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DJMI SIGNED

Zouj: Dynamic Jewish-Muslim Interaction in Popular Maghribi Comedic Performance Culture since the 1920s

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 DJMI project word cloud

Explore the words cloud of the DJMI project. It provides you a very rough idea of what is the project "DJMI" about.

nostalgia    globe    sketches    reception    geographically    qu    performance    word    genre    tales    hook    day    uttermost    recognition    comedy    existed    africa    shared    wave    maghribi    1920s    explore    vignettes    african    theatrical    venture    north    perceived    morocco    adapting    connecting    sui    maghrib    generis    functioned    stand    reimagine    couple    emanates    muslim    arts    arabic    implications    connects    film    divisions    perspectives    dynamics    folk    circle    music    algeria    acirc    comedic    israel    produces    halqa    musics    basis    cross    public    zouj    local    jewish    scene    literature    hebrew    cha    too    sectarian    popular    commedia    begin    light    ranic    del    satirical    interconnections    france    arte    systematic    what    everyday    texts    muslims    depict    generations    debates    northern    little    dialogical    jews    until    mediterranean    style    street    square    performing    traces    telling    theatre    anthropological    bi    first    situation    culture    interactions    djmi    historical    dramatic    relations    crucible    rhetorically    renewal    proto    palestine    recitation   

Project "DJMI" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 261˙975 €
 EC max contribution 261˙975 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2021
 Duration (year-month-day) from 2021-04-01   to  2024-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 261˙975.00
2    UNIVERSITE MOHAMMED V DE RABAT MA (RABAT) partner 0.00

Map

 Project objective

DJMI will provide the first systematic study into the dynamics of Muslim-Jewish interactions in popular comedic performance culture from the 1920s in the Maghrib and France, until the present day. The project’s hook is the word Zouj because of its shared meaning in Arabic and Hebrew: a couple, or two. While there is recognition that such ‘Mediterranean culture’ existed, there has been all too little analysis of how it functioned in the past, what its current state is, and what the implications of such change are. In its venture to explore the dynamics of these dialogical interactions through popular culture, DJMI will begin by investigating the satirical sketches of early popular comedic theatrical production in Morocco and Algeria as the crucible for the North African performing arts scene to come. These sketches were sui generis and cross-genre, adapting elements of local halqa—circle-based qu’ranic recitation—commedia del’arte-style street theatre, local musics, and the telling of folk tales and everyday-vignettes in local Arabic in the public square. DJMI traces the dynamics of Jewish-Muslim interactions through the production and texts of these sketches to Maghribi chaâbi (popular) music, and on to stand-up comedy in the present day connecting to a renewal of interest in Muslim-Jewish interactions among new generations across northern Africa in reception to a recent wave of literature, film, and music that seeks to depict or reimagine these interactions and relations. DJMI thus connects the historical to the anthropological proto-nostalgia of this reception to focus on the debates and interconnections that this renewal of interest produces and where this emanates from. These perspectives and their historical basis are of the uttermost importance in light of the perceived increasingly sectarian divisions between Muslims and Jews across the globe, both rhetorically and geographically, including the particularly dramatic situation in Israel-Palestine

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The information about "DJMI" are provided by the European Opendata Portal: CORDIS opendata.

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