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SPECTACLE SIGNED

The lure of the foreign stage: Italian art and artistry serving the French and European spectacle.

Total Cost €

0

EC-Contrib. €

0

Partnership

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 SPECTACLE project word cloud

Explore the words cloud of the SPECTACLE project. It provides you a very rough idea of what is the project "SPECTACLE" about.

principal    integrating    historical    transformation    assembling    spectacle    contracts    propaganda    deeper    settings    performer    designer    private    designers    visual    cor    contingent    1780    critical    history    reducing    world    creative    circus    revolutionary    antonio    scholarship    decades    sketches    dramatists    wills    technicians    inherently    histories    material    multidisciplinary    background    gap    sources    paid    arts    1820    family    backgrounds    novelty    micro    biographically    beginning    letters    musicians    culture    purveyors    exploration    france    creation    public    expertise    music    lives    broadly    popular    radical    investigation    foreground    fireworks    interweaving    phenomena    refined    italian    cultural    performances    ephemeral    diverse    franconi    examined    illuminate    festivals    historians    century    conceived    eighteenth    cover    manifestations    affording    archival    transient    events    contributions    networks    ruggieri    politics    stage    theatre    body    eacute    remaking    spectacularity    ignazio    french    seeing    experiencing    chronologically    scattered    degotti    artists   

Project "SPECTACLE" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITA CA' FOSCARI VENEZIA 

Organization address
address: DORSODURO 3246
city: VENEZIA
postcode: 30123
website: www.unive.it

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Italy [IT]
 Total cost 269˙002 €
 EC max contribution 269˙002 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2023-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITA CA' FOSCARI VENEZIA IT (VENEZIA) coordinator 269˙002.00
2    NEW YORK UNIVERSITY US (NEW YORK) partner 0.00

Map

 Project objective

The proposed research is a multidisciplinary investigation on the role of spectacle during the radical transformation of European politics and culture in the decades between 1780 and 1820. Its principal aim is to define the cultural meaning of ‘spectacle’ and ‘spectacularity’ in eighteenth-century France. This will be achieved via an exploration of key contributions of Italian artists from different backgrounds and expertise (the designer Ignazio Degotti, the fireworks technicians in the Ruggieri family, and the circus performer Antonio Franconi and his family) to French and a wider European spectacle broadly conceived (e.g. theatre settings, public and private performances, propaganda events). Historians have examined cultural phenomena including theatre, visual arts, music, and popular manifestations as part of a more refined understanding of the pre-Revolutionary and Revolutionary process. However, the world of stage creation and popular festivals was inherently contingent, transient, and ephemeral. Due to this, artists and designers have not been given the same critical attention paid to musicians, dramatists, or visual artists. My research will cover this gap of knowledge in a growing body of scholarship which is only now beginning to address historical theatre production. Rather than reducing the purveyors of stage design to the ‘background’ of theatre and cultural history in their own ‘micro history,’ the novelty of my approach comes from integrating décor into cultural histories of seeing, experiencing, and remaking the world. By chronologically and biographically assembling visual and historical archival sources (sketches, wills, letters, contracts, private networks) scattered in diverse cultural institutions, the study will bring to the foreground material aspects of the spectacle-creative process and illuminate the interweaving lives of these artists, finally affording a deeper understanding of ‘spectacularity’ in European eighteenth-century culture.

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The information about "SPECTACLE" are provided by the European Opendata Portal: CORDIS opendata.

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