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DJMI SIGNED

Zouj: Dynamic Jewish-Muslim Interaction in Popular Maghribi Comedic Performance Culture since the 1920s

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 DJMI project word cloud

Explore the words cloud of the DJMI project. It provides you a very rough idea of what is the project "DJMI" about.

genre    scene    morocco    recitation    begin    functioned    day    proto    basis    hook    debates    african    implications    situation    telling    recognition    algeria    adapting    first    arabic    muslim    popular    maghribi    stand    vignettes    palestine    mediterranean    uttermost    africa    historical    renewal    jews    perceived    public    folk    1920s    wave    depict    interactions    performance    too    bi    satirical    culture    word    interconnections    generis    traces    north    northern    arts    explore    comedic    rhetorically    sui    dramatic    performing    ranic    sectarian    tales    dialogical    cross    acirc    theatre    comedy    israel    france    until    halqa    commedia    style    little    hebrew    street    film    what    connects    existed    geographically    jewish    anthropological    musics    cha    reception    maghrib    theatrical    texts    dynamics    venture    music    shared    connecting    everyday    crucible    couple    qu    local    circle    light    globe    sketches    literature    reimagine    square    muslims    generations    del    djmi    zouj    systematic    produces    relations    arte    divisions    perspectives    emanates    nostalgia   

Project "DJMI" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 261˙975 €
 EC max contribution 261˙975 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2021
 Duration (year-month-day) from 2021-04-01   to  2024-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 261˙975.00
2    UNIVERSITE MOHAMMED V DE RABAT MA (RABAT) partner 0.00

Map

 Project objective

DJMI will provide the first systematic study into the dynamics of Muslim-Jewish interactions in popular comedic performance culture from the 1920s in the Maghrib and France, until the present day. The project’s hook is the word Zouj because of its shared meaning in Arabic and Hebrew: a couple, or two. While there is recognition that such ‘Mediterranean culture’ existed, there has been all too little analysis of how it functioned in the past, what its current state is, and what the implications of such change are. In its venture to explore the dynamics of these dialogical interactions through popular culture, DJMI will begin by investigating the satirical sketches of early popular comedic theatrical production in Morocco and Algeria as the crucible for the North African performing arts scene to come. These sketches were sui generis and cross-genre, adapting elements of local halqa—circle-based qu’ranic recitation—commedia del’arte-style street theatre, local musics, and the telling of folk tales and everyday-vignettes in local Arabic in the public square. DJMI traces the dynamics of Jewish-Muslim interactions through the production and texts of these sketches to Maghribi chaâbi (popular) music, and on to stand-up comedy in the present day connecting to a renewal of interest in Muslim-Jewish interactions among new generations across northern Africa in reception to a recent wave of literature, film, and music that seeks to depict or reimagine these interactions and relations. DJMI thus connects the historical to the anthropological proto-nostalgia of this reception to focus on the debates and interconnections that this renewal of interest produces and where this emanates from. These perspectives and their historical basis are of the uttermost importance in light of the perceived increasingly sectarian divisions between Muslims and Jews across the globe, both rhetorically and geographically, including the particularly dramatic situation in Israel-Palestine

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The information about "DJMI" are provided by the European Opendata Portal: CORDIS opendata.

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