Opendata, web and dolomites

DJMI SIGNED

Zouj: Dynamic Jewish-Muslim Interaction in Popular Maghribi Comedic Performance Culture since the 1920s

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

 DJMI project word cloud

Explore the words cloud of the DJMI project. It provides you a very rough idea of what is the project "DJMI" about.

djmi    vignettes    tales    day    perceived    couple    halqa    culture    generis    arabic    performance    algeria    jewish    what    zouj    recognition    generations    north    first    1920s    circle    performing    light    musics    geographically    del    connecting    depict    word    functioned    begin    perspectives    implications    qu    satirical    dramatic    cross    historical    rhetorically    systematic    sketches    little    until    texts    sectarian    film    comedy    sui    stand    theatre    bi    traces    ranic    style    african    proto    dialogical    arts    interactions    nostalgia    africa    reception    comedic    morocco    genre    maghrib    reimagine    hook    too    cha    hebrew    israel    emanates    basis    jews    recitation    crucible    commedia    connects    street    uttermost    wave    debates    anthropological    renewal    situation    venture    square    telling    scene    muslim    palestine    dynamics    popular    france    everyday    folk    existed    produces    public    globe    northern    acirc    arte    mediterranean    divisions    maghribi    theatrical    muslims    local    explore    music    adapting    literature    interconnections    shared    relations   

Project "DJMI" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 261˙975 €
 EC max contribution 261˙975 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2021
 Duration (year-month-day) from 2021-04-01   to  2024-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 261˙975.00
2    UNIVERSITE MOHAMMED V DE RABAT MA (RABAT) partner 0.00

Map

 Project objective

DJMI will provide the first systematic study into the dynamics of Muslim-Jewish interactions in popular comedic performance culture from the 1920s in the Maghrib and France, until the present day. The project’s hook is the word Zouj because of its shared meaning in Arabic and Hebrew: a couple, or two. While there is recognition that such ‘Mediterranean culture’ existed, there has been all too little analysis of how it functioned in the past, what its current state is, and what the implications of such change are. In its venture to explore the dynamics of these dialogical interactions through popular culture, DJMI will begin by investigating the satirical sketches of early popular comedic theatrical production in Morocco and Algeria as the crucible for the North African performing arts scene to come. These sketches were sui generis and cross-genre, adapting elements of local halqa—circle-based qu’ranic recitation—commedia del’arte-style street theatre, local musics, and the telling of folk tales and everyday-vignettes in local Arabic in the public square. DJMI traces the dynamics of Jewish-Muslim interactions through the production and texts of these sketches to Maghribi chaâbi (popular) music, and on to stand-up comedy in the present day connecting to a renewal of interest in Muslim-Jewish interactions among new generations across northern Africa in reception to a recent wave of literature, film, and music that seeks to depict or reimagine these interactions and relations. DJMI thus connects the historical to the anthropological proto-nostalgia of this reception to focus on the debates and interconnections that this renewal of interest produces and where this emanates from. These perspectives and their historical basis are of the uttermost importance in light of the perceived increasingly sectarian divisions between Muslims and Jews across the globe, both rhetorically and geographically, including the particularly dramatic situation in Israel-Palestine

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "DJMI" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an  email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "DJMI" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.1.3.2.)

SOUTHWEST (2020)

The politeness system and the emergence of a Sprachbund

Read More  

OSeaIce (2019)

Two-way interactions between ocean heat transport and Arctic sea ice

Read More  

PROSPER (2019)

Politics of Rulemaking, Orchestration of Standards, and Private Economic Regulations

Read More