ignazio Degotti, the fireworks technicians in the Ruggieri family, and the circus performer Antonio Franconi and his family) to French and a wider European spectacle broadly conceived (e.g. theatre settings, public and private performances, propaganda events). Historians have examined cultural phenomena including theatre, visual arts, music, and popular manifestations as part of a more refined understanding of the pre-Revolutionary and Revolutionary process. However, the world of stage creation and popular festivals was inherently contingent, transient, and ephemeral. Due to this, artists and designers have not been given the same critical attention paid to musicians, dramatists, or visual artists. My research will cover this gap of knowledge in a growing body of scholarship which is only now beginning to address historical theatre production. Rather than reducing the purveyors of stage design to the ‘background’ of theatre and cultural history in their own ‘micro history,’ the novelty of my approach comes from integrating décor into cultural histories of seeing, experiencing, and remaking the world. By chronologically and biographically assembling visual and historical archival sources (sketches, wills, letters, contracts, private networks) scattered in diverse cultural institutions, the study will bring to the foreground material aspects of the spectacle-creative process and illuminate the interweaving lives of these artists, finally affording a deeper understanding of ‘spectacularity’ in European eighteenth-century culture.

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The information about "SPECTACLE" are provided by the European Opendata Portal: CORDIS opendata.

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