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DJMI SIGNED

Zouj: Dynamic Jewish-Muslim Interaction in Popular Maghribi Comedic Performance Culture since the 1920s

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 DJMI project word cloud

Explore the words cloud of the DJMI project. It provides you a very rough idea of what is the project "DJMI" about.

renewal    literature    anthropological    france    sectarian    tales    theatre    traces    too    connecting    interconnections    little    proto    existed    implications    hebrew    basis    until    globe    debates    maghribi    halqa    mediterranean    film    produces    ranic    arte    satirical    commedia    generations    interactions    comedic    muslims    israel    jewish    local    north    dialogical    emanates    situation    crucible    palestine    connects    genre    explore    acirc    texts    sui    couple    generis    street    everyday    morocco    begin    adapting    folk    music    public    1920s    recognition    djmi    what    performing    divisions    depict    light    systematic    musics    cross    day    zouj    arabic    culture    cha    first    algeria    circle    qu    style    perceived    sketches    shared    northern    reimagine    theatrical    africa    functioned    maghrib    recitation    perspectives    stand    rhetorically    venture    arts    african    wave    reception    scene    word    jews    uttermost    vignettes    popular    telling    geographically    del    comedy    historical    dramatic    hook    muslim    bi    relations    dynamics    square    nostalgia    performance   

Project "DJMI" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 261˙975 €
 EC max contribution 261˙975 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2021
 Duration (year-month-day) from 2021-04-01   to  2024-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 261˙975.00
2    UNIVERSITE MOHAMMED V DE RABAT MA (RABAT) partner 0.00

Map

 Project objective

DJMI will provide the first systematic study into the dynamics of Muslim-Jewish interactions in popular comedic performance culture from the 1920s in the Maghrib and France, until the present day. The project’s hook is the word Zouj because of its shared meaning in Arabic and Hebrew: a couple, or two. While there is recognition that such ‘Mediterranean culture’ existed, there has been all too little analysis of how it functioned in the past, what its current state is, and what the implications of such change are. In its venture to explore the dynamics of these dialogical interactions through popular culture, DJMI will begin by investigating the satirical sketches of early popular comedic theatrical production in Morocco and Algeria as the crucible for the North African performing arts scene to come. These sketches were sui generis and cross-genre, adapting elements of local halqa—circle-based qu’ranic recitation—commedia del’arte-style street theatre, local musics, and the telling of folk tales and everyday-vignettes in local Arabic in the public square. DJMI traces the dynamics of Jewish-Muslim interactions through the production and texts of these sketches to Maghribi chaâbi (popular) music, and on to stand-up comedy in the present day connecting to a renewal of interest in Muslim-Jewish interactions among new generations across northern Africa in reception to a recent wave of literature, film, and music that seeks to depict or reimagine these interactions and relations. DJMI thus connects the historical to the anthropological proto-nostalgia of this reception to focus on the debates and interconnections that this renewal of interest produces and where this emanates from. These perspectives and their historical basis are of the uttermost importance in light of the perceived increasingly sectarian divisions between Muslims and Jews across the globe, both rhetorically and geographically, including the particularly dramatic situation in Israel-Palestine

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The information about "DJMI" are provided by the European Opendata Portal: CORDIS opendata.

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